The Awful Majesty that Is War Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.” The true beauty that war can hold despite its cruel nature is revealed in the poetry written later in the war. Guilaume Apollinaire’s poem “Gala” compares the burst of “two star shells” to a pink rose (5). The rose metaphor carries throughout the poem. …show more content…
“The golden plains/ the deep blue lakes” invoke images of normalcy, of nature, of beauty—gentle reminder to the reader that the world does not stop turning in times of war (2-3). “Red clouds in which an angry god resides” shows the harsher truth of war. Red traditionally symbolizes blood, passion or anger. Red clouds have their own symbolism, representing impending death, troubles or despair. The most poignant color imagery used in “Grodek” is found in line 10, “all roads lead to the blackest carrion.” Black is a color used to symbolize death and the endings of things. The word carrion itself means the decaying flesh of animals, thus creating the most harrowing color image in the
Hicks, Patrick. "War, Literature and the Arts." War, Literature and the Arts. An International Journal of the Humanitie, n.d. Web. 6 Dec. 2013. .
Is it true Americans are rightfully notorious for creating inaccurate paradigms of what really happened in historical events Americans are tied to? Has America ever censored historical events in order to protect Americans innocent democratic reputation? After reading, “The Best War Ever” by Michael C.C Adams, I have found the answers to these questions to be yes. Some of the myths that Adams addresses in his book include: 1. America was innocent in world war two and was an ever acting protagonist in the war; 2. World war two or any war for that matter can be, or is a “good war” and bring prosperity to America; 3. War world two brought unity to Americans.
There are many reasons that the human race goes to war against each other. In the essay The Ecstasy of War (1997) by Barbara Ehrenreich, she states that one reason that war is started between men is people want to expand, to move further in life and the man-kind are trained to be ready for war.
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
In the history of modern western civilization, there have been few incidents of war, famine, and other calamities that severely affected the modern European society. The First World War was one such incident which served as a reflection of modern European society in its industrial age, altering mankind’s perception of war into catastrophic levels of carnage and violence. As a transition to modern warfare, the experiences of the Great War were entirely new and unfamiliar. In this anomalous environment, a range of first hand accounts have emerged, detailing the events and experiences of the authors. For instance, both the works of Ernst Junger and Erich Maria Remarque emphasize the frightening and inhumane nature of war to some degree – more explicit in Jünger’s than in Remarque’s – but the sense of glorification, heroism, and nationalism in Jünger’s The Storm of Steel is absent in Remarque’s All Quiet on the Western Front. Instead, they are replaced by psychological damage caused by the war – the internalization of loss and pain, coupled with a sense of helplessness and disconnectedness with the past and the future. As such, the accounts of Jünger and Remarque reveal the similar experiences of extreme violence and danger of World War I shared by soldiers but draw from their experiences differing ideologies and perception of war.
The powerful poem ‘Weapons Training’ showcases a sergeant, through malicious words, guiding his troops. However it is through ‘Homecoming’, where Dawe exposes the brutal hopelessness brought forth by the futility of war. Therefore it can be seen that war has an emotional toll on both families and the soldiers. Both poems have a recurring message that all war does is bring loss, death and mourning, showcasing Dawes strong opinions about a futile
George Gittoes (b.1949) creates works that that communicate the issue of the graphic horror of war. A social realist painter, photographer and filmmaker, his approach to art is that ‘he layers and accumulates material until, out of apparent chaos, there is a synthesis of idea, passion and image’ (Mendelssohn, 2014). As an eyewitness to the world's war zones, Gittoes clearly uses his work as a means of communication to society.
During times of war, man is exposed to the most gruesome aspects of life such as death, starvation, and imprisonment. In some cases, the aftermath is even more disastrous, causing posttraumatic stress disorder, constant guilt, as well as physical and mental scarring, but these struggles are not the only things that humans can take away from the experience. War can bring out the appreciation of the little things in life, such as the safety people take for granted, the beauty of nature, and the kindness of others. These universal consequences of fighting all contribute to what war is really capable of doing, sometimes bringing out the best and worst in people, and constantly shaping society. In The Things They Carried, Tim O’Brien goes through this himself when he writes about setting up base camp in the Vietnamese pagoda, the return to site of Kiowa’s death, the story about the old poppa-san guide, and Mitchell Sanders’ “moment of peace”. When O’Brien includes these stories, it is not to insert joy into a tragedy, but rather to create a more wholesome and authentic feel into a tough, realistic war story. O’Brien’s’ “sweet” stories are there to show the hope he had during war, and also serve as a universal example that even in the darkest tunnels, it is always possible to find rays of light.
World War I was a very deadly war with over 100 million human casualties(deaths plus injured). Therefore war is a very transformative event for humanity, because it always affects individuals, societies, and even the world in a pessimistic way.
Sontag, Susan. “Looking at War.” Writing the Essay: Art in the World, the World through Art. Ed. Darlene A Forrest, Benjamin W Stewart and Randy Martin. New York: McGraw, 2013. 139-157. Print.
The Name of War by Jill Lepore and Anne Orthwood’s Bastard by John Pagan are ideal examples of works detailing historical perspectives or occurrences. The authors utilize two different approaches to narrate these historical occurrences. Jill Lepore uses a macro-history approach whereas John Pagan uses a micro-history approach. However, both authors relay various developments in the American history. Macro-history takes a long approach to present an issue whereas a micro-history utilizes micro topics or several components to reveal a wider theme. This report shows how these approaches have been used by Jill Lepore and John Pagan in their respective works.
World War One was a massive event. It affected millions of people from all walks of life, and inspired countless written pieces. Nevertheless, without being there, it is impossible to truly be able to tell what the war is like. Therefore the use of setting is very important in giving the reader an idea of the circumstance. This is not to say that everyone is in agreement over how the war should be displayed. Quite one the contrary, the two Poems “In Flanders Fields” and “Dulce et Decorum Est” use their settings to create two very contrasting images of human conflict.
Soldiers are following in the paths of their ancestors even in modern day war as they march into the lifestyle of insanity or death if they are one of the lucky few. In Erich Maria Remarque’s novel “All Quiet on the Western Front” and in multiple war time poems, the reality and horrors that many soldiers live on a regular day basis are developed through the paths that men go through in war year after year.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.