Analysis Of The Movie Frozen

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It is often difficult to determine exactly what aspect of a movie pushes it the extra steps that take it from a well-received film to becoming a timeless classic. People base their idea of a film’s success on a wide variety of factors, from box office success and critical reception to how many awards it won, if any. One company that is no stranger to success on any level is Disney, and the people at Disney are especially well-versed in putting out animated features that do well not only in the box offices and eyes of critics, but in the hearts and minds of kids and parents alike who return time after time to experience the magic that comes alongside a Disney production. Therefore, it came as no surprise that Disney’s newest full-length animated film quickly rose to the highest position on the box office charts and remained there for quite some time, becoming the highest grossing animated film ever released in theatres. This movie, Frozen, quickly became a favorite among viewers, many returning time and time again to see the film before it was released from theatres, and is now hailed as the next great Disney classic, putting the movie alongside greats like The Little Mermaid and Cinderella. While Frozen does of course take a modern spin on the style of these well-known classics, it still has all of the elements that hoist such Disney greats to their position among the rest while still packing some new surprises that I believe make the movie Frozen one of the greatest, if not the greatest, Disney animated feature to date. Disney’s Frozen takes the classic framework, structure, and imagery of the original classics, adds some modern and even progressive twists, and ties it all together with a phenomenal and successful soundtrack to m... ... middle of paper ... ...le. There are princesses and princes, magic, and a plethora of majestic scenery to be admired. At the same time, Frozen touches on topics that are progressive and relevant to all people today, both young and old. We see psychologically abusive parents, a rethinking of Disney’s idea of love and marriage, and even a brief portrayal of a gay family in Frozen, all concepts that would have been far too taboo for past Disney audiences. Finally, the creators of Frozen pull all of these aspects together flawlessly by packaging them with a stellar soundtrack featuring a wide range of well-respected talent both on the front and back ends of production. With all of this in mind, I believe that it is not only evident but obvious that Frozen is not only destined to be one of the greatest Disney classics of both our time and times past, but perhaps one of the best films to date.

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