Perestroika Critical Analysis

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Prior feels the effects of homosexuality both mentally and physically. He struggles under the simulacra disease and under his AIDS. AIDS was seen as an effect of being gay, disease begets disease. In this framework, there is the influx of religious language. Gay men are diseased because they deviate from what is natural. AIDS is a plague sent to make them extinct. Fiona Rambsy Harris writes, “the punishment for this societal pollution in the eyes of the Right is biblical; after all, plagues were, in scriptural terms, sent down from Heaven to punish the transgressive” (410). The Right refers to political and social conservatives (the people who ran the nation at the time). Gay men were thought of as “societal pollution” not only because of …show more content…

Prior has the chance to stay in heaven, but chooses to go back to Earth. The Angel views the world as a heap of suffering where progress has caused a dissention into madness. Prior rejects this fatalist view of society by asking to live. He becomes progress when he steps back into the human world refusing to believe progress, his identity, and the world is wrong. Claudia Barnett writes, “Prior saves himself, and perhaps the world, from stasis” (478). This stasis is the metanarrative. It is the Angel commanding people to “HOBBLE YOURSELVES” (Kushner 179). His last words to the angels reflect this rejection. He says, “You haven’t seen what’s to come. You’ve only seen what you’re afraid is coming. Until it arrives – please don’t be offended but … all you can see is fear” (279). The angels fear what evolution will do because this means finding truth; it means rejecting the simulation of identities and figuring out the real characteristics of people. Prior has no fear because he knows what advancing can do. It will reveal the truth of homosexuality and dismantle the simulacra of identity. Progress means proving that powerlessness, sinfulness, and disease are not what it means to be gay. Prior subverts all the simulacra. He cannot be damned because he is welcomed to heaven, he has power because he chooses to leave and live, and he is not diseased because eventually he gets better. His choice to live through this crisis, to go through hell (well heaven) and come out the other side is him choosing not to believe in this metanarrative of the sick man in a sick world. He is perfect and powerful. One of his last lines is probably his most telling. He tells the audience, “We won’t die secret deaths anymore. The world only spins forward.” (290). Now that he has seen the truth he can only continue to complicate these homogenizing metanarratives. His story is the best

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