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Representation of women in television
Representation of women in television
Buffy the vampire slayer and gender
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Blue and black fog gathers around the scene. There are ruminants of screams and distant howling…pretty typical for a horror film huh? But wait, the starlet of the show is making her entrance! A petite, blond teenage girl enters the cemetery gates with a splintering wooden stake in hand. Her name is Buffy Summers and slaying vampires is her specialty. Of course, vampires do not exist in our world: Neither does Buffy Summers. She is the main character of a formerly wild popular show, Buffy the Vampire Slayer. However, in Sara Blevin’s eyes, Buffy is more than a symbol of feminism and altruism.
Sara was in college trying to complete her English major, when her best friend at the time, Todd begged her to take an independent study course with him.
“Even though the show was running while I was a teenager, I didn’t watch it until then. Todd begged me to take the class with him and another friend of ours. That meant I got to watch all seven seasons in just under a month.”
Buffy first made her television debut in March of 1997 courtesy of writer and producer Joss Wheadon. The opening pilot depicts a teenager girl much like every other teenage girl…except that she has been kicked out of school and she has been known save the citizens of SunnyDale quite often. Throughout the duration of the show, Buffy becomes a young woman. With that comes: falling in love for the first time, getting a job, graduating high school, and a whole lot more. Wheadon embraced that women could be powerful and vulnerable both at the same time. Sara, a feminist and human after all, found so much more in Buffy that could be seen in forty five minutes per episode.
“Buffy is in many ways a constant reminder to be my best self. That humans are humans, even when they ...
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...n Buffy the Vampire Slayer. It teaches that you can yourself and still be a part of a larger team—together working for a larger purpose. The strong feminism inklings within the show are just one “lesson” to be learned. Buffy may slay in upwards of thousands of vampires, but her biggest victory was slaying stereotypes of females everywhere. Others may have built a sense of vulnerability in young women…Buffy knocked down all of those walls. Roseanne Barr said it best: “The thing women have yet to learn is nobody gives you power. You just take it.”
Works Cited
Blevins, Sara. “Feminism in Buffy.” Personal Interview. 07 Nov. 2013.
Lang, Nico. "25 Little-Known Facts About ‘Buffy The Vampire Slayer’." Thought Catalog. The Thought & Expression LLC, 25 Jan. 2013. Web. 12 Nov. 2013.
Fudge, Rachel. "The Buffy Effect." Bitch Media. B-Word Worldwide, 1999. Web. 12 Nov. 2013.
For an immigrant, entering into the United States during the early 1900s was a time in search for new beginnings, new possibilities, and a new life. Similarly, this concept was the same for Sara. In the early chapters of the novel, Sara's character is introduced as a young, courageous girl who works hard every day providing money and food for her family. Her job consisted of working in shops and going out into the streets of New York as a beggar
Blechner believes that if we change the metaphors, change the stereotypes, the reality can be changed. So, when Angel becomes an angry and vengeful vampire, it won’t be a comparison to men and their masculinity, but instead an expression of what happens to him when he gets too excited. And Buffy will understand that she does not need to dress a certain way to please her man. She should only be pleasing herself. Brown’s theory also reflects the same idea as Blechner’s theory. Brown believes that if the stereotypes of sexual orientation are dismissed, and looked into with a much less biased view, that a new reality will form in the study of human behavior. Buffy, The Vampire Slayer is a metaphor for the beliefs and views (on gender roles and identity) of our society and culture in today’s world. But it also presents a metaphor for what the future should bring into how we (as a society) see males and females, and their behaviors with each other and within themselves, without the wall of stereotypical beliefs that are preventing both sexes as a whole from “slaying the demons and the vampires”.
