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Uncle tom cabin character analysis
Uncle tom cabin character analysis
Uncle tom cabin character analysis
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When we typically think of racial tropes in popular culture, we often don’t look towards animated G-rated movies. The film The Princess and the Frog released by Walt Disney Animated Classics in 2009 created by John Musker, Ron Clements and Rob Edwards is a perfect contemporary example of a film that shows images of pre-constructed racial tropes. Though Disney has produced multiple films based on past fairy tales, The Princess and the Frog was the first animated Disney princess film that featured an African American woman in a leading role. Often times regarded as a turning point in Disney’s movie production career, the film’s representation of African Americans proves to be regressive of racist politics surrounding the 21st century. The design …show more content…
The challenge of animated films is the lack of visual reference that the production team has to work from. As a result, often times, animated films are heavily criticized for their representations of minority cultures. The character Louis, an alligator that plays trumpet, shares similar characteristics with the Coon caricature that emerged during slavery in the 1830’s. A contemporary article written by Justin Drier, explores the coon image in current actors and comedians Chris Tucker and Chris Rock. Driver describes the caricature, as “His grin was always very wide, his teeth very white, his eyes very widened, his feet very large, his walk very slow, his dialect very broken”(29). These same design characteristics are shown in the animal representation of Louis. The choice of an alligator image to represent Louis with a wide …show more content…
The cartoon that we see on the screen as Ray, is much different that that of past images. Ray visible looks old, is slow moving, and more importantly is visible missing teeth. A key visual indicator that Uncle Tom is known for is not only visually there but addressed through narration. On their journey to visit Mama Oldie, Ray gets in a scuffle and says “I done chip my favorite tooth” (52:45). Not only is the visual reference of Uncle Tom also embodied by Ray the firefly, the narration and dialect that Ray uses is that similar to the reconstructed trope. Jennifer Bloomquist (2015) highlights the importance of language explaining “Black language use in the early history of the entertainment industry, particularly at the heavy-handed distortion of exaggeration of African American English, the ignorant dialogue written for Black roles, and the types of topics scripted for Black Characters…The linguistic construction of ethnicity too shaped by the racist ideology of the time to afford these roles much dignity in the white Imagination.” In spite of his mishap, the character of Ray doesn’t seem let the instance affect his eager to serve the prince and Tiana in their quest to visit mama oldie. His dedication towards the prince and Tiana is similar of that of Uncle Tom. The universal role African Americans have of serving the dominant
Since minorities have gained a more significant role in movies, it begs the question: what happens to them after they become the “magical negro” in the horror genre? Does the min...
Sixteen years after premiering as Disney’s thirty-third animated film, Pocahontas still incites excitement and wonder within those who wish for nothing more than to be a Disney princess. As Disney’s most notable attempt at political correctness, Pocahontas was created to entertain while attempting to maintain authenticity in regards to historical accuracy and in its fairness of depicting Native American culture. Jacquelyn Kilpatrick, the author of “Disney’s ‘Politically Correct’ Pocahontas”, feels the movie not only failed at being historically accurate but that it fell far short of being politically correct. The article, which appeared in the Fall, 1995 issue of Cineaste, contends the Disney production was duty bound in preserving the integrity of the Pocahontas legend and being both multiculturally and socially inoffensive. However, if being politically correct and constantly factual within any version of media made for entertainment were the standard, we would be left with documentaries and non-fiction. Artistic license allows for a literal account of events to become an engaging, accessible production.
During the semester, race is a big part of the lectures. In class, we talk about how race is distinguishing physical characteristics used to place people in different racial categories (Jensen). The biggest concern with race is racial inequality. Racial inequality is the inadequate or unfair treatment of minorities in areas like income, education, employment, health, the criminal justice system, and media. The article written by Rebecca Keegan from the Los Angeles Times newspaper discusses the inequality of race in media specifically movies. This article relates to the unfairness in films because minorities are poorly portrayed in the majority of films. More often than not, minorities are the “bad guys” in films. They are caught up in criminal activity and live in poorer neighborhoods than the majority. The article gives numerous statistics proving and exploiting that there is indeed racial inequality depicted in films. Also the Keegan touches on how minorities are underrepresented in films in the way that they usually do not have as many speaking lines compared to the white actor/actress.
