Swing Dancing Essay

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Swing music made a huge impact on America and is still celebrated through music and dance today. To understand this let’s first talk about ‘”Swing Music.” “Most people will agree that the Swing Dancing heyday was in the 1930s through the 1950s, but Swing dancing continues today” (It Began with a Hop to the Music: The History of Swing Dancing).

Swing Music “is a term used to describe the harder, somewhat slower, sexier form of jazz that began to take off in the mid-1930s and lasted through World War II (indeed, American society during the war is almost inseparable from the genre). The genre is sometimes referred to as "big band" music, due to the large "dance orchestras" of 15-20 musicians, usually outfitted with a solo vocalist, which overtook …show more content…

This style of music was called the “Big Band Era of Swing.” It had some of the previous jazz characteristic but with an uplifting beat that utilized larger bands and was easy for dancing and moving. “Brass instruments, such as trumpets and trombones were emphasized, making swing sound brighter and happier than the mellower and cooler sound of jazz” (lecture). It was music for all genders, classes, races and ethnicities. At a time when areas such as photojournalism was rising, influencing and forming societal views on class, gender and race, Swing brought all of these classes together. This was a music that facilitated an escape of the effects of the times with fun gatherings and dances that developed into dance moves such as the Linda Hop, Savoy Swing and what is often still seen today on the dance floor at many occasions, the Jitterbug.

At first this style of music and dance was considered “a degenerated form of jazz” (It Began with a Hop to the Music: The History of Swing Dancing). Soon it became so popular that many well-known musicians became popular for their contribution to Swing, such as Louis Armstrong, Duke Ellington, Benny Goodman, Herbert White and Frankie Manning, just to name a few. Dancing schools and teachers were teaching the dance. In the early in the 1940s, “as a result, the Arthur Murray Studios taught different styles of undocumented Swing in each city” (The History of Swing

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