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Goodfellas analysis
Essay on the movie goodfellas
Goodfellas analysis
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The topics I will be discussing for the week four free post blog is; the reason why I chose this film, and the comparison and difference between The Goodfellas and The Godfather, and the comparison and difference of Scorsese's The Departed and The Goodfellas. The first time I watched "The Goodfellas" was when I was probably 10. What drawled me to watching this film was because I used to always watch "The Sopranos". At first I was questionable if I would like this film because, it was released in the 1990's. At that time I didn't really care for classic movies, however after watching "The Goodfellas" my interest for classic movies grew. Soon after watching “The Goodfellas” I started to watch movies like Casino, Scarface, and The Godfather. The reason why I chose "The …show more content…
However, I notice the styles are different in "The Godfather" it's focusing on his son following his following father’s footsteps as for, "The Goodfellas" it focuses on the life on the notorious gangster Henry Hill. The pace between these two movies were different from my perspective. Coppola's pace for "The Godfather" tended to be slower than Scorsese. The next comparison is between "The Goodfellas" and "The Departed". Both these movies are directed by the same director. A difference I noticed between these films is for "The Goodfellas" it shows the life of the Italian mafia as for "The Departed" it shows the life of the Irish mafia. Another difference is in "The Goodfellas" the sale of drugs weren't liked upon as for "The Departed" it was encouraged to sell drugs. A comparison between these two movies is both main characters believe they are above the law from my perspective. Both characters chose the path in which they wanted to take, almost considered being an outlaw. Another comparison between this two films is both characters had love
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
I chose to view and analyze the film The Boondock Saints. There were many different things I focused on while viewing the film. I decided to brake them down into the following categories: narrative, theatrical elements, cinematography, sound, and the overall experience. I will begin with stating my personal interpretations and understandings of the narrative.
The film that interested me for this assignment was “Boyz n the Hood”. The movie was about a Los Angeles neighborhood expanding of drug and gang culture, with increasingly tragic results. It was about how one teen had family support to guide him on the right path in life regarding the social problems around him. The other two teens in the film wasn’t as fortunate and fell into the social problems of drugs, violence, and gangs; where one ended up dead.
The first thing we see is Christian Bale’s almost surreal beer belly, similar to an overdue pregnant stomach. He stands in front of a mirror and adjusting one of the most complex comb overs I have ever seen, which includes artful interweaving of glued hair extensions. Add to this a pair of smoked colored pilot glasses and a sophisticated outfit that screams out our worst nightmares of the late 1970s, and it is dangerously tempting to expect a continuation of a hard groomed freak show, populated by thoroughly ridiculous people who make and says ridiculous things. Especially as the second thing we see is one of Amy Adams countless, magnificently deep necklines. But if that's what we believe will happen, we will become thoroughly
The classic gangster film focusing on a host of norms defined by some of the first gangster films. This genre originated as an escapism from the negative depression era. People would flock to see the gangsters go from rags to riches with their glitzy lifestyle and beautiful women. As Shadoian puts it, “The gangster’s fizzy spirits, classy lifestyle, and amoral daring were something like Alka-Seltzer for the headaches of the depression” (Shadoin 29). Not all this came easily for the gangsters though, bloodshed is defined as a part of business with guns a constant motif. Despite these negative outcomes, it’s easy to see how this genre was such a great elusion from the everyday where the American Dream seemed like it might not even exist anymore.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Something else that surprised me was the competition between the gangs, who could give the most flowers and give the most lavish funerals to the men they killed from the opposite side of town. Al Capone was a very ruthless killer but he still had style, a certain classy air about him.
In addition however, while they tend to trade on different genres, these films also tend to share many similar motifs. Hercules (Pietro Francisci, 1958), Once Upon A Time in The West (Sergio Leone, 1968), The Godfather (Francis Coppola, 1972), and Once Upon A Time in America (Leone, 1984) all draw on the generic qualities of their America counterparts through common plot devices and a reliance on American stars. However, while American films are highly individualistic in tone, these popular Italian epics trade on the common motif of the vendetta: a variation of the hero quest narrative, which focuses on the community, or family, revenge plot. In this way, although these films span almost thirty years of popular Italian filmmaking, the pattern of community based violence and revenge serves as a common cinematic motif which, in turn evolves over ...
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Ben Affleck, director, does an excellent job with the movie Argo. Being able to find the fear and suspension in every scene is difficult to do, yet Affleck does so seamlessly. Based off a true historical event that happened in 1979, Affleck choses to pick the Iranian Hostage Crisis. He starts out the movie with some background information, so that viewers are able to have some understanding of what has happened and why this is happening. He then merges into a heartbreaking scene, where a mob of Iranians have bombarded their way into the American Embassy. Screaming and shouting at the top of their lungs, the actions happening outside are horrific. Showing the fear in every American’s eyes in the building pulls at every heart
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’