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Significance of figurative language in literary writing
What figurative language is used in drama
Significance of figurative language in literary writing
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“We are in a remote country house, toward evening, a cold blizzard rages.” [Cite] The short, simple, and beautifully written murder mystery play The Blizzard, written by David Ives, begins in a somewhat cliché state. Inside the secluded house in a forest, with the predictably unfavorable weather outside, and no access to technology primarily no external communications. The starting leads to a feeling of unremarkability, that soon the play may become another no name story that hardly leaves a dent in your memory. This dreary beginning in part fits into the themes of the play and in some ways better compliments the more creative middle and end. Ultimately, The Blizzard is a meta play primarily referential to murder mysteries on a whole rather …show more content…
The Blizzard is no different, if anything the dialog is partially well thought out. The antagonists, Salem and Natasha, are shown to pick their words carefully shortly after they are introduced. Illustrated best their natural repetitions. They are repetitive in multiple ways, the manner that they nearly quote things previously said by the protagonists, repeating a word multiple times in one sentence, and in mimicking one other. This garners various effects, namely eeriness; however it also demonstrates how their words are …show more content…
That is so Sandy. No imagination, a bit of always thinking ahead, so rational." [Salem] These two lines about the snow chains were the first example; however, this is not the best example of this phenomenon of “near quotation” nor of the repetition as a whole. Actually, Natasha does this best near the end of the play; “You know what it is about murder mysteries? No, listen. I think that the reason people like murder mysteries is that in a murder mystery everything is significant. The people in murder mysteries are living in a significant world, a world where everything is there for a reason. […] Murder mysteries are religious in a way.” [Jenny] In the play’s first conversation between Neil and Jenny, Jenny explains her interest in murder mysteries or why others might like them as well. By the end of the play, Natasha does this as well while using a lot of the same words as
Particularly, you can analyze that this quote contains a strong voice that can be portrayed as descriptive. She uses a handful of adjectives that foreshadow the character’s personalities.
While Snow Falling on Cedars has a well-rounded cast of characters, demands strong emotional reactions, and radiates the importance of racial equality and fairness, it is not these elements alone that make this tale stand far out from other similar stories. It is through Guterson’s powerful and detailed imagery and settings that this story really comes to life. The words, the way he uses them to create amazing scenes and scenarios in this story, makes visualizing them an effortless and enjoyable task. Streets are given names and surroundings, buildings are given color and history, fields and trees are given height and depth, objects are given textures and smells, and even the weather is given a purpose in the...
The play begins with a grand celebration, in which the characters toast to the New Year. Agnes admits that she feels relatively safe living at Berlin at this time, and the group decides to make up a story together. They story is of a cold night and a watchman who tries to beat nature by fighting back and arming himself with a warm coat and scarf. At first he succeeds, but later finds that even his coat and scarf are
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
As characters in the poem are literally snow bound, they find that the natural occurrence actually serves a relaxing and warming purpose, one that brings together family. This effect is further achieved through the use of meter throughout the work as a whole. In its simplistic yet conversational tone, the author uses meter to depict the result that nature has forced upon these humans, who are but a small sample size that actually is representative of society that that time. Due to nature, the characters can talk, represented by the conversational meter, and thus, they can bond within the family. A larger representation of this more specific example can be applied to a more general perspective of human’s relationship with the natural world. Although “Snowbound” captures what humans do as a result of nature, it can also represent a larger picture, where nature appears at the most opportune times to enhance relationships from human to human. In “snowbound,” this is symbolized by the fire, “Our warm hearth seemed blazing free” (Whittier 135). This image relays a spirited, warm, mood full of security, which is expertly used by the author to show how fire, a natural phenomena, can provide such beneficial effects on humans. This very occurrence exemplifies how such a miniscule aspect of nature can have such a profound effect on a family, leaving the reader wondering what nature and its entirety could accomplish if used as a
First, Collins uses hyperbole by repeating the word “snow” five times in one sentence: “Chicago’s snowfall was so huge that the news media ran out of things to attach to “snow” - thundersnow! snowpocalypse! snowmageddon!” (Collins). She consecutively uses three portmanteaus of the word "snow" with increasing stress level to create strong feelings. She wants to emphasize that Chicago is experiencing the most massive snowstorm in the United States, one of the consequences of global warming. This is a circumstance that causes people panic. She then reminds the readers about the blizzard of 1979 which made Mayor Michael Bilandic get “kicked out of office six weeks later in the Democratic primary.” It seems that she wants to make a connection between the congressman and a snow job.
