In Mary Shelley’s Frankenstein there are several parallels that can be drawn. One of the major parallels in the novel is the connection between Victor Frankenstein and the creature he creates; there is an interesting relationship between these two characters. Frankenstein and his creation are not blood related, however, their similarities bond the two. Despite their dislike for one another and their physical differences Frankenstein shares many characteristics with his creation, throughout the novel we see each of them find comfort in nature, become isolated from society, and seek revenge towards those who have wronged them. There is significance in these similarities; if Frankenstein’s creation had not been physically deformed they would not be as similar. Furthermore, Frankenstein can be held accountable for his creation’s hardships. In pursuit of knowledge, he becomes completely absorbed and creates what he calls a “demonical corpse”; several of the traits that the monster has acquired are a result of his deformities. For example, he has become isolated because others find him hideous, and for that reason he retreats to nature where no one can judge him. With all that in mind, the monster holds a lot of resentment towards his creator, Victor Frankenstein.
Throughout Mary Shelley’s Frankenstein, the reader is lead to sympathize with the monstrous creature, which was created by Victor Frankenstein. Despite any internal contradictions, the creature has the indisputable outward appearance of a monster, one repulsive to even his own creator. Inevitably, the appearance becomes the creature’s most significant quality, which eliminates any recognition of other, more human, qualities. As a result, any possibility of acceptance within human society are completely destroyed. The creature himself even recognizes this fact. Expressing many human qualities, such rejection and the consequential loneliness has a tremendous impact on the creature, especially in the impressionable years after his initial animation. With the psychological effects caused by these factors, the creature is sent on a rampage, causing tragedy throughout the course of the novel. Many may question Victor’s culpability and lack of responsibility over his creation; however, the ultimate blame for the events must be placed while considering the situation on a larger scale. Without a structured beginning to life, the creature is subjected to the harsh society around him, whose reactions only lead the creature to exile and psychological torment, justifying his wrongful actions.
Shelley’s novel Frankenstein is a story about the dangers of knowledge and the consequences of overstepping moral and ethical boundaries. By examining Mary Shelley’s Frankenstein through a psychoanalytic lens, it can be interpreted that the creature is a mirror of Victor Frankenstein’s personality. Psychoanalysis argues that the conscious and unconscious mind are made up of the id, superego and ego. In order to self-actualize the conscious and unconscious mind must be in equilibrium. The creature and Victor both strive for self-actualization through their yearning to understand the world. They share the experience of lower-level emotions like the need for revenge. Ultimately, the destruction in the novel is rooted in Victor’s and the creature’s experience of parental abandonment,
Another monster that society has taken and humanized comes from Mary Shelley’s 1994 novel, Frankenstein. Aspiring scientist Victor Frankenstein defies the laws of nature by taking limbs of the deceased, stitching them together, and creating life. While many today think of Frankenstein as a monster, it is contradictory as who the real monster is: Victor or his creation? Victor says:
Victor Frankenstein created a creature that he abandoned after contemplating his faults and deemed them unacceptable. He renounced his creation and totally rejects it because of its size and looks that frightened everyone as they greeted Victor’s creature with fear and violent reactions. Shelly’s Frankenstein revolved on issues of Victor’s science and ambition, moral responsibility, psychological balance and social isolation that must very well remind each one of us that humans are God’s images, and humans as scientists in continuing to probe into the power of creation and attempt to understand it must perform as stewards of God’s creation. The attempt to create a new creature with extreme powers sums up how humans can be so conceited in recognizing human abilities and the ...
... the creature after being born and rejected from his creator escapes to the woods were he is classified nothing more than a monster, an animal. He then embarks upon the Delacey family, he studies them for many months learning of love, passion and stability. After being discovered he is forced to flee, and again he comes across rejection, pain and suffering. Not only emotionally is the monster rejected but physically too, having been made from corpse’s body parts he is made out of the dead, the forgotten. The point of no given name to the creature adds to the denial of individuality a personality. So to every aspect to a being the monster is denied to almost all of them which led him to self destruction emotionally and physically.
