Derell Griffin
GLA 607
24 November 2015
Rococo
The Rococo was an 18th-century art movement that followed the Baroque movement. The Baroque is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. The Roman Catholic Church was the reason the Baroque style was so popular and successful. The Baroque style was a response to the Protestant Reformation that the arts should communicate religious themes in direct and emotional involvement. This style was extremely popular by the aristocrats, the dramatic art and architecture was used to impress visitors and expressing extreme power and control.
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In one his essays he challenged the artists to try and solve the questions of our existence and the world. V.H. Minor, a scholar in art history synthesized De Montaigne’s request of artists stating, “There are no first principles by which we can be convinced of the existence of the world and of the values that we impose upon that social milieu.”. I believe De Montaigne’s expectations to leave it to the artists was a good decision on his behalf. Philosophers spent their lives trying to figure out ways to explain how the world works and what it means to be human amongst many other …show more content…
This painting is a perfect example of Rococo style. Girl with Pigs was painted with loose strokes and less detail work in the landscape objects but it doesn’t stop here. If you take a look at the subject of the painting you will notice that she is not looking at the painter. A first glance one would think this was another portrait painting but it goes beyond that. This instead is much more natural, the girl is not in a fixed pose that would fit with the normal artistic rules but instead is observing her pigs as they take a drink from their bowl. Taking a look at her clothes, you will see that they are old and tattered signifying she belongs to a working class family and not an elite. Through the study of the works of Gainsborough, we can not only get the sense of the Rococo style but see how they fit into the Enlightenment. The Rococo was about creating works that reflected the rational aspects and realist appeal of life which is what the Enlightenment sought out to do as well. The artists used loose lines to portray the shapes as they appear in motion, free from constraints which can be attributed to the Enlightenment that was based on the rejection of traditional social, religious, and political ideas that were considered constraints of the earlier Baroque
The artwork starts outside the barn. The left bottom of the painting holds a brown and white pig walking towards the barn in front of the resting dog lying just inside the barn’s open double doors. The pig’s ears are brown while its engorged nipples suggest it had piglets. As the pig strolls in front of the barn it encounters the remains of animal bones while patches of green grass and dirt highlight the way to the barn. On the opposite side of the pig, stands a reddish brown horse. The horse 's mane and tail are black. Its hind legs are white. The tip of the horse’s nose is white. The horse wears a saddle, bridle, halter, bit and reins. Its left hind leg rises as if ready to bolt. In the bottom right hand corner below the horse reads, “G.H. Durrie 1853.” While the area in front of the barn appears sparse, it is the barn and what occurs inside that is where the action
As the late Baroque period morphed into the new period known as the classical period, technological advances and new compositional techniques and ideas created new opportunities for the musicians of the period. The changes allowed for new performance techniques, forms, performance venues, and newly available compositional orchestrations to be improved and evolved into something new and improved for the new period.
This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly not be fitted into such a strait-jacket." This helps to define the Baroque much more generally as a gradual change which can much easily be noticed from the present than the past.
The baroque has been called a theatrical style, one that deals in spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to1750. Classicism of the Renaissance has been replenished during the Baroque period. During the Baroque artistic period, the exploration of the fundamental components of human nature and the realm of senses and emotions were very crucial. The Baroque era was a very dynamic time that showed an abundance of radiance and color. Artists of this time were passionate and sensual. Their works were many times considered to have an overpowering emotional effect. The superficial form of light was fascinated during this period due to the thoughts of godlike sun or the truth of the Holy Spirit. The Baroque naturalism maintains the religious themes in content. The elements of perception in the Baroque art are how we perceived the natural human figures are in motion through space, time, and light. We present and analyze the extent of human actions and passions in all its degrees of lightness, darkness, and intensity. The scientific revolution also had a tremendous impact on art during this time. Scientists started to study the earth and it’s positioning in the universe. This was a time when the people started take more of an interest in astronomy and mathematical equations. During the time of the Catholic Reformation artists began to challenge all the rules that society has set for artistic design. Artist starting with Parmigianino, Tintoretto, and El Greco began to add a wide variety of colors into their paintings, challenging the way things have been done in the past. These artists also added abnormal figures or altered the proportions in paintings. This is displayed in Parmigianino’s painting, Madonna of the long neck. During this time the Catholic Church was in a transition period moving from their recent reputation and becoming a well-respected organization. During this reform, an autobiography written by Layola about Saint Teresa of Avila set a new tone for Catholics to follow. This influenced people to have a more spiritual outlook on life.
