Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sophocles and euripides electra
Sophocles and euripides electra
Sophocles's electra
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sophocles and euripides electra
Sophocles vs Euripides
Sophocles’ and Euripides’ versions of Electra carry, among many similarities, a central theme of revenge. The characters, Electra and Orestes, must reunite to avenge their father’s murder. Misfortunately, in both versions the just solution leads the siblings to destroying their own mother. Both versions of Electra can be compared to Aeschylus’ Libation Bearers. However, they are both more dramatic, and more similar to each other than if each Electra was individually compared to the play by Aeschylus. The biggest differences between the two versions of Electra, are found within the characters and their development. I also believe that, the differences we see in these characters’ personalities between the two plays , contribute to some of the two authors’ variations in the story line.
Although Sophocles and Euripides both give Electra and Orestes more character, they use different techniques to cause this effect. We can especially notice a character difference in Electra. In the Libation Bearers, she does not have much personality, or nearly as much involvement in the revenge plans; now she is the main character. Sophocles seems to use the people around Electra to cause reactions from her, and in turn show the reader her individualism. I believe this is the purpose of introducing Chrysothemis as a character, even though she does not exist in Euripides’ version or in the Libation Bearers. Chrysothemis causes conversations between her and Electra that give the audience a convincing sample of Electra’s notability. For instance, one can see this when Electra is praying at Agamemnon’s grave and Chrysothemis comes to pour libations sent by Clytamnestra. Electra convinces her sister to ignor...
... middle of paper ...
... two contemporary authors took a very straight forward legend and manipulated it to make is more interesting and to make the characters more three dimensional.
Bibliography
Euripides. Electra. Trans. Janet Lembke. New York: Oxford, 1994.
Grene, David, and Richmond Lattiimore. The Complete Greek Tragedies. Vol. 2. Chicago: University of Chicago Press, 1969.
Simon. Peter. ed. World Masterpieces. 7th ed. New York: www. Norton & Company, 1999.
Bibliography:
Bibliography
Euripides. Electra. Trans. Janet Lembke. New York: Oxford, 1994.
Grene, David, and Richmond Lattiimore. The Complete Greek Tragedies. Vol. 2. Chicago: University of Chicago Press, 1969.
Simon. Peter. ed. World Masterpieces. 7th ed. New York: www. Norton & Company, 1999.
185-196. Dillon, Mathew, and Garland, Lynda. Ancient Greece: Social and Historical Documents from Archaic Times to the Death of Socrates. Routledge International Thompson Publishing Company, 1994, pp. 179-215 Lefkowitz, Mary.
Pausanias, Description of Greece with an English Translation by W.H.S. Jones, Litt.D. in 4 Volumes. Volume 1.Attica and Cornith, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd., 1918.
Morford, Mark P.O., and Robert J. Lenardon. Classical Mythology. '7th ed'. New York: Oxford University Press, 2003.
Hunt, Lynn and Thomas R. Martin, Barbara H. Rosenwein and Bonnie G. Smith. “ The Greek golden age,” in the making of the west volume 1 to 1750 2012, edited by Denise B. Wydra, 75-108. Boston: Beford/St. Martin’s, 2012.
Burckhardt, Jacob, The Greeks and Greek Civilization, St. Martin’s Press, 175 Fifth Ave, New York, NY 10010, 1998.
"Unhandled Exception." Ancient Greece - History, Mythology, Art, War, Culture, Society, and Architecture. 2008. Web. 27 Feb. 2011. .
Guerber, H. A. Myths of Greece and Rome. New York: American Book Company. 1921. Print.
Greek Myths in Order of Publication. (n.d.). Retrieved November 1 1, 2010, from Storynory LTD: http://storynory.com/category/greek-myths/
Grant, M. (1962). Myths of the Greeks and Romans (1st ed.). Cleveland: World Pub. Co.
Clarke, Fiona, and Mark Bergin. Greece in the time of Pericles. Hemel Hempstead: Simon & Schuster, 1909.
"Gods and Men in Greek Religion." Gods and Men in Greek Religion. N.p., n.d. Web. 30 Apr.
Grene, David., and Richmond Alexander Lattimore. Greek Tragedies. 2nd ed. Chicago: University of Chicago Press, 1991.
on the life of Electra. In Sophocles's version, the play opens with Orestes learning his fate. from the Pythian Oracle; he must revenge his father's death unarmed and. alone. He sends his pedagogue Pylades, as a spy, to learn about the situation in Mycenae. Electra mourns for her father's death. She is Unable to avenge her father's murders without the help of Orestes, her brother. She is also mad about how her mother and her lover waste her father's riches and desecrate his name. Her half-sister Chrysothemis is. no help to Electra and refuses to help in the murder of her mother and mother's love of the world.
This paper aims to study two significant playwrights, Sophocles and Euripides, and compare their respective attitudes by examining their plays in respect to plot and character structures. To achieve this goal, the paper is organized into two main sections. In the first section, we provide a brief biography of both Sophocles and Euripides. The second and last section includes summaries of Sophocles’ Electra and Euripides’ Electra which were based on same essentials and give an opportunity to observe the differences of the playwrights. This section also includes the comparisons that are made by our observations about the plays.
Aristrophanes. "Lysistrata." The Norton Anthology of World Masterpieces. Maynard, Mack. New York: W.W. Norton & Company, Inc., 1997. 466-469.