This deprived creature was not taught, nor was he provided with the basic tools that would be necessary for his survival. His first memories where him wandering around alone “cold [and] half frightened” (Shelley 73). In contrast Victor has lived a leisurely life of privilege, was provided with all the essentials to life that a growing boy could ask for. Victor is not a victim and has no reason other than that of his own making to be thought of as such. The creature however, despite circumstance as well as having the odds against him, still retains his respect for life. He states that after all that he has been through, that “Life, although it may only be an accumulation of anguish, is dear to me and I will defend it”. (Shelley 72). This statement distinguishes him from Victor greatly. Where the creature respects life, Victor manipulates it, and is apathetic to both life, death and the laws of nature. The distinction of victim and monster does not end
He was raised peacefully which can be seen when he says, “No human being could have passed a happier childhood than myself. My parents were possessed by the very spirit of kindness and indulgence” (Shelley, 32). However, he abandons his family to explore unknown powers and teach all of humanity about the deepest mysteries of life, but his pride as well as his arrogance bring an end to his innocence. When Victor makes the creature, he disregards all ethics and his morals. Victor’s zeal to create a living being commences a cycle that ends up destroying himself, his family, and his creature. Only when the creature wakes does Victor have regrets. He says,
From the very beginning, Victor show no care to his creation, in contrary he completely abandons the creature. Victor forsakes his duties to his creation which essentially fabricates the creature’s malice. Shelley presents a very contrast situation in Victor’s childhood in a previous chapter before the creature is alive. Victor addresses his childhood through the following
Victor grows up feeling that “no human being could have passed a happier childhood” (Shelley 45). His family’s basis for stability is centered around unconditional love and care for one another. Victor feels that his parents were the “creators of all the many delights” that he experiences as a child (Shelley 45). Victor is given freedom to decide what he wants to accomplish in life and how he should approach those goals in childhood. This means Victor is able to study whatever interests him, which ends up being natural philosophy. Victor’s free will turns into greed, however, when he thinks that “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me” (Shelley 65-66). The idea that Victor could play God ultimately leads to his suffering. Victor’s defiance to his responsibilities as a creator is highlighted when he fails to show adequate parental attention to the creature, who does not meet the unreasonable status of perfection that Victor assumes would result from superior body parts
In Mary Shelley’s Frankenstein, Victor Frankenstein brings a creation to life, however instead of caring for it he decides to reject it. He feels disappointment towards this creature, and begins to mistreat him every time that he tries to get his attention. This causes the creature to want to leave its creator and goes out
Victor Frankenstein’s creation is not the true monster of Mary Shelley’s novel, Frankenstein. This becomes evident when one compares Victor to his own creation. Similarly, both Victor and his creation are hideous beings, internally and externally. What sets them apart is how differently they are in respects to isolation, in terms of the reasons for it and the result of it. Victor's Frankenstein's picked isolation and his obliviousness for the individuals who loves and cares for him and his own particular creation including make him look like a real monster. Conversely, the creature wish to accomplish companions and social connections nearly make him to a greater extent a human, up until this point, than Victor Frankenstein.
In the novel Frankenstein by Mary Shelly, Victor Frankenstein a student that attended the University of Ingolstadt has an obsession about creating life, after Victors mother died he was extremely upset, and he wanted to find a way to bring life back from the dead and ultimately plays god. Throughout the novel Victor was terrified of the creature physicals appearance and regrets that he ever created the creature. Throughout the book the creature has done some humane and some non-humane things, but at the end of the story the creature felt remorse for everything he has done when victor dies. The creature is considered a human being based of his intelligent and emotions. The monster is able to think and learn from others. He knows what he is
Victor’s obsession is driven by his belief that he possesses knowledge that no other human can possibly obtain without him. This enlarged ego causes the downfall of his sanity as he becomes consumed in his single pursuit of creating life. Victor believes he has found a way to, “renew life where death had apparently devoted the body to corruption” (Shelley 32). He falls deeper into his consuming passion, becoming a slave to his own ego, as he attempts to develop a method to cheat death. He slowly drifts away from his family and friends to work on his own projects in isolation. Victor’s true character is made blatantly obvious when he exploits his arrogance saying that, “A new species would bless me [Frankenstein] as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve their’s” (32). Victor does not care for the potential positive effects his research could have for the scientific community and beyond. He is solely concerned for the praise and recognition he believes he “rightfully” deserves. Victor craves to receive eternal affection from a “new” species that will see him as the God he sees himself to
In Frankenstein, by Mary Shelley, she brings up an interesting outlook on different natures between humankind and the creature. Shelley’s story tells the tale of a man who creates a creature, that he gets scared of and leaves to fend for himself in a world that knows nothing about him. We get to know the creator, Victor, from the beginning he is obsessive, irresponsible and possessive person, which shows even more as we get farther into the book. The creature’s personality and nature is developed throughout the book, but we don’t get a good feel of him until chapter eleven. As it turns out, Victor leaving the creature had led him to do some pretty bad things, but he went back to his roots and tried to be a better