The Hateful Eight Essay

Quentin Tarantino’s latest offering, “The Hateful Eight,” gave a touch of the classic era as it was shown like a blast from the past. From the movie’s setup to the premiere, people behind it made sure that they gave their viewers a different kind of experience over the Christmas weekend.
According to Chicago Tribune, the mystery flick was exclusively launched as a 70-millimeter film with a premium format like 1960s movies. It left the usual “contemporary suburban multiplexes” that saw mostly of presented movies were digitally format.
Workers of the Western film exerted all their efforts to launch it quintessentially with a touch of how the old day movies were released. They provided special projectors, equipments and human operators that specialized in showing movies in the old fashion way. In fact, by doing this, they need quite a long time, almost a year of

As most of the of movie houses today were digitally format, projectionists were there to help set up the film, observed the projectors, kept the equipments’ maintenance and fix the problem right away if ever one came their way.
Furthermore, CinemaBlend added that the masterpieces of the 52-year-old director were somehow interconnected just like superhero films of Marvel Studios. From Vic Vega of “Reservoir Dogs” to another Vic Vega of “Pulp Fiction” and the obvious appearance of the Red Apple Cigarettes, Tarantino has his own way to show that all his films were created under one plot in the same locations.
“The Hateful Eight,” however, also have the same touch that interconnected it with his 2009 film, “Inglorious Basterds.” In the midst of all the connection, it was seen that Tim Roth’s character as Oswaldo Mobray was actually the forefather of Archie Hicox, the British Army officer who joined the Basterds as played by Michael