...ic landscapes. The baroque marked the time in which painters considered using subjects other than scenes from the Bible and from classical traditions. The baroque period also was the period in which artists painted portraits, and everyday life scenes. Baroque artist broke away from trying to make the calm balance known to the renaissance artists. Artists from the baroque era were interested in no longer tried in the extreme. They wanted to paint subjects possessing strong emotions; they wanted to capture those emotions and feelings in their work. Instead of just extremes of feeling sometimes, these strong emotions were personal. More often artists tried to portray intense religious emotions. Baroque art attempted to explain how and why their subjects fit as strongly as they did by representing their emotional states as vividly and analytically as possible.
As the seventeenth century began the Catholic Church was having a hard time bringing back the people who were swept away by the protestant reformation. The conflict between the protestant had a big influence on art. (Baroque Art) The church decided to appeal to the human emotion and feeling. They did so by introducing a style called Baroque. Baroque was first developed in Rome and it was dedicated to furthering the aims of Counter Reformation. Baroque was first used in Italy than later spread to the north. In this paper I will argue that the Italian Baroque pieces were more detailed and captured the personality of the figure, in contrast and comparison to Northern Baroque pieces that aimed to produce a sense of excitement and to move viewers in an emotional sense leaving them in awe. I will prove this by talking about the different artwork and pieces of Italian Baroque art versus Northern Baroque Art.
This movement is an important fact in my timeline because the Enlightenment era is where it marks the medieval aspect of the world as dominated by religion, the values of religious faith, and modern view of the world which was governed by science and the belief of human reasons. It was later in the Baroque era that Rococo was known, it was the final stage and the last of the ideas of Enlightenment into the art of
It can be considered a time where a new Art movement flourished as people were expressing themselves in the most creative ways possible. Baroque comes from the Portuguese word Barroco, which means something irregular or strange. At this time, art was being changed. Most of the art of this period is complex, to the point that it evoked feelings towards the “audience”, usually in dramatic ways. Baroque Art wasn’t meant to depict the life style of people at that time, however it is usually noticeable that most of the art have some ties with the catholic religion.
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
Baroque art can be described as a “distinctive new style” in which artists embraced “dynamism, theatricality, and elaborate ornamentation, all used to spectacular effect, often on a grandiose scale”. Baroque art encompasses a vast range of art from the dramatic and theatrical Italian pieces, as the quote suggests, to the more simple and every-day life but still fabulous Dutch pieces. Baroque art can hardly be contained in one description because it describes so many types of art, in great part due to the religious, socio-economic, and political scenes of the time. Religiously, the Catholic Church was responding to the Reformation by creating dramatic pieces to invoke piety and devotion. Politically, monarchies and rulers were using commissioned art to emphasize their authority and their given right to rule. Socio-economically, the middle class was rising and therefore wanting to buy and commission pieces of art to boost their reputation and validate their status in the social scene. These three changes were extremely significant but can by no means generalize the entire historical context of Baroque art. Instead, they stand as specific examples of important reasons for the range and breadth of Baroque art.
ding Baroque and Rococo forms. Neoclassicism was the dominant art form through a turbulent period in history. It influenced and weathered several national revolutions and international wars and because of its strength and balance, perhaps the era was made all the stronger because of the art and architecture that was the backdrop for the action of the age. Bibliography Irwin, David. Neoclassicism.
Baroque style in art and music was filled with action, movement, and drama. Influenced by the wishes and wealth of the aristocracy, and shaped by the needs of the churches, baroque style has become associated with magnificence and beauty. There were entirely new approaches to the organization of pitch and rhythm and a vast expansion in the vocabulary of sounds especially percussive sounds. Some compositions broke with traditions sharply that they were met with violent hostility which led to the famous music riot in Paris May 29, 1913.Unprecedented rapid economic growth widespread gain in rapid technology and science advancement as, radical changes in the arts also occur. The "Age of Enlightenment" saw a rise in influence of the middle class,
There are two distinct eras in music that have impacted it immensely throughout time. They are known as the Baroque era and the Classical era. These eras have helped mold and elevate music, building creative pathways that still hold a strong effect in present day music. The differences in both the Baroque and Classical eras are quite immense but they both hold equal importance to the history of music and are high in their overall influential worth.
The earlier period between the two, the Baroque era, took place roughly during the seventeenth century and lasted into the early eighteenth century. Characteristically, the Baroque period with respect to its style is widely known for its typical shape being more complex than compared to earlier times. A Baroque era building may have a shape that more so represents an oval or an ellipse, compared to the square, circle, or cross depicted in the Renaissance era, for example. (Visual-Arts-Cork.com, 2014) It is also known for being built more on a grandiose and dramatic appearance. Another characteristic that is known about the Baroque era buildings is that the planners of that era tended to build entire cities to fit a sort of preset arrangement around its most magnificent or important buildings and structures. The builders and architects would have the tendency to place grand parks and gardens around important city focal points. It really was a modern day equivalent of city or town planning. (Visual-Arts-Cork.com, 2014)
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.