The Atmosphere of Discovery in
“The Star” and “The Ones Who Walk Away From Omelas”
In short stories, atmosphere is a dominant feeling that goes throughout or partially through a literary work conveyed by an author’s use of literary devices. Some of these literary devices could be language, imagery, physical setting, diction, irony, themes and more. In Arthur C. Clarke’s “The Star” and Ursula Le Guin’s “The Ones Who Walk Away From Omelas,” the reader is given a glimpse into the world of discovery and the atmosphere around it as people go through revelations in their lives. Through the authors use of irony, narration, and themes, it becomes clear to the reader the atmosphere of the stories.
In these stories, irony plays a large role in the atmosphere’s dynamics. In “The Star”, by
This represents how the protagonist’s scientific perspective is informed by his theological background. In “The Ones Who Walked Away From Omelas”, by Ursula Le Guin, there is a child locked in a room. This child is a symbol of the societal guilt within the town of Omelas. This utopian society within this town understands that without negativity, happiness is not possible because the “trouble is that we have a bad habit… of considering happiness as something rather stupid. Only pain is intellectual, only evil is interesting.” The town of Omelas is a very happy place but society needed a scapegoat for their personal and societal guilt. If they did not have this bad thing to compare their lives to, then they would not have the happiness they experience. In “The Star”, by Arthur C. Clarke, the controversial ultimate irony is found in the faith that inspired them to go on this quest is the very faith that was destroyed. “Will my report on the Phoenix Nebula
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
...hese characters we better and more pure, bad things would might have not happened to them like they did. In this situation, cosmic irony is used to show how someone’s fate can be decided by the life decisions they make. It was only destiny that brought the Misfit and the family together.
Many times in life things are not as they seem. What may look simple on the surface may be more complicated deeper within. Countless authors of short stories go on a journey to intricately craft the ultimate revelation as well as the subtle clues meant for the readers as they attempt to figure out the complete “truth” of the story. The various authors of these stories often use different literary techniques to help uncover the revelation their main characters undergo. Through the process of carefully developing their unique characters and through point of view, both Edith Wharton and Ernest Hemingway ultimately convey the significant revelation in the short stories, “Roman Fever” and “Hills Like White Elephants” respectively. The use of these two literary techniques is essential because they provide the readers with the necessary clues to realize the ultimate revelations.
Edgar Allan Poe’s short story “The Cask of Amontillado” has a plot of one man, named Montresor, trying to enact revenge on another man, named Fortunato. After Fortunato makes one too many joking insults, Montresor tries to lure Fortunato back to his house by asking him for his expert opinion on a bottle of fine sherry. Once in his home, Montresor traps Fortunato in his wine vaults and leaves him to die. Throughout the story there are many account of irony between Montresor and Fortunato. In his take of “The Cask of Amontillado,” Joseph Kishel believes that Montresor celebrates his defeat of Fortunato by telling “the story to a presumably appreciative listener, someone capable of relishing its many ironies.” Kishel is right to assume that it takes a special someone to be able to see everything that is happening in this story. Even though each occurrence of irony is subtle and unnoticeable to Fortunato, to a reader it is powerful and enlightening about the events to come. For instance, examples of perfect verbal irony are when Montresor refers to Fortunato as a friend and worries for h...
Some literary works exhibit structural irony, in that they show sustained irony. In such works the author, instead of using an occasional verbal irony, introduces a structural feature which serves to sustain a duplicity of meaning. One common device of this sort is the invention of a naïve hero, or else a naïve narrator or spokesman, whose invincible simplicity or obtuseness leads him to persist in putting an interpretation on affairs which the knowing reader—who penetrates to, and shares, the implicit point of view of the authorial presence behind the naïve persona—just as persistently is called on to alter and correct. (Abrams, 90)
Throughout the whole short story “The Story of an Hour” the reader sees’ irony but the best usage of irony occurs toward the end of the story in the last few paragraphs. As the reader reads the story they notice that Mrs. Mallard’s husband Brently Mallard died in a railroad disaster. The reader also finds out that Mrs. Mallard has a heart trouble, and great care was taken to break to her as gently as possible the news of her husband’s death. (157) There ar...
2. The author creates tone, which changes from peaceful and calm to horror. Words in the story like humorlessly and awkwardly help the reader feel the tension in the town. In the story, “She held her breath while her husband went forward” proved that the characters was dealing with ...
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
A compelling story reveals a deeper level of meaning without committing the error of defining it. In Ursula K. Le Guin’s short story, “The Ones Who Walk Away from Omelas”, Le Guin utilizes allegory, realism, and symbolism. By applying these literary elements into her short story, Le Guin has made “The Ones Who Walk Away from Omelas” effectively compelling.
The first effect of the birth imagery is to present the speaker's book as a reflection of what she sees in herself. Unfortunately, the "child" displays blemishes and crippling handicaps, which represent what the speaker sees as deep faults and imperfections in herself. She is not only embarrassed but ashamed of these flaws, even considering them "unfit for light". Although she is repulsed by its flaws, the speaker understands that her book is the offspring of her own "feeble brain", and the lamentable errors it displays are therefore her own.
Irony can often be found in many literary works. “The Story of an Hour” by Kate Chopin is masterfully written full of irony. The characters of the short story, Mrs. Mallard, Josephine, Richards, Mr. Brently Mallard, and the doctors all find their way into Chopin’s ironic twists. Chopin embodies various ironies in “The Story of an Hour” through representations of verbal irony, dramatic irony, and situational irony.
In the stories “Story of an Hour”, “Everyday Use”, “The Necklace”, and “The Lottery” it is evident that irony was quite a large part of the short story. There is situational irony, which is when the situation turns out differently than expected. Also, dramatic irony is present, which is when you as a reader knows more than the character. The authors seem to base their whole story around irony to surprise their readers.
These components are the various components that make up a story. Character qualities are brought out after being faced with conflict and how they deal with their problems. This shows the true personality and characteristics of the characters. The symbols found in the setting of a story are used to show the author 's ideas. These symbols are usually emphasized because of their meaning to the story and because of how the author intends them to be read by the audience. The mood/atmosphere is the general impression given off from the setting. It constructs how the readers view the story. Eudora Welty amazingly captured the familial connection and love as well as the courage that Phoenix contains. The setting is crucial to the full understanding and meaning of a
Tolman, Kelly. “Cask of Amontillado Irony.” The Cask of Amontillado. n.p., 21 May 2011. n.pag. Web. 6 Nov. 2011 .
Lorcher, Trent. “Irony in ‘The Story of an Hour’.”Bright Hub Education.N.p., 17 Apr. Web. 17 Mar 2014