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Pornography and feminism in the modern world
Moral dilemma of pornography
Ethical dilemma with pornography
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Exclusivists view art and pornography as an ideological polarity which can be ‘convincingly’ distinguished in many ways.
The classic exclusivist claim lies in the fundamental immorality of pornography, which, as “an instrument of exploitation and imprisonment,” is antithetical to art. Representing sexual acts in a manner degrading to women, pornography is criticised for perpetuating the myth that rape is appropriate behaviour. It is this, which has prompted anti-porn feminists to warn of the causal link between pornography and violence. With representations of women enjoying such primitive acts, the regressive influence of pornography “erodes ones moral character.”
Support for the ethical distinction between the two is provided by Gracyk who renders the defining feature of pornography to be the attitude that a representation itself expresses towards its subject-matter. What distinguishes pornography from art is the ‘pornographic attitude’, an expression of disdain towards women, which is inherent in the representation and is thereby imposed upon the viewer.
This is in contrast to art, which, with its psychological and emotional depth, “exerts a great pull on the imagination” inviting the audience to contemplate the story beneath. The explicit nature of the art serves a secondary role to its aesthetic beauty, as exemplified by Titan’s ‘Venus of Urbino’ whereby, according to Scrutton, the primary focus lies, not on the naked body but the face as a “window to the soul.” Dissimilar to the depravity which characterises pornography, the two can be ‘convincingly’ distinguished between.
To distinguish between art and pornography on the basis of their ethical distinction is, I believe, futile and assumptive. Not only ...
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...iewer’s evaluation of the representation. “The dominant interpretive strategy,” the ability of a work to be classified as both art and pornography depending on its context, undermines the claim that the two are mutually exclusive. Combined with the many representations which possess both artistic and pornographic elements, the refusal to recognize the fusion of the two as a work of pornographic art, is to forego an accurate appreciation of the creation and to ultimately frustrate the essence of art itself. Art knows no bounds and so the “definition should follow the work: the work should not adapt itself to the definition.”
It is time to acknowledge that certain works of art can qualify as pornography and vice versa, rather than confine the two to incompatible spheres. On this basis, it is not possible ‘to distinguish convincingly between art and pornography.’
A pornographic world [What is normal] by Robert Jensen takes an inside look at the culture of masculinity and what role pornography takes in shaping that culture. Jensen describes how he was forced to play a “macho” role as a child out of fear of being bullied and ridiculed for not being manly enough. Pornography use started for him and his friends in grade school – they would steal magazines and hide them to share in a group later. He talks of how he learned of a social concept, called the “ideal of prostitution” (the notion of men “buying” women in various forms of undress, solely for their pleasure), at a young age. While there has always been a stigma around pornography, whether stemming from moral or religious reasons, Jenson continued to use porn until his 30s.
Sexuality has often been confused with pornography. It has been trivialised as something that is a denigration and denial of true feeling by sensationalising genuine expressivism.
27 Baird, Robert M. and Stuart E Rosenbaum. Pornography - Private Right or Public Menace Pg. 52
With virtuous ethics, one looks to examine not whatever makes a person good, but looks at whatever makes a person virtuous (Mosser, 2013). To be considered a virtuous person one must look look at the act and make a decision whether the act constitutes being immoral by the act a person is doing (Mosser,2013). In the relationship with virtuous ethic in pornography several people think the the females that are earning their living by acting in pornography are brave strong people that are brave enough to partake in what other perceive as wrong. On the other hand several people may look at he acts preformed by the adult entertainers as wrong. The thoughts are that sexual relationships should be out of love for each other and not viewed by the outside world. With this line of thinking females involved in pornography will be regarded by many as a degrading situation for women (Gubar, 1987). These people are using their opinion and beliefs regardless of evidence, arguments, and justification of the women that partake in the movies, photographs, internet materials, or on television (Mosser, 2013).Women that perform in such movies, photographs, television programs or online is using their bodies in addition to sexuality to earn money. The Indicated form of entertainment in the eyes of many individuals and organizations, such as churches perceives that a female is encouraging sex in the form that are not within their teachings or
To sufficiently take a side in the ever-growing debate of pornography, one must first define the concept around which this discourse surrounds itself. A working definition for pornography is a piece of material that has the object purpose of arousing erotic feelings. Radical feminists, however, strictly define it as “the act of sexual subordination of women” (Dworkin 1986).
In this paper, I will attempt to review the debate on pornography in Chapter 4 - State and Society - of Philosophy and Contemporary Issues, Seventh Edition by John R. Burr and Milton Goldinger.
