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The catcher in the rye holden character analysis
Analysis of holden the catcher in the rye
The catcher in the rye holden character analysis
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In the novel “The Catcher in the Rye”, Holden is deals with one of the largest obstacles one would ever face in one’s lifetime. He must deal with the concept of development and the idea that he’s growing up, that he’s no longer a child and must accept maturity. This internal struggle is evident in multiple aspects of this novel, particularly highlighted when Holden visits the museum and the carousel at the conclusion of the novel.
Holden loves the museum and feels at peace there considering nothing ever changes; in fact, he stresses that each time he goes back, it looks just as he remembered, and the only thing that’s changed is him. "The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move." Another poignant example of Holden’s penchant for stagnation is when he sits on the museum steps and two kids ask him for help to find the mummy exhibit. Strangely enough, he is able to find it quickly regardless of the fact that he hadn’t been there in years. The boys are driven away by fear of the dead bodies that hadn’t decayed and Holden is left alone with the preserved corpses. He experiences a moment of peace there, possibly due to the silence and being encompassed by humans whose bodies are frozen in
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In fact, he’s so conflicted during his mental breakdown it has a physical toll on his body. He gets sick and returns to his parents who thereupon check him into a psychiatric institution, where he recounts this tale. Even at the culmination, while he receives treatment, Caulfield detests the prospect of sophistication and maturation, telling us that he still doesn’t understand anything, still unable to come to terms with his future. “ I mean, how do you know what you’re going to do until you do it? The answer is, you don’t. I think I am, but how do I know? I swear it’s a stupid
This demonstrates that Holden has this mindset and believes that he isn't ageing because he occasionally believes that he is thirteen most of the time. He's trying to resist adulthood because that’s when all his issues began. In addition, when Holden took Phoebe to a museum he really enjoyed his time there because of how everything was put. Holden sated “the best thing though in the museum was that everything always stayed right where it is. Nobody´d move. You could go hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would be on their way south, the deers would still be drinking out of that water hole … Nobody's be different” (Salinger 121). This conveys that Holden is fond of the museum because it doesn't change unlike other places he is surrounded which relates to the death of his brother Allie, who died of leukemia. He believes that when his brother died, his whole world shifted as a result, his parent isolated themselves from him and connects to the reason Holden is unable to acknowledge that his urge is to never change like a
Holden’s preference of a simplistic lifestyle is evident throughout the novel, but stands out especially when he visits the Museum of Natural History. He explains that. Holden loves this museum because it is still, silent, and always the same, which is a version of life he likes and understands. He fears dealing with conflict, uncertainty, and change, which he thinks comes with being an adult. It
The Museum of Natural History is used to signify Holden’s fear of change. Holden enjoys looking at the mummies and the exhibits at the museum because they never change and are frozen in time. Holden realizes that he changes every time he goes back and sees the exhibits, but the exhibits do not change. He wishes that his childhood world would last forever like his exhibits.
This explains his obsession with innocence and childhood which are destroyed by the waves of change. He expresses this with his description of his favorite part about the museum. “The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. . . . Nobody’d be different. The only thing that would be different would be you” (Salinger 121). Here Holden uses the word “you” to make it seem as if he does not change, everyone else does. Holden idealizes this stagnant scene in which everything remains constant. He enjoys this simplified view of the world because life transform into a stable concept instead of the hurricane of disaster he has witnessed with both people’s corruptness and losing his brother. His inability to change perhaps is also linked with his depression from his younger brother’s demise- the inescapable whisper that whistles through his mind. Holden views all of
When Holden enters the museum he notices all the glasses cases and he comes to a moment of realization. The structures inside the glass case represent what he wants from his life. He doesn't want time progress he would just like to be frozen in time living in his best moments. If he could, he wouldn't be so depressed and his life would be flawless. He might be wanting to put a moment when he was younger and he was happy with his family and want to keep it in there. This was when his brother was still alive and he hadn't learned the term phony. He wouldn't want that to progress, but he notices that as time goes by his dream will never be accomplished.
For Holden, safety is everything staying the same and never changing, as he is emotionally stuck in the past and unable to cope with the future. Holden develops a special connection with the Museum of Natural History for this reason, because “you could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole... “Nobody'd be different. The only thing that would be different would be you” (Salinger 121). Holden likes the museum because everything there never has to worry about death like he does. It never has to end, while the trauma caused by the death of his brother Allie tells Holden that he does. His obsession with escaping death is shown in his interrogation of a taxi driver about what happens to the ducks when the pond freezes over. It is also why he nearly cries while watching Phoebe “going around and around” on the carousel, as no matter how many times she goes around she is still his little sister (Salinger 213). Holden uses his hunting cap as a psychological shield to protect him from death. This is proven by the fact that he only wears the cap when confronted by something that reminds him of Allie or his own mortality. While Holden’s cap can temporarily relieve him of his troubles, it can’t help others. This is why
Throughout the book Holden admits he doesn't like change. Holden fear of growing up , becoming an adult and thinking of of it disgust him. For example the museum, Holden like it because the exterior of it did not change and says the only thing that would change would be you.In the text Luce says “Same old Caulfield.When are you going to grow up already?”(144). Holden wants things to stay how they are and how his life is. Holden considers adults phonies and he doesn’t want to be consider phony as well. When he describes the museum he says the best part about it is that it never changes, only you do.Holden bonds with his sister taking her to the zoo, museum and the carousel.He wants to Phoebe to experience what he did and to get the memories alive. “What I have to do, I would have to catch everyone if they start to go over the cliff- what I have to do, I mean if they are running and they don't look where they are going I have to come out from somewhere and catch them. That is all I have to do. I would just be the catcher in the rye”(173). This quote show how by holden is catching them from falling down the cliff which symbolizes stopping them from adulthood. “Thousand of little kids and nobody’s around- nobody big , I mean except me”(173). This quotes implies how young innocent kids won't be exerted by adults
Have you ever been afraid to grow up as a child, wondering what would happen in the future? These are the thoughts that Holden Caulfield, a young protagonist in J.D. Salinger’s, “Catcher in the Rye,” focuses on. Unable to stay at Pencey Prep any longer after flunking most of his classes, he takes his special red hunting hat and suitcase, and leaves. He then wanders around New York City, trying to live his life in his childish ways, but everyone he encounters tells him he must grow up. After his little fiasco, he decides to return home and meets up with his sister, Phoebe, at the Museum of Natural History. They later end up at the carousel in Central Park, and there, he realizes that within the past three days, his experiences are signs of his dread for adulthood. J.D. Salinger presents Holden Caulfield’s fear of growing up through the events that he encountered with the red hunting hat, the museum, and the carousel.
