It is most important for a true tragic hero to be consistent and distinguished. Aristotle believes that as far as character goes, one of the four important things is, “The fourth point is consistency: for though the subject of the imitation, who suggested the type, be inconsistent, still he must be consistently inconsistent.” (“Classics.mit.edu” 2010). Aristotle says that the fourth point is constancy, even the topic of impersonation, which proposed the sort, is inconstant, nevertheless he must be constantly inconstant. Aristotle believes that a tragic hero must be consistent. Consistency is fundamental because it would not be a tragedy if the hero realized the error of his ways and avoided making a terrible mistake. Aristotle is of the opinion …show more content…
Peter T. Struck and a fellow student believe that the portrayal of Oedipus as better than the average person contributes to him being the ideal tragic hero, “Following Aristotle, the audience must respect the tragic hero as a "larger and better" version of themselves.” (“Classics.upenn.edu” 2009). Essentially, the spectators must admire the tragic hero as a superior form of themselves. Struck, following Aristotle’s thoughts on tragic heroes, has shown that the audience feels for Oedipus has met one of the requirements of being a tragic hero as he is of higher quality than the audience. Struck and a student say that the audience’s being able to sympathize with Oedipus and fear for him plays a large part in him being seen as the ultimate tragic hero, “The audience fears for Oedipus because nothing he does can change the tragedy's outcome.” (“Classics.upenn.edu” 2009). The spectators feel dread for Oedipus due to the fact that it is impossible for him to alter the tragedy’s end result. Struck has proven that Oedipus is Aristotle’s ideal tragic hero because of the great empathy the audience feels when a respectable man, greater than they, experiences such horrible misfortune. Struck, a fellow student, and I have provided evidence that Oedipus’s superiority to the common man and the way he enables the audience to empathize with him, makes him the embodiment of Aristotle’s perfect tragic
In the play Oedipus Rex by Sophocles, Oedipus is a classic tragic hero. According to Aristotle's definition, Oedipus is a tragic hero because he is a king whose life falls apart when he finds out his life story. There are a number of characteristics described by Aristotle that identify a tragic hero. For example, a tragic hero must cause his own downfall; his fate is not deserved, and his punishment exceeds the crime; he also must be of noble stature and have greatness. Oedipus is in love with his idealized self. All of the above characteristics make Oedipus a tragic hero according to Aristotle's ideas about tragedy.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
In this quote, Aristotle believes Oedipus to be one of the best examples of a tragic hero. He also states that all tragic heroes have flaws which are the main causes for their downfalls. Oedipus is an example of a classic tragic hero while Willy Loman is a modern tragic hero however, both Oedipus and Willy have similar flaws. They both experience hubris because they struggle with reality due to their arrogance and self-pride. As a result, these characters inflict harm to themselves due to their lack of right judgement. In addition, these tragic heroes are blind and fail to see the tragic flaws in which they have.
A tragic hero is one with a supreme pride, yet has an unfaltering sense of commitment and is a good man overall. A tragic hero has the capacity to suffer and, because of an error in judgment, will experience a dramatic transformation that evokes a profound pity. This is a tragic hero and based on this conception, Oedipus is an evident
“Tragedy is an imitation of an action of high importance . . .” states Aristotle in his book Poetics (as cited in Kennedy & Gioia, 2010). Without a doubt, he observed and analyzed countless plays throughout his life and in Poetics, he writes a broad description of what a tragedy should contain (Kennedy & Gioia). Specifically, to Aristotle, tragedies require a “Tragic Hero.” What makes this literary character unique from the other heroes of literature? The most obvious and central difference is that the hero in question always experiences a disastrous reversal of fortune, which follows the recognition of a previously unknown truth (Kennedy & Gioia). He must be “a man not preeminently virtuous or just” (Poetics part XIII, trans. 1909), yet he still must be a “good person” whom the audience grows to respect and because of this, deeply pities and fears for throughout the play (Poetics part XIII). Despite being a person of high estate and influence, surprisingly, the hero in the Greek tragedy is someone we can relate to in his humanness. Furthermore, his fall “from happiness into misery” is “brought upon him not by vice or depravity but by some error of judgment” (Poetics part XIII)—his hamartia. The Oxford English Dictionary translates this Greek word as, “The fault or error, which entails the destruction of the tragic hero” (Oxford English Dictionary, 1989).
According to Aristotle's Poetics, the tragic playwright must create a unified work. The play's running time must be the exact timespan of the tragedy, with no breaks or flashbacks; the setting must remain in one place. Most importantly, the action follows one inevitable course, and the tragic hero must be royal or highborn. In addition, this hero desires a greater good, such as the rescue or unification of his kingdom, and he places that prize at great risk with his own choices. Aristotle further elaborates that the tragic hero must, by the play's end, lose everything he has gained through hubris.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
Oedipus is the perfect unambiguous Aristotelean tragedy and the perfect form outlining Aristotle’s “Poetics”. Oedipus’s perfectness comes from that if follows the rising action, climax, and falling action known as Aristotle’s “triangle”. The play manages to meet all Aristotle’s instituted elements of a tragedy in its plot, tragedy of the hero, hamartia (tragic flaw), peripeteia (recognition), reversal of fortune, and catharsis (fear and pity). Oedipus sets and example of plays of tragedy and what embodies a true tragedy. The tragedy that permeates the play should be learned from in what became the hero’s downfall.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.
Aristotle defines a tragic hero as "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." When Aristotle states “a great man” the hero is neither a villain nor a perfect citizen but is basically good and decent in his nature. The mistake that is mention is some moral blindness or error that is his/her downfall. Also not that the God’s are also in some sense responsible for this hero’s mistake and inevitability his down fall. Also when it comes to a tragic hero Aristotle states that three main things happen to draw attachment of the audience to the
Tragedies have been written, told, and acted out for a number of years. Aristotle defined in his book, Poetics that a tragedy is to arouse the emotions of pity, fear, and finally a catharsis, or purging of emotions. A tragic play that perfectly completes this cycle of emotions is Oedipus the King by Sophocles. This play follows a king of the town of Thebes through his journey of the emotions of pity, fear, and finally a catharsis. It is a tale of a man who unknowingly kills his father and fathers the children of his mother as well. The audience is pulled into the play and experiences the plot along with Oedipus.
“Oedipus the King” by Sophocles is a tragedy of a man who unknowingly kills his father and marries his mother. Aristotles’ ideas of tragedy are tragic hero, hamartia, peripeteia, anagnorisis, and catharsis these ideas well demonstrated throughout Sophocles tragic drama of “Oedipus the King”.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.