In Henrik Ibsen’s play, “A Dollhouse”, we learn of a woman who has been repressed almost her entire life. Nora Helmer was treated like a little girl not only by her father, but by her husband, Torvald, as well. Her life is compared to that of a doll’s in the play. In order to get what she wants she dresses and acts as to please Torvald. The two other principle characters in this play, Dr. Rank and Mrs. Linde, help to portray the characters of both Torvald and Nora. More specifically, Dr. Rank can be contrasted with Mr. Helmer, and the same can be done with Mrs. Linde and Nora. This not only allows the reader to understand the characters, but to help bring out one of the central themes of the story: the repression of the woman.
The House of Bernarda Alba and A Doll's House, by Frederico Garcia Lorca and Henrik Ibsen respectively, are two similar plays written at different times. In 1964, Frederico's The House of Bernarda Alba debuted in Madrid Spain, thirty-one years after it's birth in 1933. It pioneered the style of surrealistic imagery, popular folklore and was written in prose. A Doll's House was published in 1879 and appeared on stage that year in Copenhagen. Originally written in Dano-Norwegian known as Riksmal, its read in translation almost exclusively. It was released with a cast of male and female performers, in opposition to The House of Bernarda Alba with only female characters. Although these stories were written in two completely separate eras, they depict similar scenarios. They each reveal a dominant character pitted against a female character who is rebellious to the traditional social order. In A Doll’s House, Torvald is the dominating character manipulating his wife and treating her like a doll. In The House of Bernarda Alba, Bernarda is the dominating figure in charge of bossing her daughters around, and, more importantly causing the downfall of her youngest daughter Adela. Thus, both stories have a single figure in charge of pushing the less powerful woman or women around. In addition, both stories show broken relationships, and the downfall of main characters. However, the underlying theme, which ties these two plays together, is pride. Pride is both the root of social order and the cause of downfalls. It breaks relationships and splits families in one case, while restoring life in the other. Pride is an ever-present force in both of the plays, The House of Bernarda Alba and A Doll’s House, affecting the details, characters, and even the outcomes.
Marriage is an important theme in the plays, ‘A Doll’s House’ written by Henrik Ibsen, and ‘The House of Bernarda Alba’ written by Federico Garcia Lorca. Though the concept of marriage is two people living together through love and companionship, it revolves around the duties and principals put up by the society. Both of these books share anachronistic views of marriage where marriage is not an emotional attachment between two entities but a social engagement between two entities of similar wealth and power.
...ationship with their plays, by exploring the idea of patriarchy and disproportional power in a marriage. The Doll’s House questions gender roles, specifically motherhood. Marriage to Torvald was no different than living with a stranger. By walking out of her relationship for her own liberty, Nora sends a message that the rights of a woman are often wronged, and women should not be expected to conform to society’s expectation of duty. The Father questions patriarchy by illustrating the struggle between husband and wife. In an exaggerated approach, the play reveals that both husband and wife are equally vital in a marriage. Both plays show the power and potential held by woman in their struggle for personal liberty. By depicting realistic situations and the wives’ reactions, both playwrights offer their progressive commentary of gender roles and power in marriages.
A doll may look like a beautiful figure, but within a doll’s house, the beauty is sealed within the inside of the house, which the beautiful doll is useless. Within the doll’s house, the doll is not fulfilling its potential for why it was created, to be attained to- it is merely a household decoration. In Henrik Ibsen’s play, A Doll’s House, Nora is the doll, and her marriage is enclosed in the doll’s house. As a person, Nora is considered to be a beautiful creature who entertains her husband within the beautiful images of a docile wife. However, she is not who she seems to portray as. There is a dark secret within her. She’s a desperate creature longing to explore the outsides of her marriage outside of the doll’s house. In a society that is dominated by men, the expectations that Nora must handle, she must choose between the obligations that is determined by her role as a wife in opposition to the obligations of self, by focusing in her true identity. Divined with the context of her love, she commits forgery, and through the hardships and deception that she goes through, she realizes that her marriage is nothing more than an illusion, and she is nothing more than a doll within Torvald’s house.
A modern play that demonstrates the transgression of a woman from the conflict she experience is in “The Doll’s House” by Henrik Ibsen. Ibsen wrote this particular work while living in Italy, which became a cornerstone in ‘realism’. It also brings ...
In the play A Doll House, by Henrik Ibsen, the convention of marriage is examined and questioned for its lack of honesty. The play is set in the late 1800s, which provides the backdrop for the debate about roles of people in society. Ibsen uses the minor character, Dr. Rank, to help develop the theme of conflicts within society. This, in turn, creates connections with the plot. Dr. Rank's function in the play is to foreshadow, symbolize, and reflect upon the truth of life and society and to break down the barrier between appearance and reality.
In the dramatic play, “A Doll House”, Torvald comes across as an over controllable and degrading husband towards his wife, Nora. He becomes more overbearing throughout the play, thus treating his wife more as a child than a woman. Interactions between Torvald and his wife are displayed more as a father talking to his child. In his head, Torvald believes that he is better than the rest and his mentality is easily displayed through his actions towards not only Nora, but others as well. Torvald is depicted as a moralistic being who has a mindset that a husband must hold the most power within a marriage.
The A Doll House is a play written by Henrik Ibsen and was based on the life of one of his really good friends named, Laura Kieler. Since Ibsen wrote the play in 1879, A Doll ’s House has been constantly re-interpreted in large and small theaters, on film and TV throughout the world. It has become of the most famous European plans and in less than 130 years it has acquired a rich and controversial afterlife (Siddall 75). This play is about a woman that leaves her husband and children behind to discover who she really is in life and what “she” wants as an individual woman. This play was written in the late 1800’s and was written based on the critical views of what a marriage was based on. The themes that are reflected in this play are about marriage and what it was based on and viewed as in that specific time period, lies and deceit, and the roles that men and women played.
Ibsen writes his play A Doll House to explain the life of a housewife and her struggles with her own actions. Ibsen examines the emptiness in the lives of Nora and Torvald as they lived a dream in a Doll House. Both awaken and realize this emptiness and so now Torvald struggles to make amends as he hopes to get Nora back possibly and then to restore a new happiness in their lives. Ibsen examines this conflict as a rock that breaks the image of this perfect life and reveals all the imperfections in the lives of those around.