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Cinema as the art form of the century
Sound in cinematography
Film as an Art form
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Recommended: Cinema as the art form of the century
The Rope is frequently analyzed and discussed for the intriguing methods of filming and editing that were utilized. The approach that The Rope takes to telling the story of David’s murder from multiple perspectives is unique and admirable. The Rope was filmed in a tasteful manner by deliberately being mindful of the audience throughout the film. The minimalistic and pure techniques utilized in the filming and editing of The Rope establish the film as an excellent example of classic Hollywood style. The close-up shot is one of the more obvious filming methods used in this clip, however it is extremely influential on the audience’s perception and understanding of the scene. A close-up shot is very close to objects and events while emphasizing …show more content…
When Rupert characterizes the evening as “strange”, Philip is consuming his drink. Immediately when Philip finishes his drink, he hastily utters “what do you mean strange?”. In writing, this would seem to be an innocuous inquiry. However, the timbre of Philip’s voice when he says this, along with his deep breathing, are revealing of his sudden concern. Timbre is defined as the character or quality of a musical sound or voice (Striphas 9/15). The timbre of Philip’s voice is strained, thin, and anxious. This indicates his difficulty suppressing his worries about what Rupert just said, however it does not appear that Rupert catches on. In conjunction with this, the timbre of Brandon’s voice opposes that of Philip’s because it is pure, rich, and soothing. This seems to prevent Rupert from being alerted to Philip and Brandon realizing his suspicion. Rupert is contained in a state of fast-paced and intense thought, which is enabled by the timbre of Brandon’s voice gently guiding Rupert’s …show more content…
The lack of sound is equally as important as the lack of editing. Specifically, the lack of non-diegetic sound contributes to the quality and meaning embedded in the scene. Non-diegetic sound is external to the world of the story and only audible to the audience (Striphas 9/17). Even though if non-diegetic sound was present it would logically not influence the behavior of the characters, it would still alter how the audience perceives the scene. There is no non-diegetic sound in this scene whatsoever. If there were a soundtrack or narration accompanying the film, the overall mood of the scene would certainly be different. However, in stride with the aforementioned idea of classical Hollywood style, the filming is stripped to the minimum while only presenting what is necessary for the story. This enhances the scene as a whole because the conversation is all that the ears of the audience are processing and paying attention to. The exchange between Brandon and Rupert becomes more intense, particularly the pauses between speech. This is because in those moments there is absolute silence. Any non-diegetic sound would remove these short gaps of silence, which would ultimately diminish the power of the scene to a moderate
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
In the last scene of Man on fire called the “Forgiveness Scene”. There were a lot of close ups, with a mix up of long shots, Deep Focus, and most importantly a Establishing Shot to give the audience the wear about of the scene taking place. The close up is where the camera
When I watching this movie, I notice that I felt less separation from the movie. Initially I could not find a reason for that but, soon after I realize that the camera is not static but it wobbling slightly. In most movie, camera does not move and it creates the frame. In the other hand, this movie’s handheld camera type of camera works imitate the human eyesight feeling and make people feels like to experience the event in a movie as a one of the character. In this perspective, do not explain too much about the detail is emphasizing this experience. Consider these things, I really excited and enjoyed couple of scene which are the running through battle field and engaging to the baby. In the every day world, both scene is pretty rare to experience. For the battle field scene, majority of the people have avoiding to be in there so that is rare. The engaging to the baby experience is quite normal event for most people and of course it is grate experience but, in this movie setting, baby is extremely rare and seeing baby is truly miracle event. To emphasize and provide this miracle event, this camera work is perfect to apply.
All of Brakhage’s films we have seen in class are nothing short of masterpieces. In Window Water Baby Moving is a great comparison to the Cat’s Cradle. Window Water Baby Moving is a beautiful arrangement of images of Brakhage’s wife Jane before and after giving birth. These films have very powerful meanings behind them and they are both much better off without sound for the audience to connect. In class we have argued that a film without sound is less fulfilling and interesting. In my opinion, I find the films without sound much more interactive. Generally, sound is very distracting and can take away from the film. I find that having no sound leaves more of the film up for the audience’s
In brief, the audience can see how this 1931 sound film could be shaped by sound in a number of ways. Considering that sound at this time was a new phenomenon it is understood why mostly diegetic sound was used over nondiegetic sound. This director also showed the audience how the story could be affected by sound with examples like the clock becoming a character and storyline of its own and also the murderer being identified with his whistling. With the lack of sound and the collage of images during specific times, the director was able to create a mood without music or sound. Apparently this was a technique that was learned throughout his many years of silent films. These details were what brought the story together and would not have been done so precisely without the technique of sound.
