The Last Laugh: A Look into Moore and Gibbons’ Characterization of The Comedian

1925 Words8 Pages
Alan Moore and Dave Gibbons’ graphic novel Watchmen is unconventional in the comic book genre, because it was the first to veer away from the simplistic plot of superheroes with superpowers in a fictional world and lean more towards a complex narrative of multiple characters that are more “human than super” in a realistic setting (Moore, “Mindscape”). The authors cover the dark issues of rape, war, and violence in Watchmen’s world where the characters’ lives soon end in their own demise. The most important concern the rhetors focus on is deciding what is truly right or wrong and this question of morality is present throughout the novel, shown through the character the Comedian (Edward Morgan Blake). Moore and Gibbons use ethos to characterize Edward as a despicable character in Watchmen, but towards the end of the novel the audience sees his humanistic qualities that helps them to sympathize with this character. Moore also uses dialogue and symbolism to show the Comedian’s humanity behind his initially evil guise. The authors continue to characterize the Comedian by employing flashbacks along with stylistic choices of color and drawings in the panels to create a mood of disgust and pity towards his persona. Moore and Gibbons rhetorical devices produce pathos so that the audience develops an emotional tie to the Comedian that leads them to reflect on their own morality. To understand Moore and Gibbons use of pathos we look to how they introduce Eddie’s character in the text as someone the audience initially detests. The Comedian’s character is noted as being “ruthless and cynical” which can be shown in a flashback when Eddie tries to rape Sally Jupiter (Watchmen). Moore uses dialogue to directly convey to the audience how... ... middle of paper ... ...ndscape”). Watchmen can be interpreted as a novel that changes the way the audience will look upon their own world after reading it and look unto their own judgment on a person’s morals in construing them as a good or evil. Works Cited: MacGregor, Paige. “Fatal Attraction: Hating to Love Watchmen’s Comedian.” fandomania. 31 March 2009. Web. 16 May 2010. McCloud, Scott. “The Vocabulary of Comics.” Understanding Comics: The Invisible Art. Northampton: Kitchen Sink Press, 1993. Print. 24-59. Moore, Alan. “Alan Moore discusses WATCHMEN: the Mindscape of Alan Moore.” Youtube. N.p. Web. 9 May 2010. Moore, Alan. “Alan Moore talks-02-Watchmen.” Youtube. N.p. Web. 9 May 2010. Moore, Alan, writer. Watchmen. Illus. David Gibbons. Color by John Higgins. New York: DC Comics, 1995. Print. “Watchmen.” Wikipedia. Wikimedia Foundation, 5 May 2010. Web. 9 May 2010.

    More about The Last Laugh: A Look into Moore and Gibbons’ Characterization of The Comedian

      Open Document