Sofonisba Anguissola was born in the year of c. 1502 in Cremona, Italy. Her parents were Bianca Ponzoni Anguissola and Amilcare Anguissola. Sofonisba had six siblings in total, and from them all she was the oldest. Her parents were a wealthy family. Her father read a book called II Cortegiano, which helped him guide him for a proper education of a young woman. In 1546, her sister Elena and her were sent to a to stay in the household of Bernardino Campi, whom was a prominent local painter. They remained for three years under the instruction of Campi, until he moved to Milan. Sofonisba continued her training with him. She started to really admire Correggio's paintings. During this time, she received encouragement from Michelangelo by copying
Gentileschi was born in Rome and trained under her father, Orazio Gentileschi, himself a well-known painter of the time. Her earliest signed work, Suzanna and the Elders, was completed by the time she was seventeen years old. A year later, she was raped by another painter, Agostino Tassi, who claimed in the subsequent trial that he was hired by her father to tutor her in perspective. She underwent torture to judge the truthfulness of her testimony against Tassi and eventually he was found guilty of the crime. Shortly thereafter, she married Pietro Stiattesi, a Florentine painter and moved to Florence. After six years in Florence, Gentileschi separated from Stiattesi and took their daughter with her back to Rome. The years following reveal that she traveled to a number of places; Genoa, Venice, and London included, but finished her ca...
Tropicalia is not only know as a form of music in Brazil but as a rebellion. Its theme of cultural non conformity was strengthened by the idea that Brazil had lost its way. Tropicalia took a stand against the social and musical hierarchy of Brazil. Though mainly known as a form of Brazilian pop music Tropicalia is deeply rooted in the political and cultural background of Brazil.
Artemisia was born on July 8 of 1652 in Naples, Italy. She has been credited as one of the most famous female artists of the Baroque period. Her father, Orazio Gentileschi, helped her develop her skills as he was an artist as well. In her early life, she lost her mother at the age of twelve years of age, which may have led to her style of artwork. Another possible contributing factor is that she was raped by one of her father’s colleagues named Agastino Tassi. She married a Florence painter named Pietro Antonio di Vicenzo Stiattesi, and moved to Florence with him. Together, they had one female child. She befriended many artists, thinkers, and writers during her time, which included Galileo the astronomer. She was a female artist in a male dominated art world of her time, and succeeded at standing out.
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
Michelangelo Buonarroti was a man who desired to create. His art is impactful, reflects the time of the renaissance, and his growth as an artist. Michelangelo Buonarroti was born March 6,1475 in Caprese, Italy. His father was a government agent in Caprese and his mother died when he was six years old ("Michelangelo Buonarroti"). When Michelangelo was 13 he was an apprentice to a painter named Domenico Ghirlandaio. In addition to being an apprentice, he also studied sculpture with Bertoldodi Giovanni ("Michelangelo Buonarroti"); at 17 he created his earliest sculpture. Michelangelo was an ambitious artist who took on big projects. He was interested in human anatomy, engineering, painting, sculpture, architecture, and poetry (Bleiberg et al. 386-398). “Michelangelo was intensely religious and received inspiration from a deep sense of his own personal unworthiness and of his sinful nature”
Antonio Stradivari was born in Bergamo Italy 1644. In his youth he lived in Cremona Italy, where he became the apprentice of Nicolo Amati. He had married twice, once in 1667 with a woman named Francesca, whom he had six children with. His first son only lived for six days. The rest later became priests, and apprentices of their father. Francesca then died in 1698. Soon after Stradivari remarried in 1699 to a woman named Antonia. Antonia and Stradivari had four children. Two of which had died. Stradivari bought a home in Piazza Roma; this is where Stradivari carried out his work as a luthier, with his sons at his side as apprentices. In 1737 Stradivari had died and was buried in the church of San Domenico in Cremona where his family had originated.
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. Not only was she one of only four women mentioned by Giorgio Vasari in his famous Lives of the Artists, she also paved the way for later female artists. One may look at Sofonisba’s upbringing and assume that her talents were a result of her wealth and family background. However, if investigated more carefully through both analytical secondary sources and primary sources, it becomes clear that Sofonisba’s painting abilities formed because of her talent, not her wealth. Sofonisba integrated herself into the artistic community and used her second-class status as a female painter to accelerate her career: because she was not able to study as an apprentice in a workshop, her models were usually family members, she pioneered the style of genre painting. Historian Joan Kelly argues in her essay, “Did Women Have a Renaissance?” that women did not experience a Renaissance during the actual Renaissance. Sofonisba’s training and connections were extremely helpful to launch her career, refuting Kelly’s argument that women only were taught “charm” during the Renaissance. In addition, Sofonisba married her second husband for love, not for money, debunking Kelly’s argument that marriages during the Renaissance were not based on love. Though Sofonisba’s life as a woman is a unique case in terms of wealth and profession, her success and fame, talent, and marriage (van dyck?) disprove Kelly’s argument that women did not have a Renaissance during the Renaissance.
