More handpicked essays just for you.
Importance of drama in education
Greek contributions inventions essays
What are the importances of drama in education
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Importance of drama in education
Drama is the single most important Greek invention. Drama is the single most important Greek invention because it still exists today. It is also very important because it provides good entertainment. Lastly, it is important because it is also used for educational purposes. In summary, drama is the single most important Greek invention because it is still used today, drama is good entertainment, and is additionally used for intellectual purposes.
The first reason for drama being the most important Greek invention is that it still exists today. After the first dramas were written by Greek play authors, Aeschylus and Sophocles, we have expanded on the beautiful interpretation. After 2,000 years, drama has still survived, even thrived, and
"Different Types of Greek Drama and their importance." PBS. Public Broadcasting Station, n.d. Web. 23 Nov. 2014.
The Ancient Greece era played a big role on how we still live today. It contributed its religion, technology, important events, and even its theater to us. Gods and goddesses also played a big role in ancient Greece, which is evidence in the play The Curmudgeon by Meander.
It is always important to look to the past in order to move towards the future. This was done in the formation of Western Society, and more specifically the formation of American society. The Greek culture served as a frame of reference for many aspects of Western life including government, architecture, math and the arts. Ancient Greek culture served as a very broad base for our society to be built upon.
In the fifth century B.C. Sophocles wrote and produced Antigone, the first of a trilogy that would become the most famous works of that age. The first production of Antigone would have been staged as part of a competition for playwrights in front of up to fifteen thousand Greek citizens. At the Theatre of Dionysus as part of the City Dionysia Sophocles presented Antigone, a play that supports the divine laws over the human, staged around an altar at a religious festival. To have been an audience member at that first staging of Antigone would have been an act of worship in itself. The subject matter of ancient Greek theatre was tied up in the mythology already familiar to its audience, through stories passed down through the previous ages. Therefore the task for the playwright was not just what to tell but how to tell it. Since the audience would have been accustomed with these stories dramatic irony and tension were created because the audience knew the fates of the characters on the stage.
In Euripides’ tragic play, Medea, the playwright creates an undercurrent of chaos in the play upon asserting that, “the world’s great order [is being] reversed.” (Lawall, 651, line 408). The manipulation of the spectators’ emotions, which instills in them a sentiment of drama, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides’ melodrama, namely, the play as presented by the Jazzart Dance Theatre¹; the Culver City (California) Public Theatre²; and finally, the original ancient Greek production of the play, as it was scripted by Euripides.
Tragedies in the Greek and Renaissance theater were very effective in portraying the social and religious constraints that tainted society. Both playwrights, through the use of their ingenuity and vast literary knowledge were able to perfect and display such flawless spectacles. The differences and similarities between Greek tragedy and Renaissance tragedy, although vast, can be narrowed down to the audience. Greek and Renaissance theater targeted very different audiences that demanded a certain type of play in order to be entertained.
A Greek drama is a series of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under the theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. The grand debate over which character can hold the title of the tragic hero has been discussed in the literary world for ages.
The Greek theater was an extravagant event that allowed the people of the city of Athens to release their magic upon the world. They changed the theater and that change will last for many years to come. They set a standard for comedy and tragedy that will entertain and influence people forever.
greeks, and Sophocles noted for his writing abilites of the time, made one such play about tragedy. This
In ancient Greece, plays were more then simply a form of entertainment. "Athenian drama was supported and financed by the state. (...)Greek theater was directed at the moral and political education of the community." (Kennedy and Gioia, pgs 1357-1363) Sophocles understood this, and dissipated any pollyanic view of society by presenting us with plays that were intended to teach. Sophocles's Oedipus the King issued a warning for those who foolishly believed that they could challenge the forces of nature. Sophocles was known for presenting characters that are fluid not static. So it should come as no surprise that the Oedipus the reader encounters at the outset of the play, an extraordinary leader, but one who's pride has lead him to challenge his fate, has changed by the end of the play. He comes to realize that all his efforts to change the outcome of his life were acts of futility. We are shown a man who has finally accepted divine will and though now fallen from high estate is uplifted in moral dignity. (Kennedy and Gioia Pg 1364-1365)
The evolution of theatre is a long and complex story. What once began as a ritual to the ancient gods has since developed into an elaborate examination of mankind. Theatre originated in Ancient Greece as a celebration to the god Dionysius, where amateur actors would dance and sing in order to imitate him. Consequently, as the Greek Empire developed, so did theatre. By the end of the Greek Empire, scripts were being written, theatres were being built, and professional actors were being used. The tradition of theatre continued to flourish with the rise of the Roman Empire. This age saw great playwrights such as Seneca, Terence, and Plautus become great cultural icons, performing their plays in extravagant arenas known as coliseums. Nevertheless, the Roman Empire fell giving way to the Medieval Period, where governments were weak allowing feudalism to become prevalent. This absence of power led to a period of time where theatre was also absent. As time progressed theatre rose again and became popular throughout the world. Each territory had its own way of showing these plays, which either dealt with mystery of morality. Eventually the Medieval Period gave way to the Renaissance, whereupon nations developed into their own powers, inciting different styles of theatre. All the aforementioned time periods and some others have formed theatre into what it is today. Whether a play, movie, or even televisions show, they all
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
The Ancient Greeks took their entertainment very seriously and used drama as a way of investigating the world they lived in, and what it meant to be
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.