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Retereture review about Street children
Essay On Street Children
Retereture review about Street children
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The thin and frail little girl ran through the busy streets. Her long and curly hair was being dirtied by the dry, brown dust suspended in the air above the ground. Her facial expression was lavished with freedom and joy. She hopped on one foot while simultaneously brining the knee of her opposing foot up towards her stomach creating a skipping motion. Her small body was covered only by a thin, yellow textile dress that did not extend beyond her knees. She moved seamlessly between the crowds of busy people in the market. It seemed as if nothing in this world could stop or even slow her down. Her movements resembled those of a colorful butterfly on a windless summer day. The sound of her leather sandals coming into contact with the hard sand beneath her feet was accompanied by the loud voice of a muezzin reciting a Muslim prayer from a nearby mosque.
As the girl made her way through the densely packed market the loud prayer became louder and louder. Her attention was now shifted towards the loud man’s voice. She skipped down the streets of the city whilst stopping every couple of minutes to orientate herself in the direction from which the prayer was being shouted. A few streets and a few moments later, the little tanned girl stood in front of a very large mosque. Her big green eyes moved up and down, examining the large building from top to bottom. This was not her first time seeing this building but the sight still amazed her every time nonetheless. She had always wondered how long it took her predecessors to build such an amazing work of art.
The girl put one foot on the stone stair and waited, as if she were waiting for something to happen. A couple of seconds later she proceeded to place her other foot on the second step ...
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...round in front of her. The young girl’s dark, brown, curly hair was being pushed against her face by the chilling wind of the night. Her piercing green eyes glimmered in the night as the rising moon illuminated the night sky. The field was overflowing with an unnatural yet calming silence, drowning out even the girl’s deep breathing. The silence was cut as her leather sandal broke the thin clear cable protruding from beneath the colorless sand of the dark field. A terrifyingly loud explosion echoed through the air. The sleeping city and singing crickets remained undisturbed as the roar of the field faded into a peaceful, calming and surreal silence. The softly humming breeze of the night sky covered her yellow dress with eternal sand as her motionless body lay there illuminated by the white light of the shimmering moon, reflecting in her deep green lifeless eyes.
When that room is entered all voices are hushed, and all merriment silenced. The place is as holy as a church. In the centre of the canvas is the Virgin Mother with a young, almost girlish face or surpassing loveliness. In her eyes affection and wonder are blended, and the features and the figure are the most spiritual and beautiful in the world's art.
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
In the following essay, I will be comparing the Hagia Sophia in the City of Istanbul, and the Suleymaniye Mosque of Istanbul. Both of these pieces of art are very significant to the in modern-day Turkey. The art pieces will be covered in more detail further on in this comparative essay, and finally, I will be judging the pieces at the end of this essay
As soon as you walk into the Metropolitan Museum of Art, there is an overpowering sense of culture and aesthetics. One work you’ll notice as soon as you enter the museum is the Great Hall, which is both grand and visually attractive. It contains intricate moldings on the surface of the walls, with a ceiling height comparable to an ancient Catholic church. The Great Hall isn’t the only visually appealing work; the Moroccan Courtyard is as well. The courtyard leaves you mesmerized by sheer beauty and openness of the courtyard. The hand-crafted patterns and shapes crafted on the wall are similar to those visible on linen clothing. Both the Great Hall and Moroccan Courtyard are architectural examples that not are only works of art but in fact differentiate in their composition as well as serve varying structural purposes, for the museum.
The evening sun was disappearing from the valley. A cool breeze rushed through the leaves of the trees as birds danced to the sound of silence. The calm, bright blue Salinas River swayed back and forth, bumping into the grayish rocks. Grass sprouted as they were being fed. The barn was so quiet that you could hear a pin drop. No more yelling, no more galloping horses, just the sound of lungs inhaling and exhaling.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
As the first rays of the sun peak over the horizon, penetrating the dark, soft light illuminates the mist rising up from the ground, forming an eerie, almost surreal landscape. The ground sparkles, wet with dew, and while walking from the truck to the barn, my riding boots soak it in. The crickets still chirp, only slower now. They know that daytime fast approaches. Sounds, the soft rustling of hooves, a snort, and from far down the aisle a sharp whinny that begs for breakfast, inform me that the crickets are not the only ones preparing for the day.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.
The author starts the narrative with the memories of her family house built in a traditional Arab style, where the nature is replaced by “geometric
I slowly trudged up the road towards the farm. The country road was dusty, and quiet except for the occasional passing vehicle. Only the clear, burbling sound of a wren’s birdsong sporadically broke the boredom. A faded sign flapped lethargically against the gate. On it, a big black and white cow stood over the words “Bent Rail Farm”. The sign needed fresh paint, and one of its hinges was broken. Suddenly, the distant roar of an engine shattered the stillness of that Friday afternoon. Big tires speeding over gravel pelted small stones in all directions. The truck stopped in front of the red-brick farmhouse with the green door and shutters. It was the large milking truck that stopped by every Friday afternoon. I leisurely passed by fields of corn, wheat, barley, and strawberries. The fields stretched from the gradient hills to the snowy mountains. The blasting wind blew like a bellowing blizzard. A river cut through the hilly panorama. The river ubiquitously flowed from tranquil to tempestuous water. Raging river rapids rushed recklessly into rocks ricocheting and rebounding relentlessly through this rigorous river. Leaves danced with the wind as I looked around the valley. The sun was trapped by smoky, and soggy clouds.
In the following essay, I will be comparing and contrasting to architectural pieces by the Indians. The first is the Taj Mahal, a building constructed from white marble that took seventeen years to build in honor of Shah Jahan’s wife, Mumtaz Mahal (Z. Haq). This piece of architectural beauty belonged to the Mughal’s, the Muslim emperors in India (Z. Haq). The second is the Great Stupa at Sanchi, a holy, dome shaped structure that covers the body of the Buddha in honor of him and his contributions to Buddhism (Fischer, Julia). Furthermore, this structure was made of ruins, rocks, mud, and covered in bricks (Fischer, Julia). Both pieces of architecture are significant to the Indians, however they do contrast in some ways.
Inc, E. T. (2003). A monument of Imeasurable beauty & love. Retrieved Feb 11, 2012, from Taj Mahal: http://www.tajmahal.travel/
The sound of the wheels from a skateboard on the pavement rattles my head. The only thing stopping the pounding noise was the slight breeze of air that flew through cooling down all the noise. Blowing through the blue curls in my hair the wind covered my ears. No worries could reach me in this moment. The excitement to get to the library kept me flying down the road. I could already imagine the smell in the air of old paperback books enveloping my nose. Getting to run my fingers over new books hard spines that hold the forever stories together.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.