Superficially the story of a young man getting expelled from another school, the Catcher in the Rye is, in fact, a perceptive study of one individual’s understanding of his human condition. Holden Caulfield, a teenager growing up in 1950’s, New York, has been expelled from school for poor achievement once again. In an attempt to deal with this he leaves school a few days prior to the end of term, and goes to New York to take a vacation before returning to his parents’ inevitable irritation. Told as a monologue, the book describe Holden’s thoughts and activities over these few days, during which he describes a developing nervous breakdown. This was evident by his bouts of unexplained depression, impetuous spending and generally odd, erratic behavior, prior to his eventual nervous collapse.
The Catcher in the Rye revolves around Holden Caulfield, the protagonist of the novel, and his disillusionment. Holden’s disillusionment illustrates that he has a problem accepting such. Aforesaid is based upon multiple factors, most which have brought Holden lasting traumas. A remedy is required for Holden to accept his disillusionment and enable an improvement of his situation. For Holden’s remedy, the consultation of psychologists, and additional specialized health professionals would be the core of an apt remedy for Holden’s psychological and physiological state based upon the numerous causes of such and the everlasting trauma of some of the determinants of aforesaid situation. The origins of Holden’s disillusionment revolved mainly around the death of his younger brother Allie three years ago, of which he still experiences the trauma to this day. His disillusionment is caused by both
We approach the world of adulthood in many ways. Graduating from high school, heading to college, attaining your dream job, buying a new house to later call home, or even getting married. We move on from our childhood because that is the way of life. As human beings we change for the better. As we reach adulthood, we can still cherish the memories we had as children but we no longer are fully attached to them. However, the main character Holden Caulfield from the novel The Catcher in the Rye, struggles with facing reality and maturity. He fears change and wants to remain in his childhood bubble forever. Throughout the novel, multiple symbols are used to convey Holden’s fear of moving on and losing his innocence. Both the author J.D. Salinger and critics Dennis McCort and S. N. Behrman offer evidence from “Hyakujo’s Geese” and “S. N. Behrman on Holden’s Innocence” to show Holden’s doubts about progressing into the adult world. Throughout J.D. Salinger’s novel The Catcher in the Rye, Holden shows a fear of maturity therefore grasping onto his innocence and dreading entering the phony adult world.
He refuses to to transition into adulthood, this is shown through Salinger’s use of the ducks in central park. Holden’s obsession over the ducks is a youthful curiosity. Everytime he meets a new cab driver he raises the question about the ducks, he has a child like need for closure to answers no matter how ridiculous they may seem. The interaction between Holden and the various cabbies seems like mere small talk but is actually one of the main structures for Holden’s character. The museum that Holden visits also can be identified as a symbol for Holden’s fear of change and his need to stay young. The museum itself remains unaltered for years. It remains the one thing in Holden’s life that seems to be frozen in
J. D. Salinger’s novel, Catcher in the Rye explores the ambiguity of the adult world Holden must eventually learn to accept. Throughout the novel, Holden resists the society grownups represent, coloring his childlike dreams with innocence and naivety. He only wants to protect those he loves, but he cannot do it the way he desires. As he watches Phoebe on the carousel, he begins to understand certain aspects of truth. He writes:
Holden likes to reminisce about his childhood and visiting the Museum of Natural History in Central Park. He loved to visit the museum, for many reasons, and he even said that he got very happy when he thought about the museum. He tells us of the symbolic details in the museum, by saying, "The best thing, though in that museum was that everything always stayed right where it was. Nobody'd move. Nobody'd be different. The only thing that would be different would be you"(121). Holden likes this kind of world, and wishes that he lived in it. He wishes things would stay unchanged and simple. Holden is almost scared by change, and can't handle the conflicts in his life.
In The Catcher in the Rye, Holden’s vision of nature of childhood and adulthood are not as separate as Holden believes them to be. Holden tries to battle through the pressures of adulthood while staying in his childish frame of mind. He feels that if he acts childish, he can go back to that. He also feels the need to be an adult and do his own thing. Holden is at war with himself trying to see what he really is- a child or an adult. Although, Holden thinks he is being an adult by drinking and smoking, he is actually becoming more childish.