For much time the gruesome, jaw-dropping nature of war stories has lead readers to question their truth. This is particularly true in the emotional anecdotes told about the Vietnam War. Tim O’Brien, author of The Things They Carried, is one of the first to address the idea of truth in his novel itself. Since O’Brien never confirms whether the factuality of his tales, many readers question whether the stories he weaves are actually true. O’Brien does not want for his audience to read so deeply into the facts and figures. To him it should not matter whether his tales truly happened. O’Brien’s greater purpose in writing of Vietnam is to share the stories he physically could not tell in a way that saves himself and society. He aims to use writing as self-release while also warning his audience of the horrors of war.
Tim O’brien uses his novel to share the stories he could not physically tell. It is only years after O’Brien comes back from war that he is able to write about his decision to go to war. He admits that he had never told the story “to [his] parents”, his “brother or sister” or “even [his] wife” (O’Brien 37). By“putting the facts down on paper”, even years later, O’Brien can “relieve at least some of the pressure on [his] dreams” (37). Since O’brien can not “[find] the courage” to talk to others about the way he is feeling, he writes down stories that capture his emotional essence in a way that provides a self-release (52). Likewise, when O’brien’s daughter Kathleen “asks [him] if he had ever killed anyone”, he cannot find a way to respond anything more than “Of course not” (125). Though he wants to “to tell her what happened, or what [he] remembers happened”, he cannot find a way to tell her. According to O’Brien “this is...
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...nd psychological change that war can cause on strong individuals. Through the stories of these characters, O’Brien wants to ensure that his readers will not go to war. Since O’Brien believes he was “a coward” because he “went to war”, he tries to protect the rest of society by explaining the effects of his bad decision (72).
Being a forty-three year old author writing about war decades after his experiences, it is of little concern to O’Brien whether he tells tales solely in line with the facts. He does not want the reader to care whether the stories he weaves actually happened, for he is only writing to “try to save lives with [his] stories” (232). His stories may be made up and his stories just might be complete lies, but the truth is irrelevant. More importantly, his stories save lives. They save his own, they save yours, and they save society’s.
Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge the gap between fiction and non-fiction the narrator of the story uses language and acts of violence that may be offensive to some. However some readers agree that Tim O" Brien's "How to Tell a True War Story" would lack authenticity and power without the use of crude language and violence.
Tim O’Brien’s ultimate purpose is to detract the fine line between fiction and reality. In order to fully grasp what a true war story consists of, the definition of true must be deciphered. O’Brien seems to believe that it does not need to be pure facts. Instead, it is mostly found in the imagination of the individual. Readers need to receive a story based on the truth in its overall purpose and meaning. It just needs to feel true. The author implies that it is not important whether the event actually occurred or not, because if the reader wants to believe it that badly, the feeling of truth will always be present.
In the early stages of the story O’Brien is faced with a “moral emergency”, though the draft letter sent to him in the early summer of 1968 stirred up many more feelings than that of just a moral nature. O’Brien experienced unease within his conscience about how this particular war had no “imperative of its cause”; people were dying for reasons unknown. This news also hit him in a deeply emotional way; he became quite livid with the entire idea of
Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. “It is a story about the soldiers and their experiences and emotions that are brought about from the war” (King 182). O'Brien makes several statements about war through these dynamic characters. He shows the violent nature of soldiers under the pressures of war, he makes an effective antiwar statement, and he comments on the reversal of a social deviation into the norm. By skillfully employing the stylistic technique of specific, conscious detail selection and utilizing connotative diction, O'Brien thoroughly and convincingly makes each point.
The Things They Carried by Tim O’Brien offers readers very unique and interesting view of the Vietnam War and the mentality of a soldier.
As students we are brainwashed by ancient myths such as The Iliad, where war is extolled and the valorous warrior praised. Yet, modern novels such as Tim O'Brien's The Things They Carried (THINGS) challenge those very notions. Like The Iliad, THINGS is about war. It is about battles and soldiers, victory and survival, yet the message O'Brien gives us in THINGS runs almost contradictory to the traditional war story. Whereas traditional stories of war take place on battlefields where soldier battles soldier and the mettle of man is tested, O'Brien's battle occurs in the shadowy, private place of a soldier's mind. Like the Vietnam War itself, THINGS forces Americans to question the foundations of their beliefs and values because it calls attention to the inner conscience. More than a war story, O'Brien's The Things They Carried is an expose on personal courage. Gone are the brave and glorious warriors such as those found in the battle of Troy. In THINGS, they are replaced by young men who experience not glory or bravery, but fear, horror, and a personal sense of shame. As mythic courage clashes with the modern's experience of it, a battle is waged in THINGS that isn't confined to the rice-patties, jungles, and shit-fields of Vietnam. Carrying more than the typical soldier's wares, O'Brien's narrator is armed with an arsenal of feelings and words that slash away at an invisible enemy that is the myth of courage, on an invisible battlefield that is the Vietnam veteran's mind.
Throughout Tim O’Brien’s novel, The Things They Carried, a plethora of stories are told concerning the lives of a select number of soldiers in and out of the Vietnam War. In his writing, O’Brien also conveys his own thoughts on the art of storytelling and the nature of stories themselves. In these passages, O’Brien provides a detailed analysis of the challenges of storytelling, the effects of time on memory, the role of imagination in storytelling, the reason for retelling a story, and a story’s purpose and process for the reader.
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.
In the book “The Things They Carried”, O’Brien uses imagery, figurative language and repetition to convey his message. O’Brien’s purpose for story telling, is to clear his conscience of war and to tell the stories of soldiers who were forgotten by society. Many young men were sent to war, despite opposing it. They believed it was “wrong” to be sent to their deaths. Sadly, no one realizes a person’s significance until they die. Only remembering how they lived rather than acknowledging their existence when they were alive.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.