From the opening we see that Chopin intends to use the storm to move the
The book has lucid descriptions of the event and sometimes Egan uses too many details which tires the reader out in the first couple of pages in the book. He describes the storm with detail such as, "It was not a rain cloud. Nor was it a cloud holding ice pellets. It was not a twister. It was thick like coarse animal hair; it was alive. People close to it described a feeling of being in a blizzard — a black blizzard, they called it — with an edge like steel wool." It’s remarkable though how he can tell a tale with such detail that many aren’t alive to tell. Egan tells the personal stories of families that moved in ...
January 12, 1888, a blizzard covered the northwest part of North America that claimed many lives. This blizzard was considered to be the worst blizzard of all time, and was dubbed the “the Schoolchildren’s Blizzard”, for claiming the lives of so many school children on their way home. The death toll of this murderous blizzard rose, because of lack of preparation and being uninformed. During this time, many farmers and families were unprepared to survive a blizzard of this magnitude, by the lack of clothing they wore. Forecasters were not as accurate enough to inform people on the weather conditions. Also, shelter was a major factor in protecting themselves from the winter storms, but the shelter was not stable
(6) The suddenness of the winter storm caught people by surprise. A roar “like an approaching train” was all the warning the storm gave. (130) The roaring wind and snow brought darkness and dropping temperatures. The people who were inside when the blizzard struck faced a dilemma. Staying inside and doing nothing seemed “heartless,” but going into the storm “on a rescue mission was likely to be fatal to the rescuer and useless to the lost.” (143) The people who were unfortunate enough to be away from home, whether they were at school or working with their livestock, had to make a difficult decision. They could either risk trying to make it home or chance it out and stay where they were. Schoolteachers had to decide whether to send the children home or keep them at the school. If anyone ventured outside, he or she risked frostbite, hypothermia, and likely
It is often difficult to determine exactly what aspect of a movie pushes it the extra steps that take it from a well-received film to becoming a timeless classic. People base their idea of a film’s success on a wide variety of factors, from box office success and critical reception to how many awards it won, if any. One company that is no stranger to success on any level is Disney, and the people at Disney are especially well-versed in putting out animated features that do well not only in the box offices and eyes of critics, but in the hearts and minds of kids and parents alike who return time after time to experience the magic that comes alongside a Disney production. Therefore, it came as no surprise that Disney’s newest full-length animated film quickly rose to the highest position on the box office charts and remained there for quite some time, becoming the highest grossing animated film ever released in theatres. This movie, Frozen, quickly became a favorite among viewers, many returning time and time again to see the film before it was released from theatres, and is now hailed as the next great Disney classic, putting the movie alongside greats like The Little Mermaid and Cinderella. While Frozen does of course take a modern spin on the style of these well-known classics, it still has all of the elements that hoist such Disney greats to their position among the rest while still packing some new surprises that I believe make the movie Frozen one of the greatest, if not the greatest, Disney animated feature to date. Disney’s Frozen takes the classic framework, structure, and imagery of the original classics, adds some modern and even progressive twists, and ties it all together with a phenomenal and successful soundtrack to m...
These many incidents which occur continually throughout the novella prove that "The Dead" is indeed a tragic story. While the lives of the characters are tragic in themselves, the parallel symbolism serves to show the true tragedy of the Irish nation. Possibly, Mary Jane makes the most significant point in the story when she comments that the snow is "general all over Ireland." (p. 222) The snow covers over the truth and the people do nothing to stop it, but instead add a covering of their own. Molly Ivors, the one person who refuses to ignore the situation, is pushed aside and quickly forgotten, because the society depicted is incapable of handling those who wish to seek truth. Instead they continue as if their had been no disruption, and allow the snow to fall and cover the ground once more.
Neil Gaiman’s “Snow, Glass, Apples” is far from the modern day fairy tale. It is a dark and twisted version of the classic tale, Snow White. His retelling is intriguing and unexpected, coming from the point of view of the stepmother rather than Snow White. By doing this, Gaiman changes the entire meaning of the story by switching perspectives and motivations of the characters. This sinister tale has more purpose than to frighten its readers, but to convey a deeper, hidden message. His message in “Snow, Glass, Apples” is that villains may not always be villains, but rather victims.
Despite the similarities in the time periods of the pieces, the use of language in them is very different. In Stephen Crane's “Maggie,” the audience is given the story of a poor family whose children grow up and experience difficulties due to their social position. As already noted, the dialog is treated in the story in a much different manner than the paragraphs which are written in a more eloquent manner. An example of this is: