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An essay about the thousand and one nights
An essay about the thousand and one nights
An essay about the thousand and one nights
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A frame tale is a narrative structure containing a series of related tales within the larger story. In the “Prologue” of The Thousand and One Nights, King Shahrayar witnessed his wife unfaithful, by having intercourse with another man. Because of this tragedy, the king decides to put his wife to death and marry a new woman each day so he will never have to deal with the pain or treachery caused by women. As the tale goes on, the Vizier, the king’s assistant, finds a new woman for the king to sleep with each night and then sends her off to her demise. Until one day the Vizier’s daughter, Shahrazad decides that she wants to put an end to the kings antics. Shahrazad ask her dad, The Vizier, to marry the king and her. After a long fought argument between father and daughter the Vizier decides to give his daughter to the king. This is when frame tale comes into play. In order to survive she must tell a story each night in order to keep the kings interest. “The Porter and the Young Girls” is one of the tales told in the larger story.
“The Porter and the Young Girls” was a great story to keep King Shahrayar attentive. In this tale it talks about three young girls and their generosity to this porter. They feed and bathe the man. One rule was given to the porter though. This rule says “Speak not of which concerns you not or you will hear that which shall please you not,” ( page number here) meaning don’t ask questions and if you do then you will have to deal with the sufferings. Along the way six other men made their way into the young girl’s palace. The girls treated all these men equally and just as generous by fetching drinks whenever the men asked for them. All the other men though still had to oblige by the one rule that the porter ...
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...ing stories. Shahrazad uses Zubaidah as a relationship to her, to make King Shahrayar understand her position. To make the King understand she must tell a story to hopefully change his mind. In order for this to happen Shahrazad tells the tale“The Porter and the Young Girls.” Zubaidah is most closely related with Shahrazad because in order for Zubaidah to stay in her form, she must whip her two bitches three hundred times every day and must tell her story to the caliph to save her life.
The lesson Shahrazad tries to teach King Shahrayar is that not all women are alike. The actions of one woman should not cause punishment to be dulled out to other women. Shahrazad tells this story to change the Kings mind about looking at women as less than human. The king must learn to look at each woman as her own self with her own story to tell and should be treated accordingly.
Jerome Clinton’s article The madness and cure in the 1001 nights is intended to look at the psychoanalytic side of king Shahriyar’s problem with females and the way Shahrazard uses her wit and the art of story telling to stop her husbands murderous rampage. Clinton uses a female’s perspective on how the stories are viewed instead of the male’s perspective. Clinton also argues that the actions of king shahriyar are not just a brazen result both his brother’s and his own wives infidelity. Clinton uses the idea that king Shahriyar and his brother Shazaman have lost the “anima” in their subconscious mind because they have grown up in a world that gives women no importance but only to please men (Clinton 491-492). Therefore both are unable to form positive lasting relationships with women in their adult lives.
In Geoffrey Chaucer's The Cantebury Tales, many stories are told leading to a wide range of topics. One particular and significant topic Chaucer touches on many times is the role of women. In stories such as The Millers Tale, The Knight's Tale, and the Wife of Bath's Tale the women of each story are portrayed extremely different. Alisoun, Emelye, and the wife of Bath, each exemplify three dissimilar ways in which women love. The way Chaucer describes each of these characters is dependent on the out come of each particular story. Chaucer is careful with his word choice and figurative language with each woman, enabling the reader to get a very visual and sometimes humorous picture.
