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Essay importance family relationships
Essay importance family relationships
Importance of family
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This state of the art exhibit is endeavouring to reflect my beliefs, values and attitudes that I strongly represented as an individual. These discourses have been uniformly modified and evolved by experiences and interactions with my family and religion as my life has progressed. I felt that utilising the white base of my exhibit would be the most appropriate way to express and portray these influences in an understandable manner. The central piece of my exhibit symbolises my life is very steadily and focus to unpackaged my dream goals as each year I learn and improve from the mistakes that I have made. My central piece can be supported by the quote of Richard Branson, ‘I have learnt more from my failures than my successes.’ This is why the central piece is a staircase as it conveys that I must take each step to reach my goals. The simple but epic design of this exhibit may seem somewhat unappealing. However, browsing each and every feature which is utilised can allow readers to relate each paragraph to it for a better understanding of the many discourses responsible for shaping and or modifying me. The textures that my exhibit is presented are black and white. This exhibit will provide a vast amount of concealed symbolism in a compact space as there is a saying ‘Great things come in small packages’. Therefore, this exhibit will provide a thorough insight into the influences in my life that I have shaped my attitudes, values and beliefs. My parents, brother, cousins, aunties and uncles have shaped me today. My family have a strong relationship bond with each other which has helped me develop into a well behave adolescent. They always advise me to listen to others point of view and understand their circumstances. Every Saturday... ... middle of paper ... ...a quote by Margaret Carty: “Be like a postage stamp, stick to one thing until you get there.” My pursuit of success is similar to a stair case because each step I make takes me closer to my goal. As the world ages so am I, my attitudes, beliefs and values has not yet completely develop as there is every possibility for room to grow as I engage with new discourses. Every aspect that I have presented has all been essential in providing the fundamental modification to form the foundation that has housed my values, attitudes and beliefs as an individual. The uncertainty of what the future might hold, but one thing that I am certain will remain the same for long times are the discourses that was developed with my family. My exhibit has not been completed as it is still waiting for me to complete in the near future represented by the blank spaces around my stair case.
The initial component of Module QF5000 involved collaborative work with our peers culminating in an exhibition demonstrating our understanding of historical perspectives in the early years. The following essay will discuss my individual reflection upon this process both personally and professionally.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Family defines people making them who they are. A person's family heritage, how their parents met and married, their parents’ occupations, their siblings, and their early lives play an important role in who they are and who they become. Every family is different and has different characteristics and members, but those differences are what make every family unique. Those differences combined with my family members’ experiences and the stories they have chosen to share are what makes this story exclusive to my family.
Pops, Martin. “Three Exhibitions.” Salmagundi Fall 2000/Winter 2001: 16-41. Wilson Select Full Text Plus. Melville Library, SUNY Stony Brook, Stony Brook, NY. 20 Feb. 2003 <http://www.sunysb.edu/library>.
Baxandall, Michael. "Exhibiting intention: Some preconditions of the visual display of culturally purposeful objects." Exhibiting cultures: The poetics and politics of museum display (1991): 33-41.
While attending Hailsham the students try vigorously to strive for their best art in order to have their artwork selected for “the gallery,” which is a wide-ranging collection of their best works that is shown to the outside world. In response this changes the students view of their o...
In choosing an artifact or a piece of art, several considerations come into mind. The MoMA, or the Museum of Modern Art, suffered a great financial crisis. This financial hiccup differentiated the ways in which the selection of new art and artifacts was to be chosen. The art or artifacts, for the MoMA, were to be financially aiding for the museum in order to keep it running (Source A). However, there are those in which the sole purpose for a museum is for educational purpose, in which the only consideration for choosing art would be that the art represents a positive outlook on education. The considerations, therefore, are ones which highly rely on the type of museum, person, and audience. It is with these factors that the most important considerations must be distinguished. Furthermore, museum’s main purpose is the presentation of a piece to an audience, and with this in mind, educational
...an picking the artifacts. Although I did learn about William Morris and his designs in my history classes I learnt about the concept behind his design decisions and in depth analysis of Morris’s evolution as a designer only when I started working on this exhibit. It is imperative that you do research before arriving on any decision in regard to putting up any exhibit. Furthermore after analyzing the different options, it is imperative that you have facts to back up your decisions of the artifacts chosen. Every artifact that you pick for your case should have direct relation to your concept and it should be consistent among all artifacts. Overall a lot of thought should be put into the exhibit and the concept must reflect the ideas distinctly.
This reflection paper is based on the life history interview conducted on me and a 78-year-old woman who is soon going to celebrate her 79th birthday on Sep 21st. I would call her with a fictitious name “Smita” in the entire paper to maintain and protect her privacy. The interview was about our life. It was divided into six major life categories: childhood, adulthood, identity, the present, aging, and life lessons. Having an opportunity to interview a 78-year-old woman and writing this reflective paper about the life history and experiences had made me realize that I have a lot to learn about the stages of human life. Every individual lives are different and it varies tremendously. As an interviewee my goal was to collect the details of life, different stories, and experiences that makes our life unique from the rest of the people.
family plays in my daily interactions with everyone. I was raise in Christian background and the moral
I am who I am partly because of my family, but mostly because of who I want myself to be. I will never be exactly what I want to be because of my family upbringing, but I can provide myself with opportunities to live a somewhat similar life. I would have loved to be brought up in a family that was into off-road racing, such as trucks, snowmobiles, an...
Catherines, Canada) & Nadja De Carvalho Lamas (Joinville, Brazil) invited me to participate as a writer for this exhibition, the first thing I thought, while sitting in front of my computer in Córdoba (Argentina), that this was a good opportunity to raise a modest question regarding how it would be possible a more friendly approach to contemporary art practices. Hence, I thought of the most epidermal interrogation; something that has always startled me: how a contemporary art exhibition comes together. Here is the trick: simple questions in contemporary art (as in life) do not usually have simple answers, even though they do tend to shake the structure of conventional knowledge. Not simple, because there are too numerous and different angles and perspectives to address the subject, since –luckily for us, workers of art- there are not so many formulas or prescriptions when dealing with the conception of contemporary art-shows. Of course, there are typologies of exhibitions and some recipes for materializing and mounting them, but this is of no concern for the purpose of this text.
Additionally, building this strong brother-to-sister relationship of trust with my own sisters, leads my focus on the members of my family, who has influenced my character more fully than anyone else. My Dad especially is probably my greatest example of all times whose character and integrity really touched me in various ways I could ever imagine. I really admired the way he led our family with great wisdom and counsel which helped me in my hard and difficult times. I only got to spend nineteen years of my life time with him due to his passing away while I was on my mission.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.
The relation between culture and age has often been the subject of discourse in recent gerontological studies. It is argued that there is an inherent relation between the two. The difference marked by age or our perception of old age, in particular, is a cultural and social construction. Consequently, the meanings and value assigned to old age are also socially constructed. This in turn leads to a reshaping of identity or what Holstein and Gubrium term as ‘self-construction’(Randall and McKim 235). However, what we need to consider is whether it is only this construct that is solely responsible for determining our response to aging. Does our environment have complete agency in shaping our attitude or is it also dependent on how we, as