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William faulkner the sound and the fury essay
William faulkner the sound and the fury essay
Faulkner and the theme of death
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The Cemetary and Loss in Faulkner’s The Sound and Fury
On the sixth page of the novel The Sound and The Fury, Caroline Compson informs her son Jason that she and her other son Benjy are "going to the cemetery." The sense of loss that runs through much of Faulkner's work, especially The Sound and The Fury, can be found in the quiet, black-and-white world of the dead. In a cemetery one is reminded of lives lost and lost lives. Faulkner honors both in his novel. The story reveals a multilayered cacophony of loss.
The trees and the grave stones in the Laurel Grove cemetery have been around for a long time. So has the Compson family. Yet, I get the impression reading The Sound and The Fury that time is running out for Faulkner's fictional dysfunctional family. By the end of the story the...
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Throughout the late 17th century and into the early 18th century witchcraft prosecutions had been declining. This trend was the result of a multitude of social developments which altered the mentality of society. One of the predominant factors in this decline was the Scientific Revolution, the most important effect of these advances was making society question concepts of witchcraft. Along with this new mental outlook, we see that the Reformation had a similar effect on social opinion concerning witchcraft and magic. These two developments changed societies view on the occult and this led to a wider scepticism concerning witchcraft, this favoured those who had been accused and therefore caused a decline in prosecutions. Beyond the two trends mentioned however, it is important to consider judicial reforms and an improved socio-economic situation which reduced tensions within society. These two changes were certainly not as influential as the Scientific Revolution and the Reformation but heavily altered the circumstances in which accusations were normally made. With the altered social attitudes and mental outlook these changes in living situations all contributed to bring about the decline in witchcraft prosecutions.
William Faulkner’s As I Lay Dying, chronicles a family facing a series of trials in the wake of a traumatic event, Addie’s death. Faulkner first suggests that the journey to bury Addie, a wife and mother, is a way for her family to show her their final respect, yet each character’s real motivation in participating begins to emerge as the novel progresses. The motivations and circumstances present as an over-the-top dramatic tale, something that often times only appears on reality television. Through the use of Biblical allusions and religious contradictions, Faulkner presents a sarcastic tone mocking the backwardness of the journey and the Bundren family’s ethics. Faulkner chooses to use these stylistic devices to expose the impact of religious
The term witchcraft is defines as the practice of magic intended to influence nature. It is believed that only people associated with the devil can perform such acts. The Salem Witch Trials was much more than just America’s history, it’s also part of the history of women. The story of witchcraft is first and foremost the story of women. Especially in its western life, Karlsen (1989) noted that “witchcraft challenges us with ideas about women, with fears about women, with the place of women in society and with women themselves”. Witchcraft also confronts us too with violence against women. Even through some men were executed as witches during the witch hunts, the numbers were far less then women. Witches were generally thought to be women and most of those who were accused and executed for being witches were women. Why were women there so many women accused of witchcraft compared to men? Were woman accused of witchcraft because men thought it was a way to control these women? It all happened in 1692, in an era where women were expected to behave a certain way, and women were punished if they threatened what was considered the right way of life. The emphasis of this paper is the explanation of Salem proceedings in view of the role and the position of women in Colonial America.
The witch hunts in early modern Europe were extensive and far reaching. Christina Larner, a sociology professor at the University of Glasgow and an influential witchcraft historian provides valuable insight into the witch trials in early modern Europe in her article 'Was Witch-Hunting Woman-Hunting?'. Larner writes that witchcraft was not sex-specific, although it was sex-related (Larner, 2002). It cannot be denied that gender plays a tremendous role in the witch hunts in early modern Europe, with females accounting for an estimated 80 percent of those accused (Larner, 2002). However, it would be negligent to pay no heed to the remaining 20 percent, representing alleged male witches (Larner, 2002). The legal definition of a witch in this time, encompassed both females and males (Levack, 1987). This essay will explore the various fundamental reasons for this gender discrepancy and highlight particular cases of witchcraft allegations against both women and men. These reasons arise from several fundamental pieces of literature that depict the stereotypical witch as female. These works are misogynistic and display women as morally inferior to men and highly vulnerable to temptations from demons (Levack, 1987). This idea is blatantly outlined in the text of the 'Malleus Maleficarum' written by James Sprenger and Henry Kramer in the late fifteenth century. This book is used as the basis for many of the witch trials in early modern Europe (Levack, 1987). The text describes women as sexually submissive creatures and while remarking that all witchcraft is derived from intense sexual lust, a women is thus a prime candidate for witchcraft (Sprenger & Kramer, 1487). In this time period, men are seen as powerful and in control and thus rarely...
The epoch of Medieval European history concerning the vast and complicated witch hunts spanning from 1450 to 1750 is demonstrative of the socioeconomic, religious, and cultural changes that were occurring within a population that was unprepared for the reconstruction of society. Though numerous conclusions concerning the witch trials, why they occurred, and who was prosecuted have been founded within agreement there remains interpretations that expand on the central beliefs. Through examining multiple arguments a greater understanding of this period can be observed as there remains a staggering amount of catalysts and consequences that emerged. In the pursuit of a greater understanding three different interpretations will be presented. These interpretations which involve Brian Levack’s “The Witch-Hunt in Early Modern Europe,” Eric Boss’s “Syphilis, Misogyny, and Witchcraft in 16th-Century Europe,” and Nachman Ben-Yehuda’s “The European Witch Craze of the 14th to 17th centuries: A Sociologist’s Perspective,” share various opinions while developing their own theories. The comparison of these observations will focus upon why the witch trials occurred when they did, why did they stop when they did, why did the witch trials occur when they did, and who was persecuted and who was responsible for the identification and punishing of witches.
In the first sentence the reader is informed that the main character, Emily Grierson, has died and that the entire town has attended and everyone for a different reason. The narrator begins a flashback to ten years before her death when the “backbone” of the city began to harass Emily for her taxes; the reader is introduced to a situation. Then flashback another thirty years to when her father passed and that’s when Emily began to live for herself and met Homer Barron. The towns people began to interfere out of jealousy but always stated that it was them having pity on Emily and got her upper class family involved with the socially unacceptable relationship; the reader at this point has received the conflict. The reader receives clues throughout the second flashback to conclude that Emily has killed Homer out of fear; this is where Faulkner provided us with the climax. Years pass and nothing really goes on at the Grierson house which raises the mystery of what is going on behind closed doors; the falling action of the story. Upon Emily’s death the ladies of the town enter her home and discover Homer’s corpse in a shut off bedroom upstairs with one piece of Emily’s hair on the pillow next to him; bringing the story to an end and giving the reader the denouement.
William Faulkner is widely considered to be one of the great American authors of the twentieth century. Although his greatest works are identified with a particular region and time (Mississippi in the late nineteenth and early twentieth centuries), the themes he explores are universal. He was also an extremely accomplished writer in a technical sense. Novels such as The Sound and the Fury and Absalom, Absalom! feature bold experimentation with shifts in time and narrative. Several of his short stories are favorites of anthologists, including "A Rose for Emily." This strange story of love, obsession, and death is a favorite among both readers and critics. The narrator, speaking for the town of Jefferson in Faulkner's fictional Yoknapatawpha County, Mississippi, tells a series of stories about the town's reclusive spinster, Miss Emily Grierson. The stories build up to a gruesome revelation after Miss Emily's funeral. She apparently poisoned her lover, Homer Barron, and kept his corpse in an attic bedroom for over forty years. It is a common critical cliche to say that a story "exists on many levels." In the case of "A Rose for Emily", this is the truth. Critic Frank A. Littler, in an essay published in Notes on Mississippi Writers regarding the chronology of the story, writes that "A Rose for Emily" has been read variously as ". . .a Gothic horror tale, a study in abnormal psychology, an allegory of the relations between North and South, a meditation on the nature of time, and a tragedy with Emily as a sort of tragic heroine." These various interpretations serve as a good starting point for discussion of the story.
