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The call of the wild summary
Explanatory call of the wild essay
Death in literature symbolism
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Recommended: The call of the wild summary
Our environment dictates how we live our lives and how we handle situations. Our environment also dictates how the people around us handle our death. Death is one important social convention of a society depicted in The Call of the Wild, Garden Party, the Great Gatsby, Bone, and Dulce Et Decorum Est. Death and the handling of death is a social convention portraying values and ways of living in two main ways: “respect” of the body and acceptable manners to die such as through violence, illness, caring, etc.
In the Call of the Wild, by Jack London, death is a game where survival is a tactic, kill or be killed (manner of death) and the body is a trophy (“respect” for the body). For example, “He [Buck] was ranging at the head of the pack, running the wild thing down, the living meat, to kill with his own teeth and wash his muzzle to the eyes in warm blood.” (London 49). This game Buck played with the other dogs was a challenge of who will catch the snowshoe rabbit. It shows a twisted regard for life. Buck wanted to wash his nose in the rabbit’s blood to smell the kill. In this game, the only respect for life is the trophy that the body will make in death. Another example of the game is “From then on, night and day, Buck never left his prey, never gave it a moment’s rest, never permitted it to browse the leaves of trees… Nor did he give the wounded bull opportunity to slake his burning thirst in the slender trickling stream they crossed.” (London 95). Buck played with the bull’s fear and he showed no mercy. He showed no respect, he gave the bull no honor and the bull finally died of exhaustion, falling over, only to become Buck’s prize that also fed him. “For a day and a night he remained by the kill [moose], eating and sleeping, turn and turn about. Then rested, refreshed and strong,” (London 96). Buck nourished himself off the bull and became stronger and more resilient. To eat Buck must hunt his food in the uncaring wild, it was his only choice for survival. The game that Buck played with life did not always give respect to the dying, though this seemed necessary to his survival, giving the deaths more acceptability as a source to nourish the winner of the game.
Thomas Paine once said “The harder the conflict, the more glorious the triumph.” Conflict is an obstacle that many characters in books go through. It is what drives the reader to continue reading and make the book enjoyable. Additionally, authors use symbolism to connect their novels to real life, personal experience, or even a life lesson. In “To Kill A Mockingbird” by Harper Lee and “A Lesson Before Dying” by Ernest J. Gaines, both take place during a time where colored people were being looked down upon and not treated with the same rights as white people. However, both novels portray the conflict and symbolism many ways that are similar and different. Additionally, both of these novels have many similarities and differences that connect as well as differentiate them to one
As a natural phenomena that occurs frequently yet is still not completely understood, death has confounded and, to a certain degree, fascinated all of humanity. Since the dawn of our species, people have tried rationalize death by means of creating various religions and even attempted to conquer death, leading to great works of literature such as the Epic of Gilgamesh and the Cannibal Spell For King Unis.
“In most human society's death is an extremely important cultural and social phenomenon, sometimes more important than birth” (Ohnuki-Tierney, Angrosino, & Daar et al. 1994). In the United States of America, when a body dies it is cherished, mourned over, and given respect by the ones that knew the person. It is sent to the morgue and from there the family decides how the body should be buried or cremated based on...
Deaths were a form of social event, when families and loved ones would gather around the bed of the dying, offering emotional support and comfort. Myth, religion, and tradition would combine to give the event deeper meaning and ease the transition for all involved. The one who was dying was confident in knowing what lay behind the veil of death, thanks to religious faith or tradition. His or her community held fast to the sense of community, drawing strength from social ties and beliefs. (“Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions" 1)
Being that death is a universally explored topic, William Shakespeare, a master of English literature, opted to thoroughly investigate this complex notion in his play Hamlet. Shakespeare cleverly and sometimes subtly brings the reader/viewer through a physical and spiritual journey of death via the several controversial characters of Hamlet. The chief element of this expedition is undoubtedly the funerals. Every funeral depicts, and marks, the conclusion of different perceptions of death. Shakespeare uses the funerals of the several controversial characters to gradually transform the simple, spiritual, naïve, and somewhat light view of death into a much more factual, physical, serious, and down to earth outlook.
In the essay “On the Fear of Death” Elisabeth Kubler-Ross focuses on dying and the effects it has on children as well as those who are dying, while in Jessica Mitford’s “Behind the Formaldehyde Curtain” focuses more on the after fact when the deceased is being prepared of their last appearance. Both authors, point out that the current attitude toward death is to simply cover it up. A successful funeral is when the deceased looks “Lyf Lyk” in Mitford’s Essay, but in Kubler-Ross’ it is dying at a peace with oneself, no IVs attached. Both authors feel that the current views of death is dehumanizing. Mitford points this out with the allusion that the funeral parlors are a theatrical play, while Kubler-Ross comments “I think there are many reasons
In the Victorian Britain there was 88 minors were killed from the start of 1851 to the end of 1851 from many, many different things. I am talking about deaths in Victorian Britain and what I think the deaths mean is that the people who died, died cruelly. There may be some people who die of accidental deaths but most people die of a cruel death. The Victorians viewed death as a sad time because the deaths caused a great deal of sadness and pain to the person's family mates and friends.
One thing that we often hear is that “death is just a part of life.” So often in our day and age do we hear people utter these words. However, death is far more significant and impactful than some would allege. True death is not merely a time when we cease to exist; it is an entombment, a mindset in which we are dead to this world. Throughout our lives, it is true that we can all be dead in one way or another, but it does not have to be that way. When we have our eyes opened to what death actually is, it is far easier to grasp what the true meaning of life is, and to embrace it. Often, we will come across individuals who are enveloped in death and others who are immersed in true life. The shadow of death and entombment lies upon some, encompassing
The Brave New World treated death much as they did birth, this was in contradiction to the way the savage felt death should be
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.
In the face of the universal fact of death, attitudes to the corpse are various and changeable. These attitudes are formed through the practices of treatment of the dead and are embodied in various ways (Parker Pearson 1999, p. 45).
Death is a prevalent theme in the poetry of both Sylvia Plath and Emily Dickinson. They both examine death from varied angles. There are many similarities as well as differences in the representation of this theme in their poetry. Plath views death as a sinister and intimidating end, while Dickinson depicts death with the endearment of romantic attraction. In the poetry of Plath death is depicted traditionally, while Dickinson attributes some mysticism to the end of life.
I was very excited to take Death and Dying as a college level course. Firstly, because I have always had a huge interest in death, but it coincides with a fear surrounding it. I love the opportunity to write this paper because I can delve into my own experiences and beliefs around death and dying and perhaps really establish a clear personal perspective and how I can relate to others in a professional setting.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
Death is a metaphysical concept that is abstract and theoretical in composition, but doesn’t embody a material form. From person to person, there are a vast array of interpretations of what death is and what it means to each individual. There is no single universal understanding of what death is, since it doesn’t embody any physical characteristics. I am the kind of person whose opinions are very easily influenced. Whenever I read a book, listen to a song, watch a movie, or look at artwork containing a strong message, my opinions (mainly metaphysical ones) are greatly impacted.