In the Middle East it was male-dominant, male’s had all the control in the family. Women’s rule in life was to give birth too many children to continue the family blood line and take care of them, while the men go to work and come home find something for them prepared to eat. Men were the head of the house, whatever they said, had to be obeyed. Women were limited in their rights, even in marriage they weren’t asked for their opinion, “Would you like to marry this guy?” But rather they were forced by their family members to participate in arranged marriages. In this story we see that the slave woman had no rights, this woman obeyed them without saying a word. In addition, to this she was a slave, and slaves had no rights when it came to their master’s commands. She didn’t have a choice but rather obeyed what the master said even if she didn’t agree. Women were mistreated sometimes by men. "Bring the mule’s nose-bag along with you," he added to the groom; "she has not finished her feed, I think; when we get to the palace, put the bag on her again—she can eat the rest of her fodder while I am with the caliph. “Hear and obey," said the groom "(Portland, Maine: Wheelwright, 1955, p 310-313). One can see in this quote that they placed a bag over the girl and limited to when should she eat. The woman was treated as if she was a toy, played with for a while and then placed to the side when they were
Ahmed’s mother is the first to fall into playing her stereotypical social construct after her husband; Hajji Ahmed beats her for not supplying him with an heir, a son. “One day he struck he struck her, because she had had refused to subject herself to a last, desperate ordeal…” This act shows Ahmed’s mothers weakness, a gender normative of women, compared to her husband. However instead of lashing back she accepts the fate she has put herself into. She punishes herself similar to the acts her husband acts onto her. “She, too, began to lose interest in her daughters…and struck her belly to punish herself.” At this point in the novel, it is evident that Ahmed’s mother is adjusting her own belief to match that of Hajji. His reoccurring distaste for his seven daughters has rubbed onto his wife. This compliance to accept her husband’s belief fits into that mold that says that women are not assertive and follow with what their husbands want. The next section femininity is seen in it’s natural essence is seen at the end of chapter three when Ahmed has been attacked and his father confronts him about his girlish ways.
Enderwitz, Susanne. “Shahrazad Is One Of Us: Practical Narrative, Theoretical Discussion, And Feminist Discourse.” Marvels & Tales: Journal of Fairy-Tale Studies 18.2 (2004): 187-200. MLA International Bibliography. Web. 16 Mar. 2014.
The Afghan and Muslim community take the idea of honour very seriously. They honour their family name and reputation very dearly. If someone within their family were to act or behave in such a way that the family’s honour is put into question the head, typically the father or the eldest male will act in a barbaric way that could potentially be deadly. This extreme sense of honour is prevalent throughout the novel A Thousand Splendid Suns by Khaled Hosseini and the documentary “Honour Killing”. If a female were to act in a way that dishonors their reputation the husband or male relative believes they are allowed to punish those who brought the shame to their family without being held accountable for their actions.
Stories like Sindbad, Aladdin and the Magic Lamp and other popular stories are very common today in the western culture. Animated movies were also made for the entertainment of kids on these popular stories. One might wonder that where these stories originated and how it came down and made place in the western culture. Although these stories are very popular in both the western culture and the eastern culture but the original literary work is not so popular in common people. Theses stories are some of the stories from the Arabic work "The Thousand and One Nights." The work of "The Thousand and One Nights" represents basically a female that is a strong and clever idol and continuously imaginative and creative. It is an anonymous work which is widely known in the Arab world. It is an Arabic collection of a thousand tales, which is derived from the Persian version, telling of a King who was in the habit of killing his wives after the first night, and who was led to abandon this practise by the cleverness of the Wezir's daughter, who nightly told him a tale which she left unfinished at dawn, so that his curiosity led him to spare her till the tale should be completed. Many people have written about these stories, that where they originated, what time period was it originated, how they have been changed, and also literary criticism of the work.
The frame story describes an exchange between the narrator and the vicar of the town Beauvale in England. The narrator has come to learn about the book that the vicar is writing, which is a compilation of stories about the English people and their personal encounters with non-worldly beings. The vicar reads the narrator a story about monks who lived in Beauvale in the fifteenth century and their encounter with what they believe is a devil. The monks look up from praying in the church to find a devil prying away at their window. The narrator, however, does not dwell on this story; instead, he moves on to inquire about the book the vicar is writing. In moving past this initial story, Lawrence sets up the frame story, but the reader is left to wonder how the story of the monks will connect with the inner story. The vicar subsequently begins telling the narrato...
In the pre-Islamic Arabian society a family’s honor depended on the honor of its females which led to the belief that the group was vulnerable through the girls and women. Females were seen as a burden and many were the victims of infanticide because they were in need of protection from capture and were seen as a drain on the family’s meager resources. The most common form of ridding the family of an unwanted girl was to “bury her in the dust” which was done while the child was still alive. Once established, Islam condemned this practice and required that “…those who had killed their daughters in the time of the j¬¬¬ahiliyyah make expiation for their heinous act.” The Prophet said, “Whosoever has a daughter and does not bury her alive, does not insult her, and does not favor his son over her, [God] will enter him into paradise.” The words of Muhammad sharply contrast with the commonly accepted portrayal of women’s importance in Islamic society. The search for the truth behind the stereotypes and misinterpreted ideas is an eye-opening voyage into the lives of Muslim women.