In the scene when Amélie’s perfume cap drops to the floor and hits the wall tile, sound effects emphasize the visual image of what actually happened. Before the cap hit the floor, the background music became silent, and all the audience heard was a loud band from the cap. After the cap hit the floor, it quickly rolled, and knocked a tile off the wall. After the cap hit the tile, a loud rumble emphasized that there was importance that lied behind that wall. The director applied multiple sound effects to key the importance as to the box that was behind the wall. Although the sounds were simple, it created an interesting vibe to the audience. Some of the key sounds of the scene were the cap hitting the floor, the cap knocking the tile of the wall, and the loud rumble that occurred after the hole in the wall was created. On the other hand, this film also uses silence expressively. In the final scene, when Amélie greets Nino at her door, silence expressively describes the mood of the two characters. The only sound the audience hears is the kisses they are giving to each other, but even their facial expressions describe that they are in love with each other and meant to be
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
In the movie Rope directed by Alfred Hitchcock, two students, Brandon Shaw and Phillip Morgan, set out to commit the perfect murder which has been inspired by their college philosophy professor Rupert Cadell. The victim of their choice was another student, who they viewed as inferior to them, David Kentley. After committing this crime, they decide to throw a dinner party inviting David’s close friends and relatives, and Phillip. They hide David’s body in a casket-sized
The scene starts with a medium close-up of Richie, who is positioned in the center of the fame and looks directly into the camera –which also doubles as the bathroom window- while wearing his signature headband and sunglasses. The medium close-up leads the viewer to focus on Richie’s face during the actions that are to fallow, but it also allows for a sense of place to be established. The scene starts off poorly lit and with a s...
Sound as we discuss in our discussion question section, sound plays a significant role in every scene, it helps the audience in many ways such as to know the audience what is going to happen or to get the into the character. Now on days many directors increase realism brought on by sound inevitable forced acting styles to become more natural the scene can be identifying a digetic sound. Many people may think that the sound effect that a director use in a movie, novella or documentary is the same, they are totally confused, its two types of sound such as digetic sound and non digetic sound
Sound also draws attention to specific scenes and can cue expectations of what will occur. The sound viewers hear first is that of thunder and rain. The external sound is both accessible to characters within the scene and the audience. Although the rain and thunder are unnoticeable viewers can presume that the weather is rainy outside which explains the minimal lighting coming through the windows. Lionel stomping up the stairs, the sound of jacks, and the chewing as the three young boys eat are all examples of diegetic sounds which appear natural. By using diegetic sound viewers perceive the story as more realistic because it places the audience within that scene. The use of the recorder and orchestra music is also important because it adds drama to the scene. When Susy picks up her book the loudness of the music increases which intensified the scene to make it appear more dramatic. As Susy opens the curtains again the music gets louder, the combination of music and camera distance in this shot hint that perhaps Susy saw something of importance through her
Specific camera angles and framing are techniques used frequently throughout the film. A number of scenes have been shot from a high angle looking down at the action. These shots can feel like they are alienating the action and characters within the scene. This style of shot mimics Security cameras and the type of footage they record. Examples of this can be found periodically throughout the film, be found throughout the film with an example being when David touches the man in green in the crown and uses his newfound power to
As the camera zoom smoothly creeps in from the establishing wide we are exposed to a changing palette of noises from the surrounding environme...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
People take everyday sounds for granted; not realizing that without those realistic sounds life is pretty silent when you’re alone. These sounds are such an important part of life yet they are often considered noise and either masked or completely taken out of modern film, a lot of the time in Hollywood blockbusters. This movie however, does not shortcut any of those imperative sounds. For example, one of the scenes the most dominate sound is rustling of bags and luggage, fiddling of keys shuffle of feet, these sound usually muted are in fact louder than the dialogue which is hushed to a low whisper. The volume of these otherwise inconspicuous sounds not only put you into touch, which with the character is going...