“The Bacchae” answers the question if irrationality could survive in a structured world. Dionysus the god of wine and festivals brings about chaos and barbarism. The introduction of Dionysus is of him and a flock of bacchus women returning to Thebes, the place of Dionysus’ birth, to punish the city for disrespecting his godly right. Pentheus is the appointed ruler of the city and main opponent of Dionysus. He tries to limit the spread of bacchus behavior, but Dionysus breaks free each time Pentheus captures him. Without the need of irrationality in a structured world society would tear apart. A world must consist of irrationality and rationality to have balanced society.
Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one of the first women to become recognized in her time for her work.. She was noted for being a genius in the world of art. But because she was displaying a talent thought to be exclusively for men, she was frowned upon. However by the time she turned seventeen she had created one of her best works. One of her more famous paintings was her stunning interpretation of Susanna and the Elders. This was all because of her father. He was an artist himself and he had trained her and introduced her to working artists of Rome, including Michelangelo Merisi da Caravaggio. 1. In an era when women artists were limited to painting portraits, she was the first to paint major historical and religious scenes. After her death, people seemed to forget about her. Her works of art were often mistaken for those of her fathers. An art historian on Artemisia, Mary D. Garrard notes that Artemisia “has suffered a scholarly neglect that is unthinkable for an artist of her caliber.” Renewed and long overdue interest in Artemisia recently has helped to recognize her as a talented renaissance painter and one of the world’s greatest female artists. She played a very important role in the renaissance.
Michelangelo di Lodovico Buonarroti was born on March 6, 1475 in Caprese, Tuscany. His dad was Lodovico di Buonarrotto and his mother was Fracessca Neri. Michelangelo was also the second of five brothers. His mother was not capable of raising Michelangelo so his dad let a stonecutter’s wife raise him. Sadly, Michelangelo’s mom died when he was six (Bonner Par. 1-13).
Christina Rossetti was born in London on December 5, 1830 . She had two brothers and one sister, Dante Gabriel Rossetti , William Michael Rossetti and Maria Francesca Rossetti. Their father, Gabriele Rossetti, was an Italian poet and a political asylum seeker from Naples, and their mother, Frances Polidori, was the sister of Lord Byron's friend and physician, John William Polidori.
The Sapphires directed by Wayne Blair, was a film set in the Cummeragunja mission settlement on the banks of the Murray river in 1969. A true story at its core, ‘The Sapphires’ was adapted from Tony Brigg’s stage play, inspired by his own mother’s experiences as a young Aboriginal teenager in Vietnam.
This paper includes an understanding about the parasitic roundworm called trichinella. It gives detail of the disease, its transmission and source. Emphasizing how it effects the body, further explaining the epidemiology and how the parasite poses a threat. Also providing an overview of the various types of transmission, how it obscures the human body, and informs one about the symptoms that occurs with the ingestion of trichinella. This paper also addresses the various diagnostic procedures and the treatment required in order to treat Trichinellosis. This, emerging the complex world of the most common type of trichinella species called Trichinella spiralis. In addition, it raises awareness of the health risks and possible outcomes that can come along when the parasites begins migrating throughout the body.
Artemisia Gentileschi was born in Rome, Italy on July 8, 1593. Her parents were Orazio Gentileschi and Prudentia Montone. She was the couples only child. Her father was a notable painter and she Artemisia wanted to be just like him. She studied painting under the watchful eye of Orazio. Her father also enjoyed working with her and loved watching her bloom in her own artistic abilities. Artemisia became an Italian Baroque painter. The Baroque style was used to show motion to emphasize drama and tension.
Rossetti was born in London in 1830 into a remarkable family of artists, scholars and writers. Her father was an exiled Italian revolutionary and poet and her brothers William and Dante Gabriel Rossetti were founding members of art movement the Pre-Raphaelite Brotherhood. Christina had her own first book of poetry privately printed by her grandfather when she was 12 years old. At the age of 19 she contributed poems to Pre-Raphaelite journal The Germ, under the pseudonym Ellen Alleyn. Rossetti then died in 1894.