Social Pressures Reflected in Ginsberg's Howl
Post World War II America produced a number of images that will be forever imprinted on the minds of Americans. Such images as television shows like "Leave It To Beaver" and "I Love Lucy," movies such as "An Affair To Remember," and "Brigadoon," are watched frequently even in today's society. But in this world of fairytale movies and the "American Dream," what about those who didn't fit into the picture of perfection and prosperity? These men became the basis of an underground network of dissident writers, teachers, artists and filmmakers. Often a reaction against the strict standards of normalcy held by the American public and the bureaucracy of the government, their work not only carried them through the 50's and 60's, but continues to inspire those who are exposed to it.
The literature from this generation was defined clearly by two works; "On the Road," by Jack Kerouac, and "Howl," by Allen Ginsberg. These writings were a stark reality check for the American people who lived in their idealistic neighborhoods. With the expressed purpose of bringing the reality of aberration to society, Allen Ginsberg created a masterpiece in "Howl." It is the portrayal of the lives of many of his closest friends and associates, among them, Neal Cassady, Peter Orlovsky, William Burroughs, and Jack Kerouac.
"Howl," published in 1956, is a poem in three parts. The first, and perhaps most quoted section, explains how Allen Ginsberg saw "the best minds" of his generation "destroyed by madness." He carefully describes the repression his group faced because of their beliefs and actions. The American society did not accept Ginsberg's homosexuality, his political beliefs, or his use of ...
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...d, was accepted in to the daily works, he proved that the life of one person honestly can change the world. His contribution to literature is the greatest of his time, and should be admired for the courage in adversity shown throughout all his works. A great man, Hubert H. Humphrey once said, "The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of a different drummer." If this is indeed the great challenge facing all of us, Ginsberg certainly pushed America and Americans in the right direction with poems like "Howl," proving that endurance will win out over adversity if we, like
Ginsberg, would only have the patience to persevere.
The focus of this investigation is the ability of leaders to appeal to human emotion through propaganda. Propaganda became especially prevalent in the United States of America during the Second Red Scare between 1947 and 1954. Propaganda assisted in the infiltration of anti-communist ideals. This examination specifically focuses on the extent to which film propaganda during this time period influenced anti-communist hysteria. The movies produced during the Cold War glorified American democracy and an evaluation is completed discussing the impact of this glorification on society. The analysis emphasizes how these beliefs infiltrated all genres of moviemaking, according to researchers of film propaganda and American politics. Several secondary sources are used to look at film propaganda produced during the era of McCarthyism and the anti-communist hysteria existing exclusively in this time period.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Allen Ginsberg was a Jewish American poet, who was born in June 3 1929, he’s poetry vigorously opposed such topics as militarism, economic materialism and sexual- repression. Ginsberg is best known for his epic poem "Howl", in which he denounced what he saw as the destructive forces of capitalism and conformity in the United States.
Overall, what Ginsberg was trying to say is that we are ALL mad and crazy, but we are all also good. Ginsberg questions the human social actions throughout his journey with his friends, and wrote Howl to help others understand the social discrimination and chaos in the world. For me, I understand the reason behind the actions those bullies and their rumors have done to me, and that’s okay. It is a social truth, that society is unfair and cruel, also
Widely recognized as an American classic, Howl by Allen Ginsberg of The Beat Generation is a poem that managed to have a powerful influence on the American society in the 50s - the impact
The world was in 1950 at a point of multiple crossroads. After two World Wars an exemplary series of bad events followed, like the Cold War and the atomic menace. But it was also the beginning of some prosperity. People started again to gather material values. Nevertheless, the slow awakening from the fog of war was a process too complex to be generally accepted. In an apparently healing world there were still too many fears and too many left behind. On this ground of alienation, isolation and despair Allen Ginsberg’s “Howl” emerged together with the Beat movement. John Tytell observed that the “Beat begins with a sense of natural displacement and disaffiliation, a distrust of efficient truth, and an awareness that things are often not what
...erg’s lines are inwardly. The self of Whitman is all-encompassing but Ginsberg’s self is passive, lacking diversity by excluding rural settings. In short, Ginsberg’s Howl” is a journey through a different route to reality by leaving the doubts behind and taking the lead role of a public American poet-prophet, which Whitman only dreamt of in his life by composing poetry for an imagined audience.
On the Road by Jack Kerouac, author during the Beats’ generation, is largely considered a novel that defined a generation. Despite this consideration, however, there are very many controversies linked to this book. Though many call the novel offensive, unexciting, and poorly written, Kerouac deserves the entirety of the acclamations he has received over the years as the result of his roman á clef. Along with literary classics such as The Great Gatsby, The Catcher in the Rye, To Kill a Mockingbird, and The Grapes of Wrath; On the Road has historically been challenged and even banned in classroom settings. If a novel is challenged, that means it has a message that breaks the status quo and pushes the boundaries of literature. On the Road objects stigmas about casual sex, the drug culture, poverty, capitalism and what it meant to be living in 1960’s America.
On The Road is an autobiographical first-person book written in 1951 and based on Kerouac's experiences of the late 1940's. At the time, America was undergoing drastic changes and the sense of sterility brought on by a mechanized Cold War era society resu lted in a feeling of existential dislocation for many. Numerous Americans began to experience a sense of purposelessness and the air was rife with disillusionment. Kerouac was one of these restless postwar young people and he longed for...something. A n ew kind of hero? A return to a Romantic tradition and simpler days? When Kerouac met Neal Cassady, he knew Cassady was the kind of hero he had been seeking. Eventually, as Robert Hipkiss notes, "Kerouac began to see Neal as an 'archetypal American Man' "....and, in fact, when Kerouac created Dean Moriarty out of Neal, "he created a new symbol of flaming American youth, the American hero of the Beat Generation" (32-3). Indeed, as Hipkiss argues, Dean Moriarty
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.
America is a popular image in literature and films. Dozens of writers sought to expose America’s vices and evaluate the consistency of its values, morality, and ethical norms. The pursuit for material wealth and the American dream were the topics most frequently discussed in American literature during the 1920s. The effects of World War I on individual beliefs and ideals, the ongoing decay of morality, the hollowness of dreams and convictions, and the failure to materialize one’s life goals together created a complicated situation, which often resembled a journey for nothing.
The 1950’s beatniks gather around coffeeshops, writing and grumbling about the unfairness of the government and society’s closed mind. Today, youth gather around their laptops and type away, despairing over the unfairness of the government and society’s closed mind. Allen Ginsberg’s poetry embodies those angry youth. His unique choices in diction, symbolism and imagery artfully conveys his criticism against the wrongdoings of Uncle Sam and his subjects. Through his poem America, Ginsberg reaches out to all generations of people and exposes the ethical mistakes that both the government and society as a whole make, and these mistakes are classic in the sense that it is always a mistake that everyone keeps repeating.
The society around us changes constantly and if we don’t catch up, we can possibly find ourselves in a suffering of our own madness. Ginsberg lived in a society in which homosexuals were unacceptable in which had to be treated with shock therapy. We can easily see why one can be driven to madness because it is hard for one individual to change the minds of many. Over time though we can see the issue being resolved and the acceptance of gays is becoming popular. But that is just the thing though, why must we let society define who we are and how to live? As far as I’m concerned, we are all human, no different from one another. Ginsberg’s poem Howl is important to read because it gives us insight into the cruel side of society in which people are constantly living in. With that knowledge, we can learn be more fair and to treat other people like equals and not opposites. We can take the initiative as individuals to make equality known and freedom