Shahrazad is seen as a heroic figure throughout the Nights because she comes up with a well thought out plan to stop King Shahrayar’s killing spree and spare the lives of the women who would eventually fall into the king’s trap. Shahrazad was very intelligent, she knew what was happening to the women who married the king then disappeared the day after and wanted to put a stop to it. She told her father that she wanted to marry the king so that she could “either succeed in saving the people or perish and die like the rest” (1182). She was not very sure if her plan would work but she would even die trying to save the lives of her people. To complete her mission she would tell a story, more exciting than the first, to King Shahrayar every night to keep him entertained so that he would not just spare her life, but the lives of others as well.
This modern fairy tale contains diverse characters but none of them are as important as the grandmother. In fact, through her narration the reader gets the basic information concerning the familial context. The story revolves around a grandmother, a mother and a granddaughter, which thus sets the point of view of the story, the grandmother is the narrator therefore the reader gets her perception. Besides the domestic context, the lack of other contextual clues, such as the time or the location of the story, gives room to her story and her final purpose: teaching and, at the same time, protecting her grand-daughter from risks represented by men here symbolized by a wolf. The way this unnamed grandmother reveals her life exemplifies two properties of fairy tale as mentioned by Marina Warner in “The Old Wives' Tale”: “Fairy tales exchange knowledge [using morals] between an older [most of the time feminine] voice of experience and a younger audience” (314). As suggested in the text, fairy tales are a way to teach insights of life through simple stories directed to, most of the time, younger generations. Most of the time because fairy tales' moral work on dif...
This modern fairy tale contains diverse characters but none of them is as important as the grandmother. Through her narration, the reader gets all the information needed to understand the story. Indeed, by telling her own story she provides the reader the familial context in which the story is set with her granddaughter and her daughter but even more important, she provides details on her own life which should teach and therefore protect her grand-daughter from men, and then save her to endure or experience her past griefs. This unnamed grand-mother is telling her life under a fairy tale form which exemplify two major properties of fairy tale, as mentioned by Marina Warner in “The Old Wives' Tale”: “Fairy tales exchange knowledge [through the moral] between an older [most of the time feminine] voice of experience and a younger audience”. As suggested in the text, fairy tales are a way to teach insights of life through simple stories directed to, most of the time, younger generations. Most of the time because fairy tales work on different levels of moral which are directed to categories of people, for instance in “Little Red Riding Hood” the moral ...
In her book Princess, Jean Sasson conveys through the Princess Sultana's story of the many abuses of women in Saudi Arabia. For thousands of years, women in Saudi Arabia has earned no respect, given no identity (as if invisible), and were treated like sexual objects. Their only use is to produce male offspring, and to service their husbands sexually. This goes for all women. Although women of royalty are born free, they are just as insignificant as the lower class women. Through the eyes of Princess Sultana, Jean Sasson tells the cruel and unjust ways of the male society in Saudi Arabia.
The parallels that have been presented show that there are not just similarities in the tale and the Wife’s life, the prologue and the tale are the real and the ideal way that the Wife sees her world. She, like many women of her time and ours, wants control over her husbands and will do what it takes to gain it. She tells us how she gained control over her husbands, even when it lead to the oldest trick in the book, withholding “pleasures”. Then she backed up her desire for sovereignty by telling us in her tale that it was not just herself who wanted this dominance, but every woman wants the same, even if they don’t know it. Finally she idealizes what she wants from a husband with the tale of the knight and the hag. If only it were as simple as the tale told.
In recent modern times, the Islamic faith and culture has been scarred by bad publicity and criticism worldwide concerning terrorism, fanaticism, and the treatment of women. All these issues have existed in most religions throughout time, but the treatment of women is different in which most other cultures and religions have minimized the issues and Islam, under its attempts to also end it, has failed to create a society in which the treatment of women is equal to that of men. The treatment of women, beginning from the time when they are born, to the time of their marriage, to the moment of their death, has not been equal to that of men despite the actions taken to end the injustice.