Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
MODERN AND GREEK THEATRE DIFFERENCES AND SIMILARITY
MODERN AND GREEK THEATRE DIFFERENCES AND SIMILARITY
Oedipus Rex tragedy Vs death of a salesman tragedy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: MODERN AND GREEK THEATRE DIFFERENCES AND SIMILARITY
June 8, 2010
The multiple similarities between the two tragedy’s “Oedipus the King” and “Death of a Salesman” surpass the differences and reveal the significance of dramatic tragedy throughout the ages. The creative, innovation of Greek tragedy continues to provide generations with a platform in which they can modify and ultimately provide relevancy to their culture. Upon analysis of these two dramatic tragedies, one can observe the distinct similarities regarding the basics of human nature. This evidence confirms the credibility of the age old saying “the more things change the more they stay the same”. This paper will focus on the following: the analysis of the similarities, the similarities in detail, and the meaning behind the similarities concerning “Oedipus the King” and the “Death of a Salesman”.
Originating in Greece, tragedies were and remain a common and popular form of dramatic entertainment. To be considered an authentic tragedy, the protagonist must be one of aristocracy. This noble character begins the story as a likeable person whose destined fate is foreshadowed in dramatic irony to the reader. The reader is aware of the errors in judgment that the protagonist is inflicting on oneself. As the last to discover one’s unfortunate fate, the protagonist is devastated. The revelation is far too much to bear; therefore, the protagonist either commits suicide or inflicts pain or mutilation onto oneself. “Oedipus the King” reflects all of the essential components of a tragedy; however, “Death of a Salesman” lacks some of these defining characteristics. In “Death of a Salesman” the protagonist is not a “tragic hero” (Kennedy, Gioia 1282) like Oedipus. He lacks the nobility that is a prerequisite to being...
... middle of paper ...
...e no royal figures; however, Miller was able to create a character that the public could relate and empathize with. Abandonment, deceit, and figurative blindness are occurrences that were relevant to Greek society and over two thousand years later the topics remain relevant in our culture as well
The similarities between “Oedipus the King” and “Death of a Salesman” reveal our culture is still intrigued by a dramatic innovation created over 2,400 years ago in Greece. Early tragedies such as “Oedipus the King” continue to serve as a catalyst for modern tragedies such as “Death of a Salesman”. Oedipus and Willy Loman endured the wrath of abandonment, tortured themselves with their own deception and tragically succumbed to their own flaws. Modern Tragedy varies from what it was in Sophocles’ time; however, the fundamentals of the dramatic staple remain strong.
In Oedipus Rex by Sophocles and “The Lottery” by Shirley Jackson, there is a deception where readers think one thing, but are presented with a different point of view. They are profoundly similar for various reasons regarding structure and theme. They are complementary in establishing the primary conflict of drama during the storyline; however, Oedipus Rex encompasses foreshadowing that divulges drama from past experiences. Additionally, the authors incorporate violence as a key component in the conflict presented. However, the drama differs in plot, as well as symbolism, in which the reader understands it before or amid the story through gradual discovery. The themes and presentation of these dramatic plots are initially compelling, distinctive,
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
...up the question of the value of truth, and whether the pain of knowing an awful truth is more important than the bliss of ignorance. This also applies to Death of a Salesman: while Oedipus chooses to pursue the truth, Jocasta and the Lomans try to live in naïveté and not face reality. The play also questions the increasingly proud leaders of the Athenian society who challenge the higher powers, i.e. men against the gods, when Oedipus reviles the oracles. The gods, he indicates, will always triumph when men, using their intellect, oppose them. One of the themes is that the course of things is partly based on the character's actions but mostly fate.
As with many plays from the same time period as Oedipus the King, there seems to be more to the story than the tragic story of a simple man. One way that Oedipus the King can be interpreted is as a political commentary about the str...
