Relationship Between Soap Operas and Reality TV Dating Shows
Tania Modleski’s “The Search for Tomorrow in Today’s Soap Operas” proposes that the unique appeal and function of soap opera lies in (a) the viewer’s ability to inhabit the text’s prescribed spectatorial position of ‘the good mother’, and (b) use the archetypal ‘villainess’ to displace one’s own repressed anger and powerlessness. It can be argued, using Modleski’s analytical perspectives on the interpellated spectatorial positions of soap operas, that a new genre of television programs (namely the reality dating shows) function in a similar way.
An examination of Modleski’s thesis renders these statements more likely. Modleski argues that soap operas are essential in understanding women’s role in culture. She claims that in viewing soap operas, the spectator simultaneously identifies with each of the characters, and is able to jump between loyalties instantly, as she aligns herself with all characters. The ‘good mother’/spectator is thus privy to all plot developments and events, although even in this omniscient state of narration she does not, or perhaps cannot, generate a particular bias or interesting in one of her ‘children’ over another. She asserts that in inhabiting this position of the ‘good mother’[1], popular culture can change one’s concept of self, one’s identity. [2] In depicting diametrically opposed themes (such as good versus evil, and right over wrong), soap operas, Modleski suggests, demonstrate the kind of patience, understanding and compassion that is characteristic of the ‘good mother’: she can have no claims of her own within the story, and thus acts completely selflessly in her attempt to care for and nurture each conflicting character. In this way, Modleski finds a direct connection between the spectator and her position within the text: as both are removed from the public sphere, and inproportionally restricted to domestic labour (in which case she works with her husband and children) or ‘woman-friendly’ careers (those heavily requiring interpersonal and communication skills ), they share the constant burden of establishing and renewing connections and complicated relationships.[3]
Modleski claims that this desire to build and maintain relationships is only thwarted by the presence of the ‘good mother’s’ anti-thesis: the ‘villainess’. As she signifies the contrary values of the ‘good mother’ (she is selfish, manipulative, scheming, etc.), the ‘villainess’ embodies the entirety of the spectator’s displaced, repressed anger at her own powerlessness.[4] She, as Modleski describes, takes everything that makes women vulnerable and turns it to her advantage (pregnancy, for example, is used by the villainess for the sake of manipulation, not guilt, shame or responsibility).
Since the beginning of time itself, Television has been one the most influential pieces of media that the world has ever encountered. The beginning days of television depicted stereotypical mothers cooking and cleaning their homes for their husbands and children. Yet, as the decades passed, television took a dramatic turn, leaving the days of drama free entertainment as a vast memory. Now a day, however, when one hits the power on button to Bravo, the screen lights expand to ritzy socialites dealing with their everyday lives as “housewives”. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day housewives. When speaking of these women and their family life, the reality series shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and that fame comes at the cost of family.
No matter what actions or words a mother chooses, to a child his or her mother is on the highest pedestal. A mother is very important to a child because of the nourishing and love the child receives from his or her mother but not every child experiences the mother’s love or even having a mother. Bragg’s mother was something out of the ordinary because of all that she did for her children growing up, but no one is perfect in this world. Bragg’s mother’s flaw was always taking back her drunken husband and thinking that he could have changed since the last time he...
Misogyny in this text is represented through many factors showing how women can only prove their dominance by removing the men’s sexuality and freedom of independence. It is also represented in the fact that Nurse Ratched is seen as perfect except for her breasts, her outward mark of being a woman. “A mistake was made somehow in manufacturing, putting those big, womanly breasts on what would of otherwise been a perfect work, and you can see how bitter she is about it.” (6) The fear of women is usually stemmed from ...
Society has evolved significantly from its initial gender stereotype of the black and white images of the hard-working husband and the loving, domestic housewife. According to Raewyn Connell in his book Gender (2009) he says that men are or at least should be the ‘producers or breadwinners’ and that women should be the ‘consumers’. However, it was around the middle of the 20thcentury during the onset of the feminist movement when the idea of the perfect woman was featured by glamorous magazines and television. Yet, there has been much controversy about the ways in which the mass media represents women and how they have been affected by these images. In the patriarchal society of the period, there was a decrease in strong women being emotionally and mentally stable, intellectual and sexually attractive. Building on that premise, this paper will examine and analyse the different stereotypical roles the female characters of Desperate Housewives portray, how they are viewed by the audience, and what impact these gender constructions have on society.
