The Brave New World treated death much as they did birth, this was in contradiction to the way the savage felt death should be
Death in the Brave New World is not important, it is simply something that happens to your body when it has got worn out. In chapter 14 the nurse thought that the savage was
“Undoing all their wholesome death-conditioning with this disgusting outcry as though death were something terrible, as though anyone mattered as much as all that!”
Clearly she too had been death conditioned, to accept that death was certain, but she knew that she could be assured that her minerals would be recoverd after her death and used again.
Societies views of death were extremely different, and even the hearses were “Gaily coloured” and the ward that Linda was on was called the “Galloping senility ward” suggesting that they had no fear of going senile.
I think that the colour of the building and the size clearly represents what society thinks about death.“Primrose”,“60-Story” and the wards were “Bright with sunshine” these aren't the coulors or size modern society would use, but because of their conditioning in The Brave New world they are taught to like it, have happy thoughts about death, and are reassured by the fact, that when they die their bodies can be recycled and turned into chemicals.
What the nurse says to the savage on page 163 also says something about the way that society treats death. She says
“You are in a hurry!” after probably expecting him to be less anxious. She then goes on to say
“You’re not feeling ill are you?” due to his abnormal (for a conditioned world) behavior and his concern for Linda which, as we can see was highly unexpected as few visitors ever came.
The words “Number 3 might go off any minute now” tell us something because the people have lost their identity and because they are dying are now only refereed to as numbers, it is as if no one cares. But saying this the situation around the bed where Linda is dying, with the TV, and scent spraying into the air, tells us that people weren't just left to die, but were given some comforts but they were forgotten.
Bodies were cremated not buried and there was no book of remembrance because this is the Brave New World and they are trying to forget the past, and only look on to the future
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
Death happened every day in the world, people gets killed for different reasons, and “No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new.” (Steve Jobs). In the john Steinbeck of mice and men lots of death happened for example Curley’s wife and even animals gets killed by Lennie and Lennie gets killed by George.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
In the contract of life, there are numerous requirements. Every living being must be able to reproduce, practice homeostasis, consume energy, and adapt. However, there is one component of life that facilitators don’t include in their lesson plans: death. While all living organisms must have the ability to perform certain tasks in order to be considered living, all life must come to an end. Death is not a matter of if, but when. Many humans share a common fear of losing a loved one, yet authors utilize death to convey a profound meaning within their novel. In the first paragraph Bill Barich’s novel, Laughing in the Hills, he uses the inevitability of death to supply the reader with insight on the theme of his writing.
Deaths were a form of social event, when families and loved ones would gather around the bed of the dying, offering emotional support and comfort. Myth, religion, and tradition would combine to give the event deeper meaning and ease the transition for all involved. The one who was dying was confident in knowing what lay behind the veil of death, thanks to religious faith or tradition. His or her community held fast to the sense of community, drawing strength from social ties and beliefs. (“Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions" 1)
Throughout the novel death is portrayed as normal, something not too worry about. An example of this is shown when the director takes the students through the facility, “Bernard, whispering, made an appointment with the Headmistress for that very evening, ‘from the Slough Crematorium. Death conditioning begins at eighteen months. Every tot spends two mornings a week in a Hospital for the Dying. All the best toys are kept there, and they get chocolate cream on death days. They learn to take dying as a matter of course’”(109). The portray death to children as relaxing and fun so they do not fear or get sad about deaths of a loved one. Another example of this is shown when the director talks about how everyone dies when they are sixty. The world state does this because when the are sixty they do not want to work or play their expensive games. During their life the always look you, they are fit, and healthy. The people in the world state see not having too grow old as a luxury. They see the elderly as gross, fat, disgusting creatures with growths and blemishes. Both of these views are highly contrasted with what the concepts of love and marriage are like in the world today. People view death as a new beginning. We believe that when we die our spirits go on into either heaven or hell based on our actions. This makes us strive to do good in the world so we would be compensated for our actions. Another example is that People view old age. As children we are taught to love and respect the elderly because the give the next generation values and morals to help guide their lives. We all honor the elderly with medical assistance and holidays made to celebrate
...r Addie it is torture, for Anse it is a way to profit, and for Dewey Dell it is a solution. By crafting such intricate dealings with death, Faulkner also challenges the reader to assess what death means to them, and how death can fulfill multiple roles in life. Through new criticism which examines the relationships between a text's ideas and its form, and just doing a close reading of the text the reader is forced to look at As I lay Dying in a whole new meaning. The reader is also confronted with how the most dire and tragic events can produce the greatest humor, forcing us to question not only the thin line between tragedy and comedy but also what the individual perceives to be entertaining. This mixture of death and humor is intoxicating to the reader, and effectively entraps them within the world of the characters, their pain, and what it means to be human.