Have you ever wondered how much work it takes to put into one scene for a movie? The directors both are a big hit in Disney with Hercules and Disney’s Princess and the Frog. Moana is a teenager that sails off to save her people on the way she meets a demigod that helps her named Maui. Together they sail across the ocean on an action-packed voyage. During the voyage Moana figures out who she is and what she wants to be. In the chosen seen Moana is singing and getting her boat ready to sail off to save her people. The song she sings make you want to hop out your seat and help her on her quest. She expresses a lot of passion in her song and the way she does things throughout the movie. Moana has many great scenes in it and shots. The camera, lighting,
For many years, African Americans have faced the challenge of being accurately and positively portrayed within mainstream media, such as American made films. They are often represented as people who are inferior to those of the Caucasian race, and are frequently presented with problems that are related to racial discrimination. The portrayal of African Americans in media such as movies has often been considered a large contributing factor to the racial tensions that still exist in our world today (Lemons, 1977). The movie, To Kill a Mockingbird, sheds light on the portrayal of African Americans in movies, and how stereotypes can greatly impact the lives of those who are not of the Caucasian race.
At a young age, I can recall watching Disney Channel regularly; I remember the countless movies from The Little Mermaid to Zenon. As a child, I saw the ideals being presented, but I did not recognize or understand the message that was being sent through the characters in these movies. I did not understand why I questioned my darker skin tone or four-foot frame or tomboyish ways until I was in my late...
Lippi-Green gives an in-depth look at the negative portrayal of African-Americans in Disney animations. She acknowledged the fact that the cartoon characters that have connotations to be from an African descent, are voiced over by actors that are also of African descent. These actors and the animated characters spoke in "African-American Ver...
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
There’s something magical about animated movies that can’t quite be captured with a single sentiment. Whether it’s the bright colors of the characters or the mise en scène, the punny humor with the few sly jokes just for adults, or the ability to present complex social topics to a younger audience in an accessible way, you’re suddenly transported to a world that isn’t limited by real life locations or the physical capabilities of actors. This is especially relevant for the movie Zootopia (2016), which – while falling into the category of “just another kid’s movie” – not only displays a modernized look into the animal kingdom but speaks strongly about stereotypes, racial prejudices, and power dynamics between differing social groups.
In 2009, Disney released a movie called the Princess and the Frog. The movie itself tells a story about Disney’s first black Princess, a poor African – American named Tiana. Her mother works as a clothes maker for her best friend’s father. The friend was a privileged white girl. Disney’s first idea was to named Tiana Madeleine, in which she would be a chambermaid for a white woman, a historically ‘correct’ profession, however this idea was too much like slavery. Her family friend throws a party one night and a magician turns Prince Naveen into a frog. The Prince convinces Tiana that if she kisses him, he would turn back into a Prince and would help her to open her own restaurant. However, after Tiana kisses Prince Naveen, she too turns into a frog, and the two of them then set on an adventure to find a voodoo specialist who can turn them back and fix everything for them. Tiana being Disney’s first black Princess was a big step forward for Disney. However, many articles point out that though Disney may have cast a black princess for the very first time, the Princess spends most of her time as a frog. This leads to the impression of Disney not wanting to have the lead as a black princess. Critics also point out that the witch curse has African-American like masks, which portrays that the African American people are viewed as frightening, and they have a magical element about that. Involving the white Prince also
There have been many twists and turns in the ways in which the black experience was represented in mainstream America cinema. But the repetition of stereotypical figures, drawn from ‘slavery days’ has never entirely disappeared (Hall, 1997). A Stereotype can be described as a widely held but fixed and oversimplified image or idea of a particular type of person or thing (Oxford University Press, 2014) and can affect the target by getting hold of a few simple, vivid, memorable, easily grouped and widely recognised characteristic, about a person and reduce everything to the specific traits and exaggerate them (Hall, 1997). One of the most well-known stereotype has to be the ‘Black-stereotype’ which can be seen in all media productions ranging from news, film, music videos, reality television and other programming and forms of entertainment. Beginning around 1830, the history of African-Americans is a centuries old struggle against oppression and discrimination and because of these major issues, popular representations of racial ‘difference’ during slavery, has caused two main themes that are seen as blackface stereotypes today.
I chose to view the movie Lion, a movie based on the book A Long Way Home by Saroo Brierley. This movie is about a five-year-old boy, Saroo, living in a poor, rural area in India. Saroo convinces his older brother Guddu, to let him tag along and find work in a nearby city. Saroo ends up trapped and alone in a decommissioned passenger train that takes him to Calcutta, over 1,000 miles away from his home.
Is disney including racial stereotypes and how is it influencing children? “Fluke, the Duke of Soul and Blackfish the
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
The film is based on an actual unsolved case that shocked the nation for over a decade, and regarded the disappearance of five kids, from 9 to 13 years old, in the Daegu Mountains in 1991.