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the analysis of psycho movie
techniques used in the film psycho
the analysis of psycho movie
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Alfred Hitchcock's Film Psycho
The film 'Psycho' was produced by Alfred Hitchcock (1899-1980), a
British-born American motion-picture director. He was noted for his
technically innovative and psychologically complex thrillers. The film
'Psycho' was produced in the year 1960 and screened in New York. It
was a groundbreaking film as by the end of its first year 'Psycho' had
earned $15 million-over fifteen times the amount it took to make the
film. The film created a lot of tension and anticipation for the
audience. It violence, sexual content and the flushing of a toilet
onscreen broke the ground for a mainstream Hollywood film. It was the
first time a woman had ever been shown in a bra. This type of film was
called "madman with a knife" or a "slasher". This film influenced
suspense films such as Fatal Attraction. The film was controversial
and was blamed for many murders in America. It was reported the
Hitchcock pretended to re-edit the shower sequence as the film
industry thought it was too violent. Hitchcock actually re-submitted
it unchanged. He got away with it! Hitchcock wanted his audience to
get right into the film. He did this by making it very tense, and
adding a lot of suspense. "The point is to draw the audience right
inside the situation instead of leaving them to watch it outside from
a distance."
The title 'Psycho' itself builds up tension and anticipation. This is
because you know that it will be a horror film. Psycho means mad so
therefore leads us to believe there will be starring a "madman with a
knife". Psychos are unpredictable so you are not quite sure how bad
the violence will be. You have the nerve to know that someone is
definitely going to die.
The music in the opening titles build up tension, as it has fast and
sudden beats. It has ascending and descending beats, which creates and
excitement, like you are on a roller coaster. The ascending and
descending differences are within one whole. This is like Norman and
“He [Norman] only half-existed,” the psychiatrist stated after taking a look at Norman himself (Psycho). Norman Bates is a character in the movie Psycho, whose mental illness caused him to turn murderous. Psycho is not the only film that uses a mental illness to produce a villain. The Joker from the Batman series is diagnosed by the viewers to be psychopathic, and he is known to be a mass murderer. From the 1960 film to modern movies, many producers create their villains with mental disabilities. Because the mentally ill are portrayed as villains, this causes the viewers to classify them as capable of turning monstrous and harming those around them. This stereotype leads to the vilification of all those with a mental illness. Producers create
Psycho is an American horror film directed by Alfred Hitchcock in 1960 based on a 1959 novel with the same name. Alfred Hitchcock typically uses certain elements in almost all of his films. In Psycho the following elements appear; blonde woman, conversation that is not important to the story, alcohol, Hitchcock appearance, Mcguffin, pursuit, the camera looks around, a P.O.V., creating suspense by letting the audience in on a secret, mother figure, birds, stairs, and a narrow escape.
The human body and mind are the most complex and intricate tools known to man. The connection between the two are remarkable, the way body feels pain and the mind is able to understand from where and how the pain is being formed, the way the body lags and drops when the mind does not have enough sleep and rest. Most curiously, it is the way our body and mind speak to each other without really knowing. It is the uncomfortable feeling in your chest, the tenseness of your shoulders and the goose-bumps on your arms that are the very basics of human intuition. Intuition is knowing something without having a logical or reasonable explanation to follow the feeling. But it is when our intuition overcomes our ability to think that we become paranoid; constantly looking over our shoulders, noticing people and objects that were never noticed before, and having this retching feeling that someone is out to get you. Paranoia is a thought process where anxiety and fear accumulate to the point where the person suffers from irritation and delusions. It is often developed through an inner guilty conscience which threatens the self. It is that exact tingling sensation in your stomach, the tightness in your throat and the eerie feeling that you are being watched that makes James and Hitchcock's pieces realistically fantastical. The alternate worlds illustrated in these pieces are not of those of dreams and fairy tales, nor those people superheroes or chimeras, but a realist world, where the minds of the characters are exposed and the only source of reliability. James depicts a young woman who struggles to be a heroine for her wards, only to be torn between the lines of sanity as she questions the existence of two ghosts, while Hitchcock’s psycho can ...
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
Hitchcock's Film Psycho Ever since the first horror movies were produced they have attracted huge audiences seeking to be scared, chilled and thrilled. Horror movies are so popular because the audience can get the adrenaline rush of being scared without actually putting themselves in danger, and also the audience ultimately get a rush of relief at the end of the film when the killer is killed. This is the same reason why people go on roller coasters because you get the adrenaline rush and then the relief when you get off. Also often horror movies are highly sexual films, and what's more it's a great excuse to hug your girlfriend! Horror movies started in the 1920's with German masterpieces of the silent era such as the ''Nosferatu'' directed by F.W Murneau (1922).
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
David Lynch's Blue Velvet is an exploration of things above and below the surface. This surface is really a borderline between not only idyllic suburban America and the dark, perverted corruption that lies underneath but also between good and evil, conscious and subconscious, dream and reality. Although this division seems quite rigid and clean-cut some of the most important implications of the film stem from the transgressions of these borderlines. In the initial scenes of the film Lynch introduces Lumberton, the typical small town in Middle America where the fireman waves at you, the children are well protected, the lawns are green and there is a smile on everybody's face. Naturally, the most important clich?
To this day Rope, Alfred Hitchcock’s first color film, remains one of the most original motion picture dramas. With the exception of the opening credits, Rope was shot on one individual set located within a soundstage, similar to as if a play was being performed on stage. Despite the confined space the film occupied, the atmospheric anxiety carried on up until the very end. Furthermore, Hitchcock successfully created a deception, of the same repetitive shot. Nonetheless, during the one hundred and eight minute film, it’s hard not to notice the closeness Phillip and Brandon shared sexually together, making them homosexuals.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
Psycho by Alfred Hitchcock is a horror film that debuted in 1960, starring Anthony Perkins and Janet Leigh. (IMDb) This horror film changed the horror movie genre, helping to develop it into what it is today. This film tells the story of a woman who runs off with $40,000 stolen from her boss. On the run, she checks into an abandoned motel for the night where she dines with the owner, a young man with an overbearing and controlling mother. She never checks out. Her family and friends embark on searches for her, and come across the abandoned hotel where she checked in, under a false name. The movie ends with the revelation that the hotel owner’s mother died, and he suffers from multiple personality disorder. Both he and his mother share his body, with the mother personality becoming more dominant. When he dined with the lady who checked in, the mother became jealous and kill her, leaving the son to clean up the mess left behind.
Murder on the Orient Express by Agatha Christie is a novel about mystery and crime. It takes place in winter on a train that’s on its way to Paris. Unfortunately, they run into a snowdrift. Now, they’re stranded in the middle of nowhere with a murdered man on board.
I’ve seen a lot of films, and with a lot of different genres. But I don’t think that romantic films are pretty good. They are too boring. The good films are action or comedy films, but the best films are action and com-edy films mixed together. That’s why I’ve chosen the film Taxi 2. It’s a French produced film, with a lot of action and comedy. It’s a pretty new film, and I saw it in the cinema last month. I’ve looked very much forward to see that film, because Taxi was very good too. It took only 5 weeks to get 10 mil-lion Frenchmen into the cinema. Just for watching Taxi 2.