For each of us, death is a subject that not only fascinates, but creates fear in our hearts as well. Death is something we avoid in our minds with the hope that it will not touch us. As a society we all fear death; especially in violent cases, which occur naturally and arise through the unusual forces in our society. When such an event takes place we want revenge. In Dead Man Walking, the parents of the murdered girl are left with so much anger that they verbally attack Sister Helen Prejean, when they find out she is still on Matthew Poncelet’s side.
The nursing profession is formed upon the Hippocratic practice of "do no harm" and an ethic of moral opposition to ending another human’s life. The Code of Ethics for nurses prohibits intentionally terminating any human life. Nurses are compelled to provide ease of suffering, comfort and ideally a death that is coherent with the values and wishes of the dying patient, however; it is essential that nurses uphold the ethical obligations of the profession and not partake in assisted suicide. (King, 2003)
Death is often displayed in literature, showing how people would react towards it. Whether it's in "The Story of An Hour" by Kate Chopin, "The Masque of the Red Death" by Edgar Allan Poe, "The Lottery" by Shirley Jackson, or even "The Garden Party" by Katherine Mansfield, death appears to be unavoidable. Although these are different short stories, death is applied, but the author's interpretations differentiate.
Death is an eternal mystery and the most controversial subject stemming from human inexperience. Its inescapability and uncertainty can give insights on the core principles and vulnerability of human nature. In Shakespeare’s tragedy Hamlet he skilfully makes use of death as a lashing force to explore the depths of his characters along the way illustrating man’s continual dilemma “To be or not to be”?
She opens up her essay by saying “How surprised [Yorick] would be to see how his counterpart of today is whisked off to a funeral parlor and is in short order sprayed, sliced, pierced, pickled, trussed, trimmed, creamed, waxed, painted, rouged, and neatly dressed transformed from a common corpse into a Beautiful Memory Picture.”(Mitford) Funerals are meant to protect people from seeing what kind of toll death has on their loved one; to remove the scars of being human. Kubler-Ross touches on this when she says “The more we are making advancements in science, the more we seem to fear and deny the reality of death. How is this possible? We use euphemisms, we make the dead look as if they were asleep” (Kubler-Ross) which connects to her opinion that death is feared and people take responsibility when a loved one dies, even if they had no impact on their death. The eradication of the sense of death is the key reason why the deceased are embalmed. Clifton Bryant discusses that the reason why people want to have their dead embalmed is because of “death anxiety”, that it is the collective phrase for all the different and complex fears of death. He later states that death anxiety is why we tend to have “death denial” and why we tend to avoid it wholly. “Likewise, the use of metaphors or euphemisms that serve to soften the harshness of death (e.g., passed away, deceased, expired) clearly represents a culturally approved attempt to deny or camouflage death's impact on our daily lives.”(Bryant) This reflects well on the point Mitford makes, when she says “[The funeral director] put on a well-oiled performance in which the concept of death played no part whatsoever” (Mitford) Kubler-Ross feels that death being ever increasingly more taboo the more
In Victorian Britain deaths caused a great deal of sadness and pain to the person’s family mates and friends. Kids die at a young age so the children are very spoiled. Miners work in mining shafts, at factories, at mines, and more. The death of a loved one caused some people to not come out of there houses for at least two weeks. “Hospitals, rather than being seen as places of healing were more often viewed as the gateway of death (B. Malheiro).” This shows that the hospitals had lots of deaths in the hospitals and it was not a very safe place in Victorian Britain. Lots of accidental deaths happened around that time to with the factories and even farming. With all these deaths happening you can see how sad and tragic these deaths are, from and to see that the deaths are not the places you
Death was a commonplace occurrence in the Victorian Age. "Three of every twenty babies died before their first birthday, and those who survived infancy had a life expectancy of only forty-two years" (Douglas) Death would take place most often in the home. When a death occurs, the entire house stops and takes up deep mourning. Windows are closed. Clocks are stopped. Mirrors were covered. Mirrors were covered because it was believed that a mirror, or reflective surface, could because trapped in it. Bodies would be stored in homes until they were buried. Poor families in their small houses would have to kept the dead in the same quarters as the living until the time of the funeral had arrived. Even children were not sheltered from the deaths around them. They were instructed at all ages on the meaning of death and its rituals. As the Industrial Revolution developed, Middle Class and proper etiquette were defined. Rules and regulations of what was proper was decided...
Death is inescapable for all living beings. It is the one commonality all cultures share. It is an equalizer in a world of diversity. Although death itself is absolute, the practices which surround death are varied and complex from culture to culture and individual to individual. As Mike Parker Pearson elaborates: