The Bridge of San Luis Rey is a beautiful novel written by the American writer Thornton Wilder. "Thornton Wilder (1897- 1975 ) started to write novels during the 1920s and published his first novel ( The Cabala ) in 1926. The second novel was (The Bridge of San Luis Rey ) that was published in 1928". In The Bridge of San Luis Rey, Thornton Wilder used many descriptive words to produce people or places in order to make the reader live the whole atmosphere. The novel started on 20 of July in a beautiful city called Peru when the old bridge broke and ended five person's lives. For some people, that happened accidently but for a monk called Juniper that was not. He questioned himself why did this happen for those specific five?. He said:" Either we live by accident and die by accident, or we live by plan and die by plan". Such a question made him search to collect information about those five for six years. Actually, his search for those five caused his death because people thought he was apostate. …show more content…
One of the most dominant theme in the novel is love. Throughout the stories of those five, the author indicates the idea that love remains forever. Love is one of the causes that led to five person's death on the bridge. The bridge collapsed, they passed away ,but their love was there and will always be there. Metaphorically speaking, love is a bridge between people that won’t be broken. Thornton Wilder expressed this in the last sentence of his novel " There is a land of the living and a land of the dead and the bridge is love, the only survival, the only
The presence of death in the novel looms over the characters, making each of them reflect on the
Adversity can cause an individual to overcome their challenges and strengthen their identity, however, it can also have the opposite negative effect. Adversity can trigger an individual to lose their identity in their attempt to escape from their problems. In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche DuBois is unable to face adversity, which leads her to lose her individual identity during her attempt to escape reality. Blanche had experienced numerous hardships such as the deaths of many family members and the loss of her young husband, Allan. Instead of overcoming these challenges and becoming stronger, Blanche tried to run away from them.
Film Noir is a fairly self-explanatory name. French for “Dark” or “Black Film”, this style (not genre) of film is pretty much summed up in those two words. These films started being made in a 1940’s, Post WWII paranoia, with the threat of nuclear missiles looming over the heads of all United States citizens, Hollywood included. This paranoia led to disillusioned attitudes and existential feelings, which in turn were reflected in Film Noirs through things such as characters, with the two most prominent types being hardened male protagonists and femme fatales. Also, the “Darkness” of Film Noirs was not just a metaphor for the content of the film, but also a fairly literal description of the visual style was like. Taking influence from German Expressionism, among other things, the visuals of film noirs were often of gritty city streets, dark alleys, or smoky, cramped-looking rooms. To add to the dark appearance, the lighting included heavy use of chiaroscuro, a style that is characterized by a dark environment with single-source, high contrast lighting on the subject. While many film noirs fall into the crime genre, as well as detective, there are some exceptions, such as the drama/black comedy Sunset Boulevard. Despite it’s setting and characters being a bit unconventional for the Film Noir style (the film was a fairly realistic account of what goes on behind the scenes in Hollywood), Sunset Boulevard is definitely a Film Noir, due to it’s use of an archetypal Film Noir hero, a femme fatale, and conventional film noir cinematography and storytelling.
Should a neglected, discriminated, and misplaced black man living in the mid 1900s possessing a spectacular, yet unfulfilled talent for baseball be satisfied or miserable? The play Fences, written by August Wilson, answers this question by depicting the challenging journey of the main character, Troy Maxon. Troy, an exceptional baseball player during his youth, cannot break the color barrier and is kept from playing in the big leagues. That being his major life setback, Troy has a pessimistic view on the world. His attitude is unpleasant, but not without justification. Troy has a right to be angry, but to whom he takes out his anger on is questionable. He regularly gets fed up with his sons, Lyons and Cory, for no good reason. Troy disapproves of Lyons’ musical goals and Cory’s football ambitions to the point where the reader can notice Troy’s illogical way of releasing his displeasures. Frank Rich’s 1985 review of Fences in the New York Times argues that Troy’s constant anger is not irrational, but expected. Although Troy’s antagonism in misdirected, Rich is correct when he observes that Troy’s endless anger is warranted because Troy experiences an extremely difficult life, facing racism, jail, and poverty.
