Since the short story “The Return” was just discovered a few months ago, the author remains unknown; unknown until now that is. This paper will prove without a doubt that “The Return” was written by author, Alistair Macleod. The mother character in “The Return” shows resemblance to the female characters in other stories written by Macleod. Also the tense of the story is also the same as most of the stories Macleod had written. As “the return” is a story based around a family, just like many of Macleod’s stories,. After reading this essay, it will be clear and obvious that Alistair Macleod did write the short story “the Return.
One of the main similarity with “the return” and Macleod’s stories was the actions and attitude of the mother compared to those of that from his other stories. When the father was excited and standing up pointing at Cape Breton and the mother seems embarrassed and tells the father to hush up and sit down. Also while Alex is sitting on grandfather’s lap sipping the rum and water and his mother came down and yelled at the grandfather. It reminded me a lot of wh...
Kinnell, Galway. “After Making Love We Hear Footsteps.” The Norton Introduction to Literature. Portable 10th ed. Ed. Alison Booth and Kelly J. Mays. New York: Norton, 2011. 490-491. Print.
In this memoir, James gives the reader a view into his and his mother's past, and how truly similar they were. Throughout his life, he showed the reader that there were monumental events that impacted his life forever, even if he
Robinson, Daniel. "Getting It Right: The Short Fiction of Tim O'Brien." Studies in Contemporary Fiction. 40.3 (1999): 257. Expanded Academic ASAP.
In this paper, I will argue that Douglas Coupland in "Player One", incorporates storytelling to highlight the loss of personal identity. This is evidently shown by appearance of Player One, also know as Rachel, technology becoming one, and the lack of rationality with time and setting.
In this essay I will discuss the short stories A&P by John Updike and Araby by James Joyce which share several similarities as well as distinct differences between the themes and the main characters. I will compare or contrast two or more significant literary elements from each of the stories and discuss how those elements contribute to each story’s theme.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
Through this essay I plan to analyse 3 short stories from Tim Winton’s book ‘The Turning’. The 3 short stories I have chosen are long, clear view, Immunity and damaged goods, through these short stories I will be focusing on the themes for each of them and seeing if these stories in some way link together through theme or story.
Many of the short stories within the collection The Things They Carried, written by Tim O’Brien, can be compared and contrasted in regards to elements including theme, characters, and technique. In “Sweetheart of the Song Tra Bong,” the character Mary Anne Bell appears to be apparently similar to the character Martha from “The Things They Carried,” in that both are young women who have relations with a soldier in the war. Though upon further analysis of Mary Anne, it appears she is far from alike to Martha. Rather, an unexpected parallel can be drawn between the characters Mary Anne and Elroy Berdahl, from “On the Rainy River,” in that both appear to be epitomes of masculinity. The peculiar connection between these characters developed by Tim O’Brien shines a light on the ambiguity of conventional gender roles of men and women.
At the outset, Atwood gives the reader an exceedingly basic outline of a story with characters John and Mary in plotline A. As we move along to the subsequent plots she adds more detail and depth to the characters and their stories, although she refers back with “If you want a happy ending, try A” (p.327), while alluding that other endings may not be as happy, although possibly not as dull and foreseeable as they were in plot A. Each successive plot is a new telling of the same basic story line; labeled alphabetically A-F; the different plots describe how the character’s lives are lived with all stories ending as they did in A. The stories tell of love gained or of love lost; love given but not reciprocated. The characters experience heartache, suicide, sadness, humiliation, crimes of passion, even happiness; ultimately all ending in death regardless of “the stretch in between”. (p.329)
In ‘unreliable narration’ the narrator’s account is at odds with the implied reader's surmises about the story’s real intentions. The story und...
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
Sugars, Cynthia. "Repetition with a Difference: The Paradox of Origins in Alistair MacLeod’s No Great Mischief.” Studies in Canadian Literature / Études en littérature canadienne [Online], (2008), Web. 20 Nov. 2013
L’Engle, L'Engle. “Focus On The Story, Not Readers…” Writer Apr 2010: p. 24-25. MAS Ultra-School Edition. EBSCOhost. Web. 25 Feb. 2014.
Munro, Alice. Interview with Graeme Gibson. ìAn Interview with Munro on Writing.î The Bedford Introduction to Literature. 6th ed. Ed. Michael Meyer. Boston: Bedford/St. Martinís, 2002. 484-486.