When a person is accused of a crime they are either found innocent or guilty. This is the basic idea of justice and it is what many feel needs to happen if someone has done something controversial. In the play The Oresteia by Aeschylus, the story of Clytemnestra guilt or innocents is questioned. She does many things that people are not too happy with and those controversial actions throughout the story, mainly in the first part Agamemnon get her into the trouble. As we explore the case that builds against her innocents by exploring the killings of Agamemnon and Cassandra and the boastful expression about the killings.
Odysseus and Agamemnon are heroes who fought side by side to take down the city of Troy during the Trojan War. In Homer’s The Odyssey, why is Agamemnon slaughtered when he arrives home while Odysseus returns to find his loved ones still waiting for him? The reasons for the heroes’ differing fates are the nature of their homecoming and the loyalty of their wives.
...rses the murder of Agamemnon. As Dilworth states in “The fall of Troy and the Slaughter of the Suitors: The Ultimate Symbolic Correspondence in the Odyssey”;
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
Aeschylus’ tragic trilogy, the only play to survive from Ancient Greece, repeatedly calls our attention upon a central concept of justice: justice as revenge. This is a relatively simple concept, with a powerful emotional appeal, linking vengeance to the family and their feelings for each other and for their collective honor. However, one must look past this superficial theme in order to fully appreciate and understand the depth and beauty of Aeschylus’ work, and regard it as a philosophical investigation into the concepts of justice rather than a great artistic fiction or a poetic exploration. The former approach is unfortunate because the Oresteia is not a rational argument. It is, on the other hand, an artistic exploration of abstract and theoretical issues. What matters in this case is the complexity of the feeling that emerges from the characters, the imagery, the actions, and the ideas in the story. In other words, the writer is dealing with a case of how human bei...
In Greek lore The Battle of Troy caused all of Geese to unite to battle Troy. While some of Geese were heading across the seas towards Troy the leader of the expedition, Agamemnon, killed a deer in a grove sacred to artemis. artemis, in retaliation, caused unfavorable wind to prevent them from leaving the port they were in. The seer revealed that the only way to carry on was to have Agamemnon sacrifice his oldest daughter. This story inspired Giovanni Battista Tiepolo and Alfred Tennyson. In both The Sacrifice of Iphigenia by Giovanni and “Iphigenia” by Alfred us the myth of Iphigenia to show that the reaction to the event can be more important than the
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
Clytemnestra falls into the horrible double standard that women hold in our world and her reputation is tarnished by the misinformation given about her. In Homer’s epic Odyssey Agamemnon labeled Clytemnestra as his ”accursed wife” (Homer 463) who is accused of killing him to be with her supposed lover Aegisthus, but in Aeschylus’s Agamemnon she reveals unapologetically her reasoning for killing her husband, which changes the whole perspective of her character. It is revealed in the play Agamemnon that Agamemnon killed Clytemnestra’s daughter, Iphigeneia, and she seeks revenge on Agamemnon for the death of her child (Agamemnon 1385-1386). Clytemnestra is perceived as evil and cold-hearted in the Odyssey but the information that you gather in
Comparing the Portrayal of Clytemnestra in Agamemnon and Electra
In both Electra and Agamemnon, Euripides and Aeschylus have chosen to
represent Clytemnestra as a complex character being neither all bad
nor all good - the signature of a sophisticated playwright. In
Agamemnon, Clytemnestra is a morbidly obsessive woman, utterly
consumed by the murder of her daughter for which the audience cannot
help but sympathise; she is capable only of vengeance. In the Electra,
Clytemnestra is placed in an even more sympathetic light, victimised
by her own daughter who in turn is driven by an obsessive desire,
similar to that of her mother's, to avenge her father's death.
In ancient plays and epics, the name of Clytemnestra was used as
synonymous with the extremity of unfaithfulness, for example, in
Homer's The Odyssey we see faithful Penelope being contrasted to the
wicked Clytemnestra.
After Achilles and Clytemnestra have a conversation, they realize they have been lied to. Finally, the slave enters and explains Iphigenia’s dire fate. Achilles promises that he will not let Iphigenia be sacrificed, and he exits. Iphigenia and Clytemnestra plead with Agamemnon to not kill his own daughter, but Agamemnon refuses to listen. Achilles enters and explains to Clytemnestra that the Greeks want Iphigenia dead, and will “drag her by her hair” if she