Too win the girl you must defeat her seven Deadly Exes. Edgar wright the producer of “Scott Pilgrim Vs the world” and “The Adventures of TinTin”. The plot of the movie is a young man who finds a girl who he is in love with and tries to win her heart. The scene is when Scott is facing off with one Ramona’s evil exes at the battle of the bands, the Katayanagi twins. The compositional elements of this movies that they made the movie as a moving comic which the movie is based off of. The camera is eye-leveled close- up showing the anger and surprise during the scene. With Scott’s face in top middle. The lighting is all artificial coming from the stage lights. The setting is in a club in Toronto Canada hosting a battle of the band competition. The sound is from instruments and the crowd. When it comes to position he is in the …show more content…
The lighting is coming from the stage lighting from behind the camera and across the room. The positioning is in the back of the group and the crowd is in the middle ground. The sound is coming from the crowd. The camera is medium and pointed towards the two sound wave dragons. The lighting is coming from the stage and key board setup. The position of the camera captures the two dragons to the left and right center with the twins in the middle. The sound is coming from the crowd between the twins and Scotts band. The camera is close-ep and focused on the sound wave yeti at eyelevel. The lighting is coming from the stage lights and the soundwaves form the yeti. The position of the yeti is taking up the entire screen. The sound is coming from the keyboard the twins are using. The lighting is coming from the stage lighting and the special effects from the soundwaves. The camera is close-up and focused on the hands of the twins who are pressing down on the keys of the keyboard. The position has split the screen in half and is taking up the whole screen.
Lights, camera, action! The light switches on, and shines brightly in the center of the stage. Two people walk towards it, these are actors that were told to come out at this exact moment by the director. After days of intense rehearsals. The two young actors burst. “We are tired of working for you” the two participants yell towards the director. The director in a surprising manner walks up to the stage, stares down at the performers and laughs. “You are going nowhere; I have your contract and your pay, now back to your positions!” The performers stand and continue their roles with no opinion in the matter. The camera turns off, the shadows of the actors disappear. The common person stands up and is face to face with the director. The director
Shot 2: Close up. Dorothy views Oz and looks around, hugs Toto, walks out of shot. Angle straight on; no camera movement. Sound is still melodious, light nature sounds ambient.
When I watching this movie, I notice that I felt less separation from the movie. Initially I could not find a reason for that but, soon after I realize that the camera is not static but it wobbling slightly. In most movie, camera does not move and it creates the frame. In the other hand, this movie’s handheld camera type of camera works imitate the human eyesight feeling and make people feels like to experience the event in a movie as a one of the character. In this perspective, do not explain too much about the detail is emphasizing this experience. Consider these things, I really excited and enjoyed couple of scene which are the running through battle field and engaging to the baby. In the every day world, both scene is pretty rare to experience. For the battle field scene, majority of the people have avoiding to be in there so that is rare. The engaging to the baby experience is quite normal event for most people and of course it is grate experience but, in this movie setting, baby is extremely rare and seeing baby is truly miracle event. To emphasize and provide this miracle event, this camera work is perfect to apply.
	Aside from the audio and visual points, there are various camera angles used. When everyone is circled around the boiling pot the camera man uses a stedicam shot to circle around and show everyone’s face. When the viewer is seeing a girl take off her clothes the camera technician uses a zoom shot. This holds true when the governor approaches the gathering.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
The set was a relatively simple proscenium stage. It protruded into the audience slightly in a semi-circle. This made the viewer feel more involved with the performance and closer to the characters. This connection with the characters meant every decision and every scene made the audience feel something, as if it had happened in their own life. This effect could have been put in place to reprosent that many people were affected by the world wars and wars in general.
To start off, Tim Burton uses lighting frequently in various films no matter the topic. It can be a fantasy of a man with scissors for hands, or a story about a man gives a tour of his chocolate factory with a twist to kids, he always tries to use lighting to develop the mood of the story. The first example of this can
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
The director’s concept was again realized in a very creative and simple way. The stage crew did not have time to literally place trees on the stage, or to paint a border that elaborate—the light made the slatted walls look real and really allowed the audience to become a part of the experience.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The first shot starts with a title card: “[s]ome one has stolen my watch”(Keaton, Sherlock Jr.), informing the viewers the silent dialogue happened among the figures. The off-screen music, which might be made by an orchestra, further helps the viewer to imagine the atmosphere in the room. The following shot shows the father from a slightly lower angle with a medium close-up, as well as two other people on the side, while the edges of the frame appear blurry due to the use of a soft focus lens or an iris shot. Following the instruction on the title card, the second shot
I believe this is a thrust stage since the setup was semi-circular. During the play, they used all the downstage position to act majority of the play. I loved the way the stage was set up as a beach scene, and to know most of the stages props was had more made them even more interesting. It had all the features of a beach such as the palm trees, sand, wooden walkway, and the beach sound. The lighting of the play did not really transform while they were acting. The only time the lights were very dramatic is when the first Act was about to end. I dislike the way they ended the play, they should have used curtains. It was amusing when Sarah and Leslie ended the act on their back in their submission pose. The sounds of the play were breathtaking, also they were precise when they needed to be. For example, when they needed the airplane sound effect, it was right on time. There should have been supplementary music added throughout the play in the background, even while they were acting. That would have made the play catchier and more realistic, the birds are nonstop, and the ocean sounds are always going. The conflict of the play was Man vs. Man and Man vs. Nature because Leslie the lizard and Charley the man, were extremely cruel to each other. Overall, my experience of this play was wonderful, the characters were well trained, and
The use of sound has been greatly developed and is now considered as "one of the richest sources of meaning in film art." (Giannetti, 2002). When sound in film is being examined, two positions must be assumed; digetic sound and non-digetic sound. These positions relate to the basis of the sound in film and television. For example, digetic sound refers to the sound that materialises inside the creation of the film (if a character h...