The Importanced Memory In Orhan Pamuk's Lost And Found In Johannesburg

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In his novel Lost and Found in Johannesburg, Mark Gevisser mentions the concept of “hüzün”, which can be defined as a melancholy filled memory. Initially introduced by Orhan Pamuk in his memoir Istanbul: Memories and the City, this concept can be implemented to different contexts and spaces. By reflecting on one’s space and introducing the thought of the “hüzün”, a greater collective can be formed of one’s surroundings. Pamuk goes on to explain that the “hüzün” is not only a feeling of melancholy, but a space in which we are reflected. Gevisser notes that, in Pamuk’s case, his “hüzün” is not something objective, but internal. An emotion that [Pamuk] uses to explore his city (Gevisser, 2014). Moreover, Pamuk states, as mentioned by Gevisser, that …show more content…

Instead, I am met by a small figure, sitting against a window of Blettermanhuis. Spotting the camera in my hand, the old lady shy’s away, as if ashamed of her appearance. She wears a colonial-time uniform, which includes a full length dress, long white apron and a mob cap. Her attire suggests that she works at the museum as a depiction to tourists of what slaves in the 17th century dressed like. She is a black woman, yet the fact that she is used to portray a slave does not surprise me. This troubling thought reminded me of the fact that parts of mid-campus of the university were built in “Die Vlakte”, meaning that many coloured residents of Stellenbosch where forcefully removed in order to build the institution (Stellenbosch University, 2015). Yet another occurrence that comes as little surprise in South African society. I am further reminded of an acquaintance jokingly stating that she lives in what was former known as a slave house, and that she would hate to be haunted by an angry slave. It would seem as if the concept of slavery and oppression has become an unquestioned social

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