Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Hrh
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Hrh
The pulitzer prize winning Carl Clinton Van Doren once said, “The race of man, while sheep in credulity, are wolves for conformity” (Brainyquote.com). The human race hates loneliness, and would rather take the easy path in life. This easy direction is conforming with mankind, and they would rather sulk in the shadows, then make a difference in the world. This has happened since the beginning of time, and has continued to occur. Maslow’s Hierarchy of needs second level of importance includes friends and family, which was a large focus of the time period. This facet of life was so important, that Mary Shelley decided to write a Gothic Novel about it, Frankenstein. In this novel, Mary Shelley enrolls the allusions of the “Rime of the Ancient Mariner”, …show more content…
Victor gives the illusion of being mentally insane, when in fact, he is quite intelligent, and he has a lot of information that could give Robert Walton help. But Victor also interested Robert. Although men fear the unknown, they still want to understand and comprehend it. This was precisely the case with Robert and Victor. Also, in the “Rime of the Ancient Mariner”, the wedding guest was fascinated by the ancient mariner. although the wedding guest told him to, “unhand me, grey-beard loon!” (Coleridge I. 11). At first, the wedding guest thinks the mariner is borderline insane, as he utilizes the word loon. Loon is not associated with an intelligent, sophisticated person, yet always used with a fool. Just like Victor Frankenstein, the ancient mariner gives the illusion of insanity, but also like Victor Frankenstein, as an important tale to tell; one that could save the lives of the wedding guest and Robert Walton. Both feel compelled to tell it, in order to save their respective audiences from future trouble. This completely contradicts the illusion of their dementia, when the reality is, they are very clever and knowledgeable. Victor feels obligated to relieve Robert …show more content…
In Frankenstein, Victor’s Creation is depressed, due to the fact that he has no friends, and no family. He desires to be like unto man, but has no opportunity to. He compares himself to Adam, from the biblical book of Genesis, as he is, “Like Adam, I was apparently united by no link to any other being in existence; but his state was far different from mine in every other respect. He had come forth from the hands of God a perfect creature, happy and prosperous, guarded by the especial care of his Creator; he was allowed to converse with, and acquire knowledge from, beings of a superior nature: but I was wretched, helpless, and alone. Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley 18). The creature wants to be like the rest of humankind so much, but he can’t. He realizes he is more like Satan, the devil of all things, than Adam. When a person, creature, animal, etc., likens himself unto the worst character on Earth, he does not think highly of himself. The creature is in a state of despair. Mary Shelley gives the creature these thoughts to show how important it is that he becomes human. The monster can’t become mankind, which is enough to make him a murderer and have dark thoughts
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
When Frankenstein is at Ingolstadt, he “has a void of the soul'; so profound that he subverts Nature to fill it (qtd. in Renfroe, 2). He conceives, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me'; (Shelley, 32). Frankenstein decides to make a creature, to defy the powers of Nature and God -- a poor decision that ruins the rest of his life. When Victor finally succeeds in his quest to possess Nature, “horror and disgust'; fill his heart upon viewing his new creation (qtd. in Renfroe, 2). He sought companionship by capturing Nature and creating someone to honor him for giving them life; but it backfired and he sealed his fate to the wrath of his creature.
There is also corruption within the lack of relationship between Victor and his creation that leads to death, revenge and internal hatred surrounding them. Being there for a child or creation at birth and throughout their childhood is another critical responsibility of being a parent or creator. At the time of the monster’s creation, Victor abandons him and leaves him alone to suffer the first moments he is experiencing the world, which causes the monster to feel very empty and outcast from the start, without even knowing he is a “monster”: . “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (87). Mary Shelley’s use of the word “desolate” really captures the exact emotion
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
...ou, Clerval, my friend, my benefactor—’” (Shelley 129). Victor feels guilty for the actions of his creation but is too much of a coward to confess to anyone about what he has done. His selfishness and secrecy cause his friends to suffer and also make him a tragic hero within the novel.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
So, when he created Frankenstein “the monster” he turned out to be this grotesque and unnatural creature which was different from what Victor had imagined. However, at the site of looking at his creation, Victor is now spooked by his appearance and immediately turned off by his own creation. For example, in chapter 5 Victor says, “I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep.” (Page 35). Again, we can see Shelley’s use of Gothic elements infused with the monstrous theme. However, this causes Victor to immediately stray away from the monster because he views his creation as repulsive and upsetting. Which marks the first sign of abandonment that Victor places on his creation. This doesn’t do any justice for Victor because now the monster is trying to assert himself into Victor’s life but yet feels more and more neglected from the absence of love that Victor doesn’t want to give in terms of having a relationship with
In the 1818 text of Frankenstein, written by Mary Shelley, various forms of human exploitation and oppression lead to the dehumanization of two major characters in the novel: the creature which Victor Frankenstein brings to life, and Victor himself. The creature is deemed an outcast just by his very existence. Victor oppresses his creation solely based on the creature’s grotesque features. Although the creature shares qualities, feelings, and emotions that categorize him as a human, Victor’s oppressive behavior and rejection of the his creation immediately lead to the creature’s dehumanization. Victor is driven by human exploitation, and treads on the laws of nature as he successfully attempts to cheat death and create an artificial being.