"Do any human beings ever realize life while they live it, every, every minute?" Are humans ever able to realize life? Are they able to " comprehend completely or correctly [?]" "Webb" Gibbs is only able to mutter this statement after her eyes are opened to the truth. Emily's eyes were not even opened after her death. She was just able to see after a flashback and relive one special day in her past. She realizes what life really is after watching all the hustle and bustle that takes place even on her 12th birthday. Thornton Wilder has written Our Town to show the downfall of western society, i.e. "organized religion." Religion is highly regarded in Grover's Corners. " Over there is the Congregational church; across the street is the Presbyterian. Methodist and Unitarian are over there. Baptist is down in the holla by the river. Catholic Church is over there beyond the tracks." Is this far from the reality shown in society today? Organized religion is one of the largest contributors to self-suffering, violence, and ignorance. Religion, along with other minuscule
The men of Reserve Police Battalion 101 were just ordinary men, from a variety of backgrounds, education, and age. It would appear that they were not selected by any force other than random chance. Their backgrounds and upbringing, however, did little to prepare these men for the horrors they were to witness and participate in.
The theme of Our Town is that people do not truly appreciate the little things in daily life. This theme is displayed throughout the entire play. It starts in the beginning with everybody just going through their daily life, occasionally just brushing stuff off or entirely not doing or appreciating most things. But as you progress through the story you begin to notice and squander on the thought that the people in the play do not care enough about what is truly important. By the end of this play you realize that almost everybody does not care enough for the little things as they should, instead they only worry about the future, incessantly worrying about things to come.
The novella The Call of the Wild is a story of Buck overcoming challenges while being thrown into the real world and learning new traits like persistence and resilience. Protagonist Buck is a colossal St Bernards cross Scotch shepherd dog, transforms from a humble house dog and then eventually returns to a primordial state as a best of the wild. Along the way he is faced with an endless array of challenges. London achieves this by portraying Buck’s change in character in a manner that explores and incorporates diverse motifs.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Charles Percy Austin used fine detail and a mesh of color in order to bring out the beauty in the girl. The strokes he used are precise and even throughout the painting. Charles Percy Austin settled in the golden state of California. He was an artist that had a fine soft brush stroke throughout his canvases. He has done many paintings such as “Mary Pickford’s wedding on the mission’s grounds (1924), La Buena Ventura 91927), and a padre feeding a parrot in the courtyard (1924).” His works earned him a medal from the Panama-California International Exposition. Charles Percy Austin is best known for his splendid and expensive-looking paintings. I experienced this first hand when I entered the museum because his painting stood out from the rest.
Home is about a Korean War veteran named Frank Money who needs to save his sister from dying. The story starts with Frank describing a scene from his childhood with his sister. They were in a field with horses he describes the horses being beautiful and brutal, but on the other side some men were burying a dead African American in a hole. When Frank becomes an adult he is soon committed to a mental hospital after his time in the war. Frank soon gets a letter stating that his sister was in danger and could die if he did not hurry to save her. Then he remembers his family being evicted and not being able to take any possessions. Frank then escapes the bastion of the hospital on his way to save his sister from the mysterious person. On his way Frank Money meets many different people who offer their assistance to him because he is not wealthy. Frank makes his way to Atlanta to continue the search for is sister but is attacked by gang of thugs, who steal his wallet and hit him with a pipe. After trying to find his sister he finds his sister being an experimental patient to Dr. Beau, a doctor who conducted experiments on colored civilians. After Frank saves his sister he takes her to some friends to help her get better from the experiments. While there his sister starts to make a quilt while she got better, which they eventually laid over the man’s bones, who was lynched, when they were kids. They nailed a sign to the tree as a sign of respect showing that someone was buried there beneath the tree. Finally, after nailing the sign, Frank looks at the tree for a while thinking of everything that has happened, then his sister Cee walks over and tells him it’...
It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.” -pg. 85
It has always been a quest for individuals to achieve fame and success. In this day and age a community exists where many people have this intent to achieve this desire for attention and wealth. Hollywood can be interpreted as this mindset and life style. For those who succeed in this community of publicity seekers, include the usual benefits of success, wealth, power, influence and fame. But for the majority of people in Hollywood their quest for the luxuries of fame go awry. Hollywood to put plainly is a vulgar cut throat business, it is a dog eat dog world out there in Hollywood. For those who do not achieve their quest to be in the lime light, they often used, stabbed in the back and theoretically cast away in a dark rainy alley, like bag of garbage or a typical film-noire hero. Sunset Boulevard is a satisfyingly humorous film-noire film about the inner workings of the vicious “jungle”, that one would know of as Hollywood. It was perhaps the purposely over acted antics of antagonist Norma Desmond (Gloria Swanson), that makes Billy Wilder’s black comedy so memorable. Sunset Boulevard fits the definition of film-noire thanks to Wilder’s use of the typical film-noire style characters, the all too familiar storyline and Wilder’s visual style of the film itself.
In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.