Rosemary's Baby Rosemary's Baby is considered one of the best horror films of all time. Although it doesn't use shock techniques, the mood of the film remains disturbing. The director of the film, Roman Polanski, guides us through the film suggesting that the story is going to involve a loving couple expecting a baby. However, the film slowly progresses into suspense with the aid of structural components, such as the use of space, tonal and color compositions, and foreshadowing throughout the film. The suspense and horror of the film is extremely effective. Most horror films that originated from the late 1960's relied on setting and location, not to mention darkness and shadow. In Rosemary's Baby, the setting and location are generally well lit, although there are exceptions during dramatic sequences. It is a completely homey, relaxed, normal setting which makes the horror even more unsettling because when it appears, it seems so out of place. The mood of the film is first established by hearing a women's voice singing a lull-a-by while there is a long open panning shot of downtown Manhattan. During the opening credits, the camera moves downward, changes direction, and tracks backward over an apartment building rooftop. From an aerial shot, the camera moves downward to reveal Guy and Rosemary Woodhouse, a young couple whom are the main characters of the film. The characters are at the apartment building seeking to rent an apartment previously occupied by an elderly woman, Mrs. Gardenia. As they are viewing the apartment, the camera moves throughout the residence allowing the audience to see its many areas containing massive am... ... middle of paper ... ... the audience does not determine a solution until the very end, and it's worth the wait. Foreshadowing helped to build suspense within the film as well as confuse the audience into not knowing the future for Rosemary. The use of space allowed us to identify with Rosemary in certain scenes as well as add to the suspense by showing great depth within certain shots. The compositions of tone were extremely important within the film because it was able to set the mood for a particular scene. Suspense embodied this film and luckily during the late 1960's Hollywood was at a time where filmmakers were able to push the limits. Many religious groups were outraged with the movie but if it weren't for the work of Polanski in Rosemary's Baby, classic horror films, such as The Exorcist, and other suspense films would cease to exist.
Scarlett by Alexandra Ripley "Scarlett" is about a southern woman who had survived the Civil War, had been widowed twice with two children. She got married again to Rhett Butler, and they had a daughter who was killed when she fell off a horse. Since the death of the child, her husband did not want anything to do with Scarlett. Rhett gave Scarlett all the money she needed, but she wanted him. Heartbroken, she went to Ireland where her father came from. She did not tell anyone in America that she was going, except for her lawyer. She met her Irish relatives, and loved them. She bought a town and a Big House in Ireland and had it refurbished. Scarlett found out that she was pregnant with Rhett's child, but before she could tell him, he divorced her and married someone else. She vowed to not tell Rhett about the baby until it was grown, even though she loved him. She told her Irish friends that she was a widow and that her two children lived with her sister on a plantation in Georgia, which she owned two-thirds of. She gave birth to a girl on Halloween and a wise old woman had to deliver her because the doctor couldn't get there. The Irish called the woman a witch and the baby a changeling because of when she was born for they were very superstitious people. They never liked the little girl and were always scared of her. One of Scarlett's cousins in Ireland was a priest, whose name was Colum O'Hara, and they had become good friends.
first time a woman had ever been shown in a bra. This type of film was
‘The Outsiders’ is written by S.E. Hinton. It is set in the 1960s in a
Human beings are fascinated by heroes. Joseph Campbell believes that throughout history heroes have followed a hero’s journey model or monomyth. This means that there are common patterns that can be found in many hero stories. Time after time, people have read about heroes leaving the ordinary world to complete the quest that will change mankind and better the hero. While many tasks and challenges may lie in the hero’s way they always return victorious. The Hero serves a dual purpose. Heroes are smart, brave and resilient. They show the world what is possible through hard work and perseverance. Heroes also reflect the fears and limitations that people are faced with. Heros inspires people to be the best versions of themselves. Chihiro the main character in Hayao Miyazaki’s film Spiri
Obviously casting Jamie Lee Curtis, a scream queen whose mother (Janet Leigh from Psycho) is the original scream queen, is a nod toward the audience. Additionally with a character named Loomis, after a character in the classic Psycho(1960) and showing clips of horror movies like Howard Hawks' The Thing (1951), Carpenter has created a world that exists primarily in the realm of reality. This world is realistic enough so that the audience can relate and associate with the characters, but also has enough of the self-referentialism to always keep the audience aware that they are watching a movie, not an accurate of representation of
...and changed the horror genre forever. Alfred Hitchcock's use of actor, lighting, sound, scripting and mise-en-scène kept the audience on the edge of their seats and second guessing themselves. Hitchcock's idea of Norman cconnected with the audience and, even today, his character continues to deceive many. From Norman's nervous ticks to his murderous side 'Mother', it was planned flawlessly. Norman Bates was a combination of an author, director and actor, perfectly adapted to screen and perfectly portrayed.