“But when I discovered that he, the author at once of my existence and of its unspeakable torments, dared to hope for happiness, that while he accumulated wretchedness and despair upon me he sought his own enjoyment in feelings and passions from the indulgence of which I was forever barred, then impotent envy and bitter indignation filled me with an insatiable thirst for vengeance” (Shelley 212). It makes sense that the monster would not be happy in this world, he never even asked to be here. He holds Frankenstein responsible for his sorrow as he is the one who created him. To only be seen as a monster despite your attempts at compassion and thoughtfulness can get to someone. Once again, the insight into what the monster is feeling here, envy and rage, makes him more and more human to the reader. The murder the monster partakes in becomes his inclination, “Evil thenceforth became my good. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen. The completion of my demoniacal design became an insatiable passion. And now it is ended; there is my last victim!” (Shelley 212). With his creator also dead, he finds his vengeance at an end. The monster does not murder Victor however. He wants him to suffer as much as he has since his creation. The isolation and abandonment inflicted from Victor is the catalyst for the Monster to murder members of his family. Despite this hatred for this man, the monster still views him as a father figure. This is why he weeps and pleas to Walton, the regretful words of a son who has lost his father. Walton is witness to the creature’s deep depression, he wishes he could take back all the pain and suffering caused by both parties. His sense of longing and remorse in his words are
...hat he harbors no resentment against him who condemned him to a life of misery. This a far cry from Victor’s dying plea for Walton to carry out the death of the creature.
Frankenstein by Mary Shelley portrays an individual in a unique situation trying to overcome daily interactions while being faced with inconceivable misfortunes. Created by Victor Frankenstein, who set out on a journey to bring life to scrapped pieces of waste, he was then abandoned and left to fend for himself in a world he was abruptly brought into. After being abandoned by his creator for his less than appealing looks, this then sparked his inevitable desire for revenge. Eventually leading to the destruction of those associated with his creator. Knowing that he will never fit in, the monster began to act out in hopes of getting back at his creator for what he did. His vulnerability due to missing guidance and parental figures in his beginning stages of life contributed to his behavior. The books and article Family Crisis and Children’s Therapy Groups written by Gianetti, Audoin, and Uzé, Victim Of Romance: The Life And Death Of Fanny Godwin by Maurice Hindle, and Social Behavior and Personality by Lubomir Lamy, Jacques Fishcher-Lokou, and Nicolas Gueguen support why the monster acts the way he does. The monster’s behavior stems from Victor’s actions at the beginning of his life and therefore is not to blame. The creature in Frankenstein is deserving of sympathy even though he committed those murders because the lack of parental guidance, lack of family, and lack of someone to love led him to that. All in all his actions were not malicious, but only retaliation for what he had been put through.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
While the monster gains a feeling of hatred and a desire for revenge after he is abandoned and treated pitifully, Frankenstein continuing reinforces the suffering of his creation, and likewise the suffering of himself. Frankenstein is completely to blame for the misery that he endures. Victor creates a being only for his own fulfillment, and afterwards abandons the great responsibility that he bears for it. To make it worse, Frankenstein intentionally ruins the monster 's happiness and gives him the same horrendous treatment that the rest of mankind gives the monster. Victor 's selfish actions cost him his family, bring him to the brink of insanity, and make a terrible creature out of a loving and compassionate being. Victor Frankenstein is a true