For, in relinquishing, a mother feels strong and liberal; and in guild she finds the motivation to right wrong. Women throughout time have been compelled to cope with the remonstrances of motherhood along with society’s anticipations Morrison’s authorship elucidates the conditions of motherhood showing how black women’s existence is warped by severing conditions of slavery. In this novel, it becomes apparent how in a patriarchal society a woman can feel guilty when choosing interests, career and self-development before motherhood. The sacrifice that has to be made by a mother is evident and natural, but equality in a relationship means shared responsibility and with that, the sacrifices are less on both part. Although motherhood can be a wonderful experience many women fear it in view of the tamming of the other and the obligation that eventually lies on the mother.
Spanking, a fictitious form of child abuse, is an appropriate action toward unruly children. It is a popular practice used to instill discipline and values in children, and is more effective than talking to or yelling at the child or placing the child in “time out” sessions. In the long run, spanking causes no damage to the child’s mental or physical health. Instead, it creates a basis for good behavior.
Since young women are being surrounded and exposed to different types of media, it also influences the identity of young women by reinforcing negative stereotypes. In Chapter 3: “Bitches and Morons and Skanks, Oh My!” of Reality Bites Back, Pozner reveals how popular reality television shows have a strong impact on today’s society by shaping the way women view things and define themselves. She also states how dating shows, like The Bachelor and Flavor of Love, often describe women as “catty, bitchy, manipulative, not to be trusted, and cannot live without a man” (pg. 97). The problem with these dating shows is that it tells young women that they need to become the most seductive and beautiful to win the guy’s heart. This also convinces the young women, who watch the show believe that they have to be manipulative and untrustworthy in order to obtain whatever they want. Because young women have been subject to these stereotypes, they also begin to make generalization and change their perceptions about other people, especially to women. Another example is the reality TV series, Keeping ...
Many people across the world are unfamiliar with disorders associated with autism. Some people do not even know what autism actually is. Asperger’s Syndrome is one perplexing disorder, of countless, that needs to be acknowledged. Although it is one of the more well-known disorders, an understanding of Asperger’s is far from common knowledge. There is an abundance of misconceptions and people unaware of what Asperger Syndrome actually is. Being uncertain about the characteristics of a person with Asperger’s allows people to go through life not understanding the disorder itself and people who have it.
Margaret Atwood’s speech ‘Spotty-Handed Villainesses’ is an epideictic text, which explores the significance of having a multi-faceted depiction of female characters within literature as a means of achieving gender equity, centring on the fictional presentation of women as either virtuous or villainess. The title of the speech
Amazingly, one percent of new births will have some type of autism (Autism Society of America, 2010). Asperger’s disorder is one type of Autism, and is at the high end of these disorders. This “disorder, which is also called Asperger's syndrome (AS) or autistic psychopathy, belongs to a group of childhood disorders known as pervasive developmental disorders (PDDs) or autistic spectrum disorders”(Exkorn, 2006). A characteristic of this disorder is harsh and strict disruption of a certain type of brain development. The most affected areas of Asperger's disorder is difficulty in social understanding and in behavior or activities that are limited or recurring (Frey, 2003). Students with Asperser’s have different levels of seriousness, which makes it difficult to make the proper diagnosis, but each student will have some trouble with “interpersonal, motor, and language characteristics” (Safran, 2002). There is a significant amount of misinformation about this disorder in the public, not just the general public, but also the medical and educational professional. A significant amount of this misinformation claims children with this disorder will never achieve the basic level of competence necessary to function in school. Current literature shows that this is false. This paper accepts the current position that these students can function in an educational and social environment, and will show that further progress can be made. Specifically, this paper will show that a student with Asperger’s will be better able to function in school with early diagnosis, assistance of educators and the support of the family.
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
The use of spanking is one of the most controversial parenting practices and also one of the oldest, spanning throughout many generations. Spanking is a discipline method in which a supervising adult deliberately inflicts pain upon a child in response to a child’s unacceptable behaviour. Although spanking exists in nearly every country and family, its expression is heterogeneous. First of all the act of administering a spanking varies between families and cultures. As Gershoff (2002) pointed out, some parents plan when a spanking would be the most effective discipline whereas some parents spank impulsively (Holden, 2002). Parents also differ in their moods when delivering this controversial punishment, some parents are livid and others try and be loving and reason with the child. Another source of variation is the fact that spanking is often paired with other parenting behaviours such as, scolding, yelling, or perhaps raging and subsequently reasoning. A third source of variation concerns parental characteristics. Darling and Steinberg (1993) distinguished between the content of parental acts and the style in which it was administered (Holden, 2002). With all this variation researchers cannot definitively isolate the singular effects of spanking.
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...