Daly Walker is prominently known as an author from Winchester, Indiana, but his life’s work consists of much more than writing. As a Vietnam veteran, Walker was awarded the bronze star because of his lifesaving surgical procedures. Moreover, after the war, he practiced general surgery for 35 years. Yet, Walker is also renown for his short stories and has received numerous accolades for his writings. Many of his works are fictitious but realistic recollections of American soldiers’ experiences during the Vietnam War. In one of Walker’s stories “ I am the Grass,”, he utilizes various literary devices to give readers insight on effects of war.
Walker employs a simile to illustrate his dissatisfaction toward the war’s effects on his home. As such, when Walker describes returning to America, he comments, “ It was as if I were an exile in my own country” (Walker 316). Walker uses this to compare himself to imply that he is unwanted in his own home. Generally, similes help authors place details into their writing (“Simile” n. pag). Most people do not know how it feels to participate in a war that most Americans did not support and come back home after serving, only to get treated poorly, so Walker connects the feeling to
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Walker uses this literary device in the sentence, “I wanted to take my life and Shake it by the hair.” This sentence makes it seem as if his “life” is separate from his actual self. His immediate frustration comes from not having a decent job, but the problem is much deeper than that. He uses this to show how irritated he has become and to give the reader a glimpse into the psychological problems caused by the war. The personification of his “life” adds vividness and helps the reader better imagine how he felt. Walker uses many different literary devices throughout the story to communicate his frustration to the reader more
In Cormac McCarthy’s novel The Crossing, there is a dramatic sequence described by the narrator. The author uses many different techniques to convey the impact of the experience on the narrator. Some of these such techniques are: repetition, diction, and simile.
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
His months in Vietnam were filled with bloodshed and human atrocity, and from this, no man could feasibly return the same person. Yet beneath what John endured throughout the war, he suffered many unkindness’ and tragedies that shaped him into adulthood. It was not only the war that made John Wade, but it was John Wade’s existence; his whole life that made him who he was. John Wade craved love, admiration and affection. All his life, all he wanted was to be loved, and his father’s constant taunting hurt him immensely.
The violent nature that the soldiers acquired during their tour in Vietnam is one of O'Brien's predominant themes in his novel. By consciously selecting very descriptive details that reveal the drastic change in manner within the men, O'Brien creates within the reader an understanding of the effects of war on its participants. One of the soldiers, "Norman Bowler, otherwise a very gentle person, carried a Thumb. . .The Thumb was dark brown, rubbery to touch. . . It had been cut from a VC corpse, a boy of fifteen or sixteen"(O'Brien 13). Bowler had been a very good-natured person in civilian life, yet war makes him into a very hard-mannered, emotionally devoid soldier, carrying about a severed finger as a trophy, proud of his kill. The transformation shown through Bowler is an excellent indicator of the psychological and emotional change that most of the soldiers undergo. To bring an innocent young man from sensitive to apathetic, from caring to hateful, requires a great force; the war provides this force. However, frequently are the changes more drastic. A soldier named "Ted Lavender adopted an orphaned puppy. . .Azar strapped it to a Claymore antipersonnel mine and squeezed the firing device"(O'Brien 39). Azar has become demented; to kill a puppy that someone else has adopted is horrible. However, the infliction of violence has become the norm of behavior for these men; the fleeting moment of compassion shown by one man is instantly erased by another, setting order back within the group. O'Brien here shows a hint of sensitivity among the men to set up a startling contrast between the past and the present for these men. The effect produced on the reader by this contrast is one of horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's severely negative effects.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
During times of war, man is exposed to the most gruesome aspects of life such as death, starvation, and imprisonment. In some cases, the aftermath is even more disastrous, causing posttraumatic stress disorder, constant guilt, as well as physical and mental scarring, but these struggles are not the only things that humans can take away from the experience. War can bring out the appreciation of the little things in life, such as the safety people take for granted, the beauty of nature, and the kindness of others. These universal consequences of fighting all contribute to what war is really capable of doing, sometimes bringing out the best and worst in people, and constantly shaping society. In The Things They Carried, Tim O’Brien goes through this himself when he writes about setting up base camp in the Vietnamese pagoda, the return to site of Kiowa’s death, the story about the old poppa-san guide, and Mitchell Sanders’ “moment of peace”. When O’Brien includes these stories, it is not to insert joy into a tragedy, but rather to create a more wholesome and authentic feel into a tough, realistic war story. O’Brien’s’ “sweet” stories are there to show the hope he had during war, and also serve as a universal example that even in the darkest tunnels, it is always possible to find rays of light.
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds.
“The Vietnam War was arguably the most traumatic experience for the United States in the twentieth century. That is indeed a grim distinction in a span that included two world wars, the assassinations of two presidents and the resignation of another, the Great Depression, the Cold War, racial unrest, and the drug and crime waves.” (Goldstein 1). The Vietnam War is widely regarded as one of the most traumatic experiences in all of American History. Innocent boys trudged through the mud, the heat and the fear that came along with fighting in Vietnam. Tim O’Brien paints a picture of how difficult and traumatic Vietnam was for the soldiers who experienced it in his book, The Things They Carried. Throughout the course of the book the elements of fiction: plot, character and setting all act to serve the purpose in conveying O’Brien’s theme of his work which is revealed to be at the conclusion: a message of universal immortality. In Tim O’Brien’s The Things They Carried setting is the most crucial element in understanding theme, followed by character then lastly plot.
Wallace Terry has collected a wide range of stories told by twenty black Vietnam veterans. The stories are varied based on each experience; from the horrific to the heart breaking and to the glorified image of Vietnam depicted by Hollywood. Wallace Terry does not insinuate his opinion into any of the stories so that the audience can feel as if they are having a conversation with the Vietnam Veteran himself. Terry introduces the purpose of the book by stating, “ Among the 20 men who portray their war and postwar experiences in this book. I sought a representative cross section of the black combat force.”(p. XV) Although the stories in this book were not told in any specific order, many themes became prominent throughout the novel such as religion, social, and health.
The author use of the simile, “The cat sneaked away toward the open barn shed and passed inside like a shadow” (48), is significant because it reflects the difference between life now and life as it was before the Dust Bowl. The shadow symbolizes the past because it is an optical illusion which always follows its object. By comparing the cat to the shadow, the author shows how everything about the farm is now apart of the past. Even the cat which is still with them, is seen as a fragment of Tom Joad’s
Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o Kool-Aid, sewing kits, and M-16 assault rifles. Yet, the story is truly about the intangible things the soldiers “carry”: “grief, terror, love, longing… shameful memories (and) the common secret of cowardice” (Harris & O’Brien 21).
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
For much time the gruesome, jaw-dropping nature of war stories has lead readers to question their truth. This is particularly true in the emotional anecdotes told about the Vietnam War. Tim O’Brien, author of The Things They Carried, is one of the first to address the idea of truth in his novel itself. Since O’Brien never confirms whether the factuality of his tales, many readers question whether the stories he weaves are actually true. O’Brien does not want for his audience to read so deeply into the facts and figures. To him it should not matter whether his tales truly happened. O’Brien’s greater purpose in writing of Vietnam is to share the stories he physically could not tell in a way that saves himself and society. He aims to use writing as self-release while also warning his audience of the horrors of war.