The Brass Plaques of the Benin Palace

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The Portuguese arrived in Benin, in modern Nigeria, between 1472 and 1486 to find an established and ancient kingdom with remarkable social and ritual complexity, with art that was comparatively naturalistic, and with a political system that was, on the surface, recognizable to the Europeans: monarchy. Even more importantly, they found a land rich in pepper, cloth, ivory, and slaves, and immediately set out to establish trade (Ben-Amos 35-6). Though we often imagine "first contacts" between Europeans and Africans as clashes of epochal proportions, leaving Europeans free to manipulate and coerce the flabbergasted and paralyzed Africans, this misjudges the resilience and indeed, preparedness, of the Benin people. The Benin were able to draw on their cultural, political, and religious traditions to fit the European arrival in an understandable context. Indeed, as the great brass plaques of the Benin palace demonstrate, the arrival was in fact manipulated by the Benin to strengthen, not diminish, indigenous royal power. The first step to understanding the response of the Benin people to this arrival is to look to their conception of their own identity. The Benin call themselves, their capital, and their language Edo, and some Edo can rightfully claim to have lived in the region for a thousand years. When speaking of Benin, the idea of a "traditional" culture is not wholly erroneous - their ancestry is older and on a more direct line than most Europeans can imagine. But the ancient kingdom of Benin did not encompass all Edo-speaking people and it was also not restricted to them, as it included ethnic groups such as the Yoruba, Igbo, Ijaw, and Itsekiri (Duchateau 9). The amount of racial cohesion in this "traditional culture" should no... ... middle of paper ... ...mportance and might. Though the Portuguese come by the grace of Olokun, their arrival is subordinate to a man who is equivalent to Olokun's most precious son. Each element of the plaque, from its location to its materials to its subject matter to its symbolism, is in the dominion of the Oba. Rather than bend to the Portuguese, he has appropriated them, just as their paper-art was appropriated for the creation of this new and old art form. Their arrival was used to reinforce the myth of Olokun while asserting the Oba's dual-kingship and his own link to a great arrival. And the trade that dominated inter-continental relations remained firmly in the Oba's hands. The plaque served as a testament to his power and as a reminder of it. Nothing about the Portuguese was so alien that it could not be represented and symbolically explained on the walls of the royal palace.

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