Accordingly, “pornography can be considered mainstream” (page 460, paragraph 1, line 5), said the author. However, there were problems brought up since the pornography glorify the violence and crimes, and it had no difficulties in being shown in mass media. Jean Kilbourne, though, did not place all the blame on advertising when she pointed out: “Ads don’t directly cause violence, of course. But the violent images contribute to the state of terror” (page 466, paragraph 2, line 1). Such erroneous attitudes are known to be existed as: “women are valuable only as objects of men’s desire, that real men are always aggressive, that violence is erotic, and that women who are the victims of sexual assault “ask for it”” (page 478, paragraph 5, line 2). The impact it made on women well-being is dreadful when it comes with them along their journey through life starting from being misbelieved as young to ending up with self
The issue of pornography has been debated and argued among many about its effects on morality and society. The questions most raised are is pornography moral or immoral and what defines it as such. Also, what makes something be seen as pornographic and therefore immoral. Often when someone brings up the subject of pornography they often envision something dark and seedy which in no way could ever be justified as virtuous. However, there are others who see it’s as being a healthy outlet and without harm to others. When applying the sociological theories of utilitarianism and deontology we can understand the different ideas of pornography. We can also use the perspectives of Emotivism and ethical egoism to make a rational argument about
Women have long been exploited through pornographic material, such as videos, photos and literature, these materials, more-so now, than ever, portray women purely as sexual objects. The evolution of the business? popularity has done nothing but help fuel a false impression, subjugating women in modern day culture and society, yet still, banning pornography in the US would be nearly impossible, due to complex issues dealing with the first amendment and obscenity laws. With instances of discrimination based on sexual orientation, race or sex being in most cases illegal, the practice of pornography should most definitely not be acceptable or perpetuated, especially in a country like the US where this said industry defies everything of which our country is founded upon. This rise [in popularity] looks as if it is related, almost in a hand by hand parallel, with growth of sexual violence against women in America.
In order to examine the sexual history of the 20th century, it is crucial to understand the context of what Kipnis meant in her quote about pornography. Her idea is no matter what your opinion about pornography; it entices and interests the viewer. It is intriguing to think about it from a cultural standpoint in her view and even from a personal view because society in general, tends to think about the data itself, but not about the people who are against pornography being drawn in as such as someone who thinks as of pornography as a positive. This point will be discussed in the Meese Commission. In her opinion, Kipnis states that there are no boundaries between private and public pornography because they are constantly shifting and therefore it is too difficult to tell where they are. Because of the idea of public versus private domain is a common theme throughout pornography and will be examined further, especially ...
an also kept very private. Since feminists and adult film has come together over the past couple of years , many adults films has not been the same. Feminist bring a middle ground of the fantasy world and some social problems together. They bring about ways that stop inequality , from the color of your skins to your sexual orientation. Society see adult films as woman being degraded , but feminist see it as woman being empowered and coming in tune with one self. So in this paper we will discuss how many people see adult films as a social problem and others question why should it be a social problem.
Many feminist theories believe that pornography is part of male culture and the patriarchy in which women are exploited and abused. In fact, one of radical feminism philosophy’s primary concerns is pornography as they believe porn degrades women and that women involved in the industry are physically damaged by patriarchy, as pornography as often directed by male pornographers (McElroy 2016). Renowned radical feminist Andrea Dworkin explored issues like misogyny and pornography. Dworkin spoke out for several causes, primarily in ending violence against women. Her famous work Pornography: men possessing women (1981) argues that porn teaches men to rape and violently abuse women. However, studies show that watching pornography its self does not cause any considerable social harm. Despite this, it is true that the adult industry itself can be torturous and
People often end up on the opposite sides of the argument concerning the fine line between art and pornography. Artists sometimes include nude depictions or descriptions of the human form in their work. The artists and many other liberals and citizens of the art world argue that it is important for artists to feel the freedom to express themselves in any way that they wish. The problem with this liberty is that many people find the nude body offensive and believe that these images should not be considered art but pornography instead. This is a valid and important dilemma, but as Dennis Barrie describes art in a speech that was published in Art Journal, “…sometimes art is not beautiful, and sometimes it’s challenging, and sometimes it’s even offensive, and yet it can be art, even if it’s all those things” (Barrie 30). Artists should always be allowed to express themselves fully and not fear public reprimand despite the risk they may run of offending people who cannot appreciate their work.
To some, pornography is nothing more than a few pictures of scantily clad Women in seductive poses. But pornography has become much more than just Photographs of nude women. Computer technology is providing child molesters and child pornographers with powerful new tools for victimizing children. Pornography as "the sexually explicit depiction of persons, in words or images, Sexual arousal on the part of the consumer of such materials. No one can prove those films with graphic sex or violence has a harmful effect on viewers. But there seems to be little doubt that films do have some effect on society and that all of us live with such effects.
Stark, Cynthia A. "Is Pornography An Action: The Causal vs. The Conceptual View of Pornography's Harm" Social Theory and Practice. v.23 p. 277-306, 1997