Street Art Essay

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Journal #4: Street Art and Me

Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. Other terms for this type of art can be "urban art", "guerrilla art", "independent public art", "post-graffiti", and "neo-graffiti". Common forms and media can include spray paint graffiti, stencil graffiti, wheatpaste poster art, sticker art, street installations, and sculpture. Video projection and yarn bombing have also gained some popularity near the turn of the 21st century.

I grew up in Salem Oregon. To put it nicely: we had a lot of street art (graffiti.) Most of it was tags, crude drawings of a begginer but some times you would find a master piece on the side of …show more content…

There are so many forms and techniques to street art. Like whereas traditional graffiti artists have primarily used spray paint to produce their work, "street art" encompasses many other media, such as LED art, mosaic tiling, murals, stencil art, sticker art, "Lock On" sculptures, street installations, wheatpasting, woodblocking, yarn bombing, and rock balancing. New media forms such as projection onto large city buildings are an increasingly popular tool for street artists—and the availability of cheap hardware and software allows street artists to become more competitive with corporate advertisements. Much like open source software, artists are able to create art for the public realm from their personal computers, similarly creating things for free which compete with companies making things for profit. Some observers use the term "independent public art" to describe a type of street art, which can also include work in remote places that may not be visited by an audience, and may also be short-lived. An ephemeral instance of colored smoke in the forest, or a precarious rock balance are examples. Some work has been installed …show more content…

Street art in the form of text or simple iconic graphics in the vein of corporate icons become well-known yet enigmatic symbols of an area or an era. This period coincides with Keith Haring's subway advertisement subversions and Jean-Michel Basquiat's SAMO tags. What is now recognized as "street art" had yet to become a realistic career consideration, and offshoots such as stencil graffiti were in their infancy. Wheat Pasted poster art used to promote bands and the clubs where they performed evolved into actual artwork or copy-art and became a common sight during the 1980s in cities worldwide. As the world has grown up (cough cough, the 80’s) so has street

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