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.
Going through life we will meet people who make us change.Some changes are for the better of the individual, others not so much. These changes can be caused by money, a new groups of friends, or just trying to change for yourself. For example, in the novels Great Expectations and To Kill A Mockingbird, both Pip and Jem experience life changes that affect the perspective on our world. Pip and Jem are similar as they both look up to their dad and neither have a mother figure. Throughout the novels, both boys experience hard times but still manage to pull through.
“For while few of us have murdered fathers to avenge, and not so many adulterous
Each element helps each other by making the next scene better than the one before. It has the storyline come to live, and having people thinking what can happen next or who has the power in the movie. By seeing this movie it can make someone feel complete and satisfied for a long time.
The Outsiders was written by Susan Eloise Hinton. It is one of her most popular books about foolish gang rivalry existing between the Socs, the rich kids from the west side of town, and the Greasers, the poor kids from the east side.
As women, there has always been an issue with equality between themselves and men. Even though there has been a significant amount of progress in the United States throughout the years, there are women that still suffer with equal rights around the world. In A Doll’s House by Henrik Ibsen, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, and “Hills Like White Elephants” by Ernest Hemingway, there are many aspects throughout them that relate to each other in numerous ways. The main theme between them is the way woman are treated and how they appear to be less equal of the men in their lives. Even though men are presumed to be the more dominate gender, women should be just as equal socially, financially, and academically, and not feel pressured by men. For the women and girl in A Doll’s House, “Where Are You Going, Where Have You Been?”, and “Hills Like White Elephants”, they suffer with the idea of feeling compelled to do what the men say and follow his direction of how their life should be.
Franco Zeffirelli portrayed a more effective version of the famous to be or not be soliloquy by having it set below in the family mortuary. Having violently rejected Ophelia, Hamlet climbs down the stoned stairs of the medieval castle and into the cellar where all his ancestors’ burial tombs lie, including his father’s. Surrounding himself in tombs and skeletons, he intones the to be or not to be speech in isolation and darkness. Having this particular set design, Zeffirelli enhanced the scene by creating a cold, dark, and suspenseful atmosphere. The family mortuary set design was eerie and melancholic which added realism into the speech as it allowed the audience to really see the manifestation of death that Hamlet contemplated. It also added physical emotion into the soliloquy as the scene contrasted death and Hamlet so closely with all the dead royals in their tombs, showing how deep Hamlet’s thoughts on life and death were rooted in his mind. Therefore, Zeffirelli’s use of the set design helped to create a more intense scene that enriched the soliloquy.
1. The scene begins by fading in on the back of the silent man’s head (Cary Grant) in Alicia’s bungalow. Then the camera zooms out while sweeping right to give the first full shot and view of both of the main characters. They are shown seated at a table, with many empty bottles of liquor and glasses.
In The Scarlet Letter, Hawthorne analyzes Hester, Dimmesdale, and Chillingworth. In the story, Hester is the main character of the story and was called Mistress Prynne (Hawthorne 70). Dimmesdale, in the story was referred to as Reverend Dimmesdale (Hawthorne 90). Chillingworth was originally named, Roger Prynne but later in the story he changed his name to Roger Chillingworth. In the story, Hester committed adultery with Dimmesdale against Chillingworth and in the beginning she got punished and sent to prison and later she got to get out of prison but with the exception of having to wear the letter A on her breast every time she went out in to town.