individuals embark upon an expedition of lucid self-expression to explore personal identity. Literary pieces produced during times of revolution to gain equality and flourishing cultural advancement as artistic innovations, primarily in the Harlem Renaissance, communicates deliberately the liberation of the individuals frequently portrayed as characters. The novel, Their Eyes Were Watching God, composed by American folklorist and author, Zora Neale Hurston, depicts the arduous plight of Janie Crawford
Finding Hope in Their Eyes Were Watching God Their Eyes Were Watching God recognizes that there are problems to the human condition, such as the need to possess, the fear of the unknown and resulting stagnation. But Hurston does not leave us with the hopelessness of Fitzgerald or Hemingway, rather, she extends a recognition and understanding of humanity's need to escape emptiness. "Dem meatskins is got tuh rattle tuh make out they's alive (183)" Her solution is simple: "Yuh got tuh go there
Their Eyes Were Watching God Human beings love inertia. It is human nature to fear the unknown and to desire stability in life. This need for stability leads to the concept of possessing things, because possession is a measurable and definite idea that all society has agreed upon. Of course, when people begin to rely on what they know to be true, they stop moving forward and simply stand still. Zora Neal Hurston addresses these general human problems in her novel Their Eyes Were Watching God.
women were raised with a strict criteria for the way they were required to live their lives. Regardless of love, women only strived to marry men who owned great deals of land. In their eyes, the more land their husbands owned, the more stability they were offered. They lived at their husband’s beck and call, and did not openly oppose to their thoughts. Women rarely strayed away from what was socially acceptable, and ignored what the main character, Janie, from Their Eyes Were Watching God by Zora
Freedom and Achievement of Janie In Their Eyes Were Watching God Zora Hurston actual concept, In Their Eyes Were Watching God was to explain the love demand of an African American Character called Janie. According to the Webster Dictionary, freedom before the 12th century was observed as the lack of requirement, pressure, or control in choice of action. . Hurston has formed the word which defines the traditional character of Black women in the 1940s. Though it is confusing as the Southern language
"Dey all useter call me Alphabet 'cause so many people had done named me different names," Janie says (Hurston 9). The nickname "Alphabet" is fitting in Zora Neale Hurston's Their Eyes Were Watching God because Janie is always changing and rearraging, never the same. Janie Crawford was constantly searching for happiness, self-realization, and her own voice. Janie dares not to fit the mold, but rather defy it to get what she wants. On the journey to find her voice, she marries three separate men and
once said, “Not until we are lost do we begin to understand ourselves.” This excerpt of wisdom is prevalent in the journey of Janie Mae Crawford, the protagonist in Zora Neale Hurston’s Their Eyes Were Watching God. Janie spends the entirety of the novel searching for love and companionship, and on the way she discovers her truest self. When she finally determines her own identity, she realizes that she is a strong, independent woman of color who can defy the stereotypical standards placed upon women
does not come from hatred but form their upbringing or skepticism. Janie’s story (profoundly economic in emphasis, as Houston Baker has argued) focuses on three representative husbands (Newman, Oct., 2003). Although the focal point of Their Eyes Were Watching God correlates with Janie’s relationship with her three husbands and other people. It is the main and primary idea of Janie’s search for divine clarification and a strong sense of her own identity. Janie is alone as seen in the beginning and the