Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: About greek art
1. Mask of Agamemnon, size 12” (35cm), Location Mycenae, Greece, Date 1600-1500 BCE. The medium used is Gold. Hip Pendant of the Iyoba (Queen Mother) Idia, size 9 3/8 (23.8), Location Benin Kingdom, Nigeria, Date 16th Century CE. Medium Ivory, iron, and copper. 2. The Mask of Agamemnon illustrates the flat face of a man, the color is gold since is made out of gold material. The face is long and you can appreciate a wide forehead. The nose, however, has dimension, it is fine and pointy. The lips are thin and closed shut. In addition, you can appreciate the eyebrows that are thin and shaped with parallel lines. The face in this mask has a mustache and what looks like a beard, that is defined by lines. You can also appreciate the cheeks Both of the masks physically differ from one another since The Mask of Agamemnon is more flat in shape and wider than the Hip Pendant of the Iyoba. In addition, the ears are definitely different from the one from the Mask of Agamemnon, they are very much separated from the face. The nose is also different in shape, the Agamemnon mask is more thin and pointy and the mask if Iyoba is wider and the nose holes are much wider. Furthermore, the Mask of Agamemnon has no visible hair and the eyes are shut, while in the Mask of Iyoba the eyes are wide open and there is visible hair. 4. The masks are similar in appearance because they both depict a lot of detail in the ears you can clearly appreciate the ear folds and each of the mask. Both of the mask show complete facial features such as two eyes, a nose, lips a chin, cheeks and a forehead. 5. The mask of Agamemnon is three-dimensional and wide in shape. There are straight lines that depict the mustache, the eyebrows and beard. The eyebrows are arched in shape. The beard has a triangular shape. In addition, there is a single straight line across the center of the eyelid. The eyes are oval in shape. The chin has a circular shape. Overall the mask has a highly saturated look, it looks so vivid and it has a pure hue since its made out of gold. The ears are overlapping the face. The textured looks hammered and An Iyoba refers to the title of Queen Mother and this title is given to the woman who bears the “Oba” or first son, which is the future ruler of the kingdom. The “Iyoba” is believed to never have any other children and devote her life to raising the one son. Idia held the title of Iyoba while Esige was the Oba. She played an important role in her son's life since she helped to negotiate the end of the war during her son's reign. To honor her; her son gave her the title of Iyoba (Queen Mother) and it is believed that in order to commemorate her, her son Esigie “ is said to have worn the mask as a pectoral during rites”. Up to date, similar pendants are worn during spiritual
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
The Ancient Middle East the Roman time periods brought about many different works of art. The Votive Statue of Gudea, an Ancient Near Eastern work, and the Augustus of Primaporta, a Roman work, are good representations of art from their respective time periods. The two works have many similarities and differences within their formal elements, iconography, and historical significance to the time periods in which they were crafted.
Marble statue of a kouros (youth), Greek, Attic, ca. 590-580 B.C. Fletcher Fund, 1932. Accession number: 32.11.1
In the past there were two types of shamans, the good and the bad. The good ones
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
The Victory stele of Naram-Sin holds similar features, however there are some distinct characteristics that set the two apart. The stele is obviously a different material than the Egyptian palette of King Narmer. The palette was made of soft siltstone while the stele was made of pink limestone. They both have similar shapes; however, the palette is much more polished than the stele.
The mask he wears could also be the link between actor and character. This is a similar idea in Six Characters as well with the fact that it is a blurred line often between who the actor is and who the character in the play is.
Next, we should look at the brilliantly and elaborately detailed armor of Ares. The shield’s handle, the rivets along its edge and the circular decoration around the inside of the shield are meticulously done. Additionally, the shadow created with the change in hue, saturation, and value on the inside of the shield help create the depth and curvature of the shield. The body armor also implements a well-crafted mixture of shadows and smooth curved lines as well as color change to create depth. Had this not been so craftily accomplished, the shield would have taken on a flat and dull appearance. This is true for the lion head on the shoulder of Ares , which is able to convey the concept of layered gold on top of iron without using the layering of paint to create the three dimensional character. The more time I spent viewing the particular parts of the armor, the more admiration I had for Batoni as an artist. The helmet, with the golden dragon atop and ram around the lower front are also finely detailed.
Odysseus and Agamemnon are heroes who fought side by side to take down the city of Troy during the Trojan War. In Homer’s The Odyssey, why is Agamemnon slaughtered when he arrives home while Odysseus returns to find his loved ones still waiting for him? The reasons for the heroes’ differing fates are the nature of their homecoming and the loyalty of their wives.
The differences that are found between these four pieces of art can be traced back to the differences that existed between the two cultures. Even though there are similarities, the differences outweigh them by far. The purpose of the Roman Mummy Portrait of a Man and the Mummy Portrait of a Young Woman differ completely from that of the Greek Black-Figured Psykter and the Red-Figured Kylix Depicting a Young Athelete. The styles of the paintings are also very different as well. The amazing thing that is to noticed is that regardless of the differences that exist, both the Greek and the Roman pieces are considered to be masterpieces of art. The differences that are found add to the uniqueness that each one entails.
To conclude, both sculptures do not have much in common, but it is obvious that the artists had knowledge in human anatomy and was able to sculpt them spectacularly. It is also obvious the break from somewhat idealistic to realistic human nature. The change is so drastic that one might not believe that both sculptures come from the same Greece because it is so well-known for its astonishing artworks found in temples, building, etc.
In conclusion, the pieces have a variety of similarities as well as differences. Both pieces are double portraits that show the difference in time periods in which they were created and the way artistic tastes change over time. Both works of art seem to express differences between light and dark. Though both pieces have similar subject matters they vary in the use of medium and technique to create stark contrast with each other.
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
In ancient times, shields spoke yields of their owner and their beliefs. Sometimes, they even showed their owner’s eminent fate. In the Iliad and the Aeneid, the shields of heroes—Achilles and Aeneas—are described both similarly and differently. There are many similarities in their shields: both having received the shields from their goddess mothers. Both shields were made by Hephaestus/Vulcan. The shields were also described in depth, making the shields seem comparable. However, they differed in the images on the shields. In the end, the Iliad’s description of the shield was the more effective symbol of the two stories.
The main characters in Aeschylus’ Agamemnon formulate two different narratives about the death of their daughter, Iphigenia. As a result of their stories and coping mechanisms being different, the unity of their home is disrupted. Like most stories with multiple authors there are discrepancies, exaggerations, disregarded information, and changes in the way the story is told in order to support the narrators’ agenda. In Agamemnon, Aeschylus reveals through the transformed relationship between Clytemnestra and Agamemnon-as a result of the death of Iphigenia-that when marital partners have discrepancies in shared personal memories that their ideas of home and homecoming are also inconsistent.