There’s scarcely a surer truth in all literature, than that F. Scott Fitzgerald is fixated upon money, and upon characters who self-destructively dwell upon it. The classic example of this pattern is the eponymous main character of The Great Gatsby, who so ably embodies that tendency. And the above passage, taken from pages in the course’s assigned version, is among the plainest demonstrations thereof. Without over-universalizing these words’ significance, it’s safe to say that they serve as a perfect example of how characters’ entire ontologies hinge upon their having or not having money. Specifically, this scene epitomizes how Gatsby views not only himself, but also Daisy, as being constituted and characterized by her financial means. Before …show more content…
Rather than love, Gatsby formulates these theories of Daisy’s thoughts based upon monetary positionality. He denudes this mentality of his by projecting onto her the same value that he himself places upon money. In other words, he actually reveals how much he defines his own value through his wealth, through his insistence that Daisy does the same. To overuse a term, he projects a certain ontological calculus onto others; and in so doing, lays bare his own. This single line again unravels his doctrine (for lack of a better word) of personal value, placing all the vicissitudes of valuable personhood within financial efficacy. That’s not to say, though, that he’s incorrect in his assessment of Daisy, to at least some degree. It’s merely the fact that he, without necessarily receiving direct confirmation, preemptively assumes that she too views their relationship as a function of …show more content…
By dehumanizing her qualities to those of an inanimate object like a grail, he is discounting her own sentience and independence of thought. He’s essentially reducing her desires and values to being merely those that are fashionable at the time; this in turn exhibits Gatsby’s broader evaluation of the times in which he lives. He views his era as being myopically preoccupied with money, an idea which is simultaneously a product and a producer of his own money-centric psychological complex. Thus he reasons that in order to attract Daisy, this insensate spectre of an entire generation’s virulent materialism, he must ingratiate himself with that elitist enclave. Because, after all, one’s entire ontological composition and significance, are fundamentally rooted in his or her financial
Because of his wealth, everything in Gatsby’s life hints at having power through status and money, but he is not happy because all he wants to do is be with hard to reach Daisy; she is the reason why he acquires the materialistic things he does in the first place.
Initially, Gatsby stirs up sympathetic feelings because of his obsession with wealth. Ever since meeting Dan Cody, his fascination for wealth has increased dramatically. He even uses illegal unmoral methods to obtain hefty amounts of wealth to spend on buying a house with “ Marie Antoinette music-rooms, Restoration Salons, dressing rooms and poolrooms, and bath rooms with sunken baths.” (88) His wardrobe is just as sensational with “ shirts of sheer linen and thick silk and fine fennel.” (89) Gatsby buys such posh items to impress Daisy but to him, Daisy herself is a symbol of wealth. Jay remarks, “[Daisy’s] voice is full of money.” (115). For him, Daisy is the one who is “ High in a white palace the king’s daughter, the golden gir...
In The Great Gatsby by F. Scott Fitzgerald, Nick’s unreliability as a narrator is blatantly evident, as his view of Gatsby’s actions seems to arbitrarily shift between disapproval and approval. Nick is an unreliable and hypocritical narrator who disputes his own background information and subjectively depicts Gatsby as a benevolent and charismatic host while ignoring his flaws and immorality from illegal activities. He refuses to seriously contemplate Gatsby’s negative attributes because of their strong mutual friendship and he is blinded by an unrealized faith in Gatsby. Furthermore, his multitude of discrepancies damage his ethos appeal and contribute to his lack of dependability.
Daisy’s character is built with association of innocence and purity. Narrator in the novel mentions, “They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house” (18). In this passage, the narrator talks about Daisy and Daisy’s friend, Jordan. They both were dressed in white, which represents the purity and innocence. Daisy’s exterior beauty is pure and innocence, but her interior self represents false purity and innocence in the novel. When Daisy and Gatsby reunites after five years, they seem to have found their love for each other, although Daisy loves the attention. Daisy is aware of her husband’s affair but still does nothing about it. Daisy’s response to Gatsby’s wealth proves the love Daisy has for money, especially the shirts. Narrator mentions in the novel, “Suddenly, with a strained sound, Daisy bent her head into the shorts and began to cry stormily” (92). This describes that’s for Daisy the shirts represents wealth. Daisy bows her head into the shirts representing her interest in wealthy materialism. Daisy doesn’t cry because of the pure affection unlike Gatsby.
For five years, Gatsby was denied the one thing that he desired more than anything in the world: Daisy. While she was willing to wait for him until after the war, he did not want to return to her a poor man who would, in his eyes, be unworthy of her love. Gatsby did not want to force Daisy to choose between the comfortable lifestyle she was used to and his love. Before he would return to her, he was determined to make something of himself so that Daisy would not lose the affluence that she was accustomed to possessing. His desire for Daisy made Gatsby willing to do whatever was necessary to earn the money that would in turn lead to Daisy’s love, even if it meant participating in actions...