Encompassing a wide variety of emotion, an Athenian tragedy can be described as a mixed bag of “compelling stories about human relationships, whose melodramatic plots invite us to think about profound issues…” according to the Norton Anthology of World Literature. (644) It is the ability to manipulate human circumstances in the most outlandish way that grabs an audience’s attention; while the articulation and careful consideration with plot structure and dialogue leaves an audience to ponder long after the story is over. Sophocles took this idea and ran with it when he wrote Oedipus the King, arguably one of the most popular Athenian tragedies ever written. The Norton Anthology of World Literature provides support to this claim by explaining that, “Aristotle descr...
Many definitions exist for the genres of “tragedy” and “melodrama.” Similar to the distinction between fruits and vegetables, most can tell the two apart but have difficulty describing why. However, some definitions require a deeper look into a work, such as the interpretation provided by Anouilh’s movie version of “Antigone.” Whether or not Sophocles’s “Oedipus Rex” is a tragedy or melodrama has been debated since the teachings of Aristotle and strong arguments have been made for both sides. “Tragedy,” as defined by Anouilh, takes on a lifelike form, putting a new twist on an old definition that requires one to take a different perspective on the play. Though at a superficial level “Oedipus Rex” is a tragedy, its details point it towards the direction of a melodrama.
Aristotle's Poetics defines the making of a dramatic or epic tragedy and presents the general principles of the construction of this genre. Surprisingly, over the centuries authors have remained remarkably close to Aristotle's guidelines. Arthur Miller's twentieth century tragedy Death of a Salesman is an example of this adherence to Aristotle's prescription for tragedy. It is significant to test Aristotle's definition and requirements of tragedy by comparison and contrast, against a contemporary tragedy and to make observations with regard to what influence society and culture may have on the genre. This discussion however, will be confined to the realm of plot and the more notable aspects of the construction of the incidents in tragedy because of the complexity of this element.
This drama study will analyze the theme of fate/destiny in the tragedies of Death of a Salesman by Arthur Miller and Oedipus Rex by Sophocles. In Oedipus Rex, the tragedy of Oedipus’ own downfall is based on the Oracle’s future prediction that he will have intercourse with his mother and kill his father, which defines the unalterable destiny of a fall from heroism. In Miller’s character, Wily Loman, a 20th century salesman must also come to terms with the failure of his life to achieve success and the American Dream. Tragically, Oedipus and Loman have good intentions in seeing their family/kingdoms rise to prosperity, yet they are
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
In the writing world today, there are many definitions for technical terms that are used to describe certain genres of theatre, music and literature. There are romantic novels, musical dramas, and tragic plays. Tragedy is a difficult genre to pinpoint and label. The title ‘tragedy’ can be placed on virtually any piece of writing that involves a death. But it also is up to the individual as to what they believe a tragedy is defined as. The play, Death of a Salesman is not tragedy in the traditional sense of the word. This essay will discuss this idea, define tragedy hero according to historians, and broaden the definition of tragedy to fit a modern society.
Aristotle’s tragic hero is made up of three requirements. The protagonist of the play must be a person of high estate. This allows the protagonist to fall from power or happiness to create a tragedy. The next requirement is the protagonist mus...
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
While this change, as well as the changes in play production and the culture in the audience that views these plays, has had a great impact on the evolution of the tragedy, the basic ideas laid down by Aristotle remain adhered to, if not always in the way he wrote them. The tragic hero, Willy Loman, is of little virtue, being in financial trouble and growing more and more reminiscent in his old age. His fall is aided by his tragic flaw, that his pride in “selling yourself” will get one anywhere hey need to be in life, slowly tears his life apart, as well as creating unrealistic expectations of his son, thus bringing his demise. The play arouses fear and pity just as well as any classical work, possibly even more effectively due to the reatability of the “common man.” Just as in The Hairy Ape, the tragic hero dies, forcing the underlying evil on to the audience. This evolution to the common man can be explained through the evolution of society alongside tragedy. In the time of Aristotle, the best way to make a commentary on both societal and familial issues was through the eyes of nobility, which dealt with both. As time went on, however, the emergence of new societal and social issues such and women’s or worker’s rights led to the more effective tragic hero to be that of the “common man,” for they saw these issues in a was the aristocracy never could. These societal changes combined with the readability of the common man led to a shift in the tragic hero, yet never changed the underlying meaning of tragedy laid down in Aristotle’s