In 1997, a new series featuring a female lead aired, it was called Buffy the Vampire Slayer. This show became popular instantly and to this day it still remains popular, if not more. This series was named by TV Guide critics as “one of the fifty greatest TV shows of all time”, because of its feminist portrayals (Heinecken, 91). Buffy the Vampire Slayer was created by Joss Whedon due to the fact that he felt bad for women in horror films, he felt like their depictions were almost always sexist. Whedon quoted that the show he has created depicts, “the joy of female power: having it, using it, sharing it.”, which is important to show to women of newer generations (South, 35). What made Buffy so special was that there was finally a female character that was at
...oday. Taking for granted a "normal" life that revolves around school, parties and friends. The Crucible and The Matrix exhibit more cultural and social values than Buffy and they are both done exceptionally well, covering many different themes and aspects without taking away from the plot or story.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
Throughout much of recorded human history, people have written tales of the dead returning to life, usually to trouble the living in some way. These traditional myths have progressed from ancient superstitions, to campfire ghost stories, to television shows such as Joss Whedon's Buffy the Vampire Slayer. In the series, vampires are created from the dead victims of other vampires (as long as a certain rite is performed during the victim's death). After a time they rise from their graves and immediately seek to kill and drink the blood of the living. Creatures such as these are, as Lacan [give first name when you first mention someone] describes them, "between the two deaths" and live again only to fulfill insistent, mechanical drive. This drive, often centered on killing, vengeance, or some other quest for closure, is distinct from desire in that it is not "caught up in dialectical trickery" (Zizek 21). According to Zizek [ditto], normal desires are not always what they seem, for when we desire something, we may be seeking something else entirely (21). Most of the vampires in Buffy the Vampire Slayer fit Lacan's profile of between the two deaths, and, as one might expect, they are antagonists to the protector of the living, Buffy. However, in the musical episode "Once More, with Feeling," Whedon explores two protagonists who are also between the two deaths, each struggling to revert back to their prior state of being, but both in a different situation. One of these characters, Spike, once fit the archetype of the vampire, but now faces difficulty as he is forced to cope with normal dialectical desire in order to exist in the civilized, symbolic world. The other, Buffy, fulfilled the death drive when she sa...
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
The Buffy the Vampire Slayer series is a very popular show that engages well with most youthful audiences, including teenagers and young adults. Teenagers are quickly captivated by the show’s great amount of comedy, adventure, and science fiction. Although it is remarkably entertaining, the show also teaches important life lessons pertaining to love, friendship, and family. In the episode “Hush” from the series Buffy the Vampire Slayer, the theme that through clear acts, one can develop clarity in relationships is presented.
In Buffy the Vampire Slayer, the main character Buffy Summers is the chosen Vampire Slayer, even though she does not want to be the chosen one, but there is always some type of danger in her town. As she is battling demons and vampires, she is struggling to live a normal life, but soon learns to embrace and accept her destiny. Buffy was a very popular show with seven seasons won two Emmy awards a Golden Satellite award and multiple Saturn awards. In every season Joss Whedon was able to incorporate something different to make each season stand out. A recurring theme throughout the episode “Hush” is that sometimes talking is not the most efficient way of communicating or showing affection.
have stuck to these but in Buffy the vampire slayer a new set of rules
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The Twilight series is a bestselling series written by Stephanie Meyer that has captivated millions of teenage girls. Twilight diverges from the vampire lore quite a bit and contains very little information about any other supernatural beings. Most vampire stories stress that vampires are night dwellers; that they cannot remain “alive” when the sun rises. Nevertheless, Twilight ignores that known ...
In the romantic fantasy film, The Twilight Saga: Eclipse (2010) music played a key part in the movie from scene to scene allowing the audience to feel emotions and become attached the characters and story plot. Howard Shore composed the score for The Twilight Saga: Eclipse film adding his magic touch to the film. The soundtrack itself managed to make to make it to Number two on U.S Billboard 200. Throughout the movie Howard Shore incorporated a lot of hip and current music into the film along with his own original score pieces. This allows the audience to understand the emotions which are being portrayed by the characters in the film. As well as the suspense which is being brought on also the mood of the dialogue in each scene.