The Role of the Character Bamforth and How he Changes in the Play The Long and the Short and the Tall by Willis Hall

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The Role of the Character Bamforth and How he Changes in the Play The Long and the Short and the Tall by Willis Hall

Private Bamforth is an arrogant soldier from London who pays no

respect to authority. He is racist, well educated, aggressive, and

seeks argument wherever possible. Bamforth stands out in the patrol as

he always hopes to be the center of attention and nearly participates

in every single conversation.

In the first part of the play, the author uses Bamforth to induce

humour into the drama. Bamforth stands out with his arrogance,

thoughtfulness and argumentativeness. Even before he speaks, Bamforth

informs the reader that he has problems with authority. The first

thing he does when the patrol gets into the hut is to "shrug off his

pack, place it as a pillow and make himself comfortable". This is done

deliberately, seeking confrontation with Johnstone. He is not

intimidated by Johnstone's authority and continues to fake ignorance

of Johnstone's fury. Johnstone demands that he "get on his feet" and

ordered Bamforth to put his pack on his back, he "heaves (suggesting

slow, sluggish movement contrasted by Johnstone's fiery impatience)

his pack on to one shoulder (emphasis of disobedience as pack not put

on properly)". In the same conversation, Mitchem suggested that he

obey orders, Bamforth intentionally describes the superiors as "nits"

and speaks "under his breathe" while making sure he has the whole

patrol's awareness of his words to suggest utter disrespect. He

justifies this tone by saying he "was only coughing". When Macleish

was in charge later in the play, Bamforth elegantly displays his

intelligence, humour and quic...

... middle of paper ...

... Halls to the audience. The

realities of war are to do something one does not believe in, to

follow orders without question. War is conflict and isolation. The

Japanese soldier does not want to die, but much of the audience will

not care about one who doesn't even know English properly and does not

speak a word during the whole play, inducing Bamforth to oppose his

death greatly emphasizes the significance of his death. The whole

patrol's opposition towards him again conveys conflict. The Japanese

soldier's inability to talk and the state of the patrol being

surrounded by each of their enemies conveys isolation. His presence

represents conflict between humanity and necessity. In the end both

are lost, the Japanese prisoner dies, but neither can Mitchem save the

patrol conveying the violence and cold-bloodedness of war.

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