William Faulkner uses multiple narrators throughout The Sound and the Fury to depict the life of Caddy Compson without telling the story from her point-of-view. Benjy, a mentally disabled 33 year old, Quentin, a troubled and suicidal Harvard student, and Jason, a racist and greedy man, each give their drastically different sides of Caddy’s story to create an incomplete chronicle of her life. Faulkner’s first chapter explores Caddy’s life through the silent narrator Benjy. As a result of Benjy’s inability to talk, much of how he describes the world is through his heightened sensory awareness. Benjy constantly repeats the fact that, which, to Benjy, symbolizes Caddy’s innocence (Faulkner 6). Later in the novel when, Benjy realizes that Caddy has lost the innocence Benjy once idolized and loved (Faulkner 40).
In William Faulkner’s short story “A Rose for Emily” Miss Emily Grierson holds on to the past with a grip of death. Miss Emily seems to reside in her own world, untarnished by the present time around her, maintaining her homestead as it was when her father was alive. Miss Emily’s father, the manservant, the townspeople, and even the house she lives in, shows that she remains stuck in the past incapable and perhaps reluctant to face the present.
A horrific aspect of life that many people have a difficult time dealing with is death. The thought of death scares people because as humans we do not have a way to comprehend something that we cannot test, see or even have a grasp of. When a person loses a loved one they get scared by this reality of that they do not know where they are going and when they make it there how will it be for them. In William Faulkner's book, As I Lay Dying, we go through the process at which a family loses a “loved” one and we follow the family all the way until the deceased, Addie Burden, is buried in Jefferson. In As I Lay Dying you see the steps of grieving are different for many people and some of the people will come out destroyed and others without a scratch. The character Cash goes through a process of grief, odd to most in his way of grief we do not see pain because of the pressure he puts on himself to finish the journey for the family. Cash’s brother, Jewel, seems to snap from the pain of losing his mother and he let the pain ingulf his life. Finally, the last
In As I Lay Dying the Bundren family faces many hardships dealing with death and physical nature. Nature plays a major role in moving Faulkner’s story. Nature takes a toll on the family in their time of despair of losing a loved one. They are challenged by human nature and the nature of the elements. Throughout the story the family overcomes the human nature of emotions and the nature of the weather. They face nature in the most peculiar ways, like a flood that keeps them from crossing, the decaying body of Addie, and how they all grieve over the death of Addie; Dewey Dell said, “I heard that my mother is dead. I wish I had time to let her die. I wish I had time to wish I had” (Faulkner 110). The forces of nature compete with the Burden family.
Faulkner writes “A Rose for Emily” in the view of a memory, the people of the towns’ memory. The story goes back and forth like memories do and the reader is not exactly told whom the narrator is. This style of writing contributes to the notions Faulkner gives off during the story about Miss Emily’s past, present, and her refusal to modernize with the rest of her town. The town of Jefferson is at a turning point, embracing the more modern future while still at the edge of the past. Garages and cotton gins are replacing the elegant southern homes. Miss Emily herself is a living southern tradition. She stays the same over the years despite many changes in her community. Even though Miss Emily is a living monument, she is also seen as a burden to the town. Refusing to have numbers affixed to the side of her house when the town receives modern mail service and not paying her taxes, she is out of touch with reality. The younger generation of leaders brings in Homer’s company to pave the sidewalks. The past is not a faint glimmer but an ever-present, idealized realm. Emily’s morbid bridal ...
Swisher, Clarice, Ed. “Charles Dickens: A Biography.” Readings on Charles Dickens. San Diego, Greenhaven Press, 1998. Print. 21 March 2014.
Faulkner starts his story by showing the amount of respect that is shown at Emily’s funeral. It is said that the entire town attended this event, but also that some only showed up to see what the inside of her house looked like because no one had been inside in over ten years. “The men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant- a combined gardener and cook- had seen in at least ten years”(pg.542). He explains this to show the mysterious interest of Emily. By explaining the mystery in Emily, he carries a dark tone that mystifies the audience.