Gatsby’s distinct charisma indicates his struggle against moral corruption and sets him apart from the moral decay evident in the upper class. Owl eyes is very surprised when he finds out all the books in Gatsby’s library are real, “‘The books?...Absolutely real--have pages and everything...It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco’” (45). While most of the upper class uses outward displays of wealth to cover their inner moral corruption, Gatsby uses his extravagant opulence to mask his love for Daisy. In this way his morals and ability to conceal his love prove his willingness and drive to acquire Daisy’s love and acceptance. The majority of the upper class suffers from moral poverty, lacking internal morals to keep them grounded acting out in ways that diminishes their social status. Gatsby is so close to Daisy his whole life yet he is unable to get any closer until their relationship is destroyed forever. “I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock...his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him” (180). Gatsby continually reaches out for Daisy with hope and optimism, but the distance between his dock and the Buchanan’s does not get any closer symbolic for the
He writes, through the voice of Gatsby, that “her voice is full of money” (127), implying that Daisy speaks with an eloquence and elegance found only in the voice of those born wealthy. Gatsby inherently connects Daisy with the idea of wealth and money, and shows a desire to be seen as one born with money. Hence, the reader can conclude that Gatsby is in love with what Daisy represents: wealth and the high class. By associating Daisy with the high society, Fitzgerald indirectly reveals his attitude towards America of the 1920s. He implies that similar to how Daisy chooses material pleasure and societal benefit as opposed to a real feeling that brings true joy, the people of the 1920s prioritize wealth and fleeting pleasure over concrete feelings that bring true happiness. He even takes his commentary a step further, as the “true” feeling represented in The Great Gatsby is love. Ironically, the love depicted in this society is corrupt and fake. Thus, Fitzgerald states that the ideologies and values of the American 1920s will result in its downfall, just as the corrupt and fake love between Gatsby and Daisy results in the downfall of Gatsby. Furthermore, through his portrayal of Daisy’s inadvertent cruelty towards both Myrtle and Gatsby, Fitzgerald parallels the unconscious depravity of the high society and its negative impact on America. This is seen
The Great Gatsby is an emotional tale of hope of love and “romantic readiness”(1.2) that is both admirable and meritorious .Yet, the question of Daisy ever being able to measure up to Gatsby’s expectations is one that reverberates throughout the course of the novel. Be that as it may, Daisy is never truly able to measure up to Gatsby’s expectations because the image of Daisy in Gatsby’s mind is entirely different from who she actually is. Even during his younger years, Gatsby had always had a vision of himself “as a son of God”(6.98) and that “he must be about his fathers business, the service of a vast, vulgar and meretricious beauty”(6.98). Gatsby’s desire for aristocracy, wealth, and luxury is exactly what drives him to pursue Daisy who embodies everything that that Gatsby desires and worked towards achieving. Therefore, Gatsby sees Daisy as the final piece to his puzzle in order realize his vision. Gatsby’s hyperbolized expectation of Daisy throws light on the notion if our dreams as individuals are actually limited by reality. Since our dreams as human beings are never truly realized, because they may be lacking a specific element. Daisy proves to be that element that lingers in Gatsby’s dreams but eludes his reality.
Jay Gatsby’s funeral is a small service, not because that 's what was intended, but because no one bothered to show up. Nick wanted to give Gatsby the popularity he desired, even in death, but only three people were present in the end. Gatsby’s father, Henry C. Gatz, shows up unexpectedly from Minnesota because he heard about the news in the papers. He believes that the man who shot his son must 've been mad, that no one in their right mind could commit such a horrible act. Daisy and Wolfsheim, the people closest to Gatsby in the book, do not attend. This exemplifies that it was always about wealth and social status for them, including Tom, and they never genuinely cared for Gatsby. Nick held up hope,
Lewis, Roger. "Money, Love, and Aspiration in The Great Gatsby." New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Cambridge University Press, 1985. 41-57.
...d on money that any means of a obtaining it were condoned, even if those means were unscrupulous. Though Gatsby at first attempted to achieve his goals of wealth through perseverance, he falls in love with Daisy—his tragic flaw—and is unable to see the corruption that lies beyond her physical beauty, charming manner and alluring voice. His fixation over Daisy, who is hollow at the core, demonstrates the futileness of Gatsby's dream, which is based on an idea, and not substance. The result of this corruption is that the motivation and ambition vanished and the dream was left with the pursuit of an empty goal—the corruption of the American Dream.
Daisy's dependence on men with wealth and status, and Gatsby's underhanded attempts at gaining it illustrate America's belief that money and extravagance are the easiest means of finding success and happiness. The following statement from page 149 strongly illustrates Gatsby's belief that his only means of captivating Daisy would be through deception. "He might have despised himself, for he had certainly taken her in under false pretenses. I don't mean that he had traded in his phantom millions, but he had deliberately given Daisy a sense of security; he let her believe he was a person from much the same stratum as herselfthat he was fully able to take care of her. As a matter of fact, he had no such facilitieshe had no comfortable family standing behind him, and he was liable at the whim of an impersonal government to blow anywhere about the world (p. 149, paragraph 2)."
Nick describes Gatsby as “one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life(Ch.3).” Such description unifies the appearance of Gatsby with people’s expectation of a man who accomplished the American dream. The obsession with wealth often blinds people from the potential crisis. The crisis of having everything they worked and struggled for redefined if the reality fails them. Just like strivers who chase the American dream, Gatsby also spent his whole life in pursuit of his American dream, which Daisy was a major component of.
Money, Love, and Aspiration in The Great Gatsby." P. 51