The Romantic and Gothic eras of literature were ages of exploring the dark inner workings of the mind beyond rational reason.The Scarlet Letter by Nathaniel Hawthorne, "Imps of the Perverse " by Edgar Allan Poe delve into the effects of irrational actions fueled by characters ' emotions which often lead to drastic unintended consequences and obstruct the characters from paths to self-advancement ultimately leaving readers to question the true enemy of man: the mind. While the outside world can be a hostile environment filled with predators and disease, the mind and heart still prove to be the most deadly enemy to the cold advancement of men and women alike.
Nathaniel Hawthorne intended for his novel to be a Romance novel where he could explore
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A part of Romanticism, the Gothic era of literature explores the inner workings of the human mind but was much more cynical about the capacities of man. Gothic stories often illustrated the world as dark, and also focused on augmenting interactions at an individual level. Works such as "The Imps of the Perverse" unsettle readers by smudging the line between sanity and insanity and providing a sense of complacency to readers, as though they were somehow responsible for the events in works read. Works from the Gothic explored the faults of man through their mind also reinforcing the theme that the human mind can be a great asset, or the deadliest enemy that human must …show more content…
In "The Imps of the Perverse" by Edgar Allan Poe, the narrator murders a man he is connected with in some way and inherits all that that man owns without fear of getting caught until a single thought enters his mind. While reminding himself that the only way he could get caught is if "….if I be not fool enough to make open confession…" he is suddenly inundated with dread and a strong compulsion to confess (Poe, 4). Until finally, the narrator describes the moments that lead up to his confession: "Could I have torn out my tongue, I would have done it, but a rough voice resounded in my ears-- a rougher grasp seized me by the shoulder. I turned -- I gasped for breath. For a moment I experienced all the pangs of suffocation; I became blind, and deaf, and giddy; and then some invisible fiend, I thought, struck me with his broad palm upon the back. The long imprisoned secret burst forth from my soul" (Poe, 5). Though the narrator would have gotten away with murder and been able to live comfortably on the wealth he left behind, his mind, disguised as the devil betrayed him into confessing thus ruining his
Gothic writing is a style of literature that relies upon the evocation of moods, feelings and imagery for impact. This style of writing was developed during an age of great scientific discovery – such literature marked a reaction against the prevailing ‘Age of Enlightenment’. Many Gothic authors opposed the new-found faith and enthusiasm placed in these discoveries, believing that they restricted freedom of imagination. Consequently, Gothic writers inhabited areas where no answers are provided – exploiting people’s fears and offering answers that are in stark contrast to the otherwise scientific explanations.
...ssible engagement with the text, it is also an invited one, because a great deal of the value of the text lies in presenting an unsettling and subtle variation upon a known theme or situation. Mastery of the literary genre depends upon a clear knowledge not only of recurrent themes and styles of the form (which exist to be perpetuated in continually evolving manner, much more so than in other genres), but of human nature and the psychological triggers which create in readers a spirit of curiosity. One might think that such a device was inherent to any form of writing of any quality, and whilst this is true, there is a much more marked difference between formulaic uncanny and gothic fiction than that of other genres.
Poe’s “The Tell-Tale Heart” depicts the human mind through the struggle of distinguishing reality and imaginary. Poe utilizes the narrator/agonist to demonstrate how the suffering of one’s perceived acuteness of senses, in relation to anxiety, leads to an unwanted culmination. The narrator labels his own nervous behavior as “disease” that has “sharpened [his] senses” (691). Poe’s use of “disease,” indicates disorder and destruction, and also foreshadows the spread and consumption of the narrator’s fear. The confidence that results from the narrator’s justified senses proves to draw him further from his own morality. By example, he states, Moreover, his senses stem from his overarching obsession and hatred for the old man’s eye. This is demonstrated by his continued distinct characteristics he places on the eye—“eye of a vulture,” “pale blue eye,” “Evil Eye,” and “damned spot” (691-693). The collection of descriptions throughout his efforts to kill the old man shows the torment he suffers from his psychosis. The narrator’s statement, “it haunted me day and night,” displays his motivation for killing the old man. However, the significance of the narrator actually committing the murderous act demonstrates the definitive loss of his rationality and morality. Poe displays, that the dark side of the mind is a result of this los...
Throughout the years, Gothic literature has developed to be a mirror representation of what the beliefs and thoughts of the time were. The Gothic has a tendency to express beliefs towards the socioeconomic, political and religious situations and grievances of the time. Many texts express this, some including Edgar Allen Poe’s The House of Usher and Mary Shelley’s Frankenstein, to then allow for the general public – at least those who were literate – to, subconsciously, understand the environment around them without being too direct. This gave the writers of the time a new channel, through this ge...
Edgar Allan Poe uses the insanity of his narrator to create an unsettled feeling in the reader. In "The Tell-Tale Heart," the narrator has the readers on their toes. Humans have a tendency to not see the truth about their conditions, even when they are talking in detail about them. This is seen in "The Tell-Tale Heart" when the narrator starts by telling the reader "[t]he disease had sharpened [his] senses . . . not dulled them,"(1). The use of fear, the concept of sanity, and the dedication to detail the narrator, all provide insight about a world that some people might wish to do without.
The Gothic Period in the twelfth century influenced the creation of Gothic Revival Architecture in the nineteenth century. Gothic architecture began in France in 1140. Some of the first buildings made using this style are the Basilica of Saint Denis and the Cathedral of Sens. (Gothic Architecture By Paul Frank) This style of architecture started losing popularity in the early sixteenth century, but did not die out completely during this time period. Gothic architecture was still predominantly in cathedrals and churches. The rise of Romanticism began in the eighteenth century–leading to an awareness and increased interest of the Middle Ages, specifically interest in church architecture. (http://en.wikipedia.org/wiki/Gothic_Revival_architecture) Thus, Gothic Revival Architecture was created. When admirers of neo-Gothic styles wanted to revive medieval Gothic architecture, Gothic Revival Architecture was created—along with many sub styles, such as Polychrome Brick Gothic and Carpenter Gothic in the nineteenth and twentieth centuries.
design any and everything in this era from bridges to city walls and castles to
...story, the narrator continues to repeat himself over and over, along with question why the reader should have any uncertainty about his psychological state. Additionally, the narrator continues to defend his sanity by telling the reader that he cannot be considered crazy because he was mindful and took caution in his actions: “You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded -- with what caution -- with what foresight, with what dissimulation, I went to work!” (1). With Poe’s writing style and use of language he achieves an emotion of genuine doubt about the narrator’s true mental state. Moreover, Poe reveals the narrator’s fear of the “vulture eye” and his peculiar obsession with it until he is finally able to eliminate it.
Many people on this earth will commit a sin, they find they wish they had not, and 1 in every 5 Americans suffer from a mental illness. In a story named “Young Goodman Brown” by the author Nathaniel Hawthorne, the people in his story have all sinned and meet with the Devil. Then in another story named “The Yellow Wallpaper” by the author Charlotte Perkins Gilman the main character is suffering from a mental illness while her husband, a psychiatrist, tries to help her, but in doing so only makes her condition worse. Throughout both literary texts of “The Yellow Wallpaper” and “Young Goodman Brown,” the authors show numerous entries of Gothic Literature. And although “Young Goodman Brown” and the “Yellow Wallpaper” share similar Gothic elements, the two stories are very much different.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
The term ‘Gothic’ is highly amorphous and open to diverse interpretations; it is suggestive of an uncanny atmosphere of wilderness gloom and horror based on the supernatural. The weird and eerie atmosphere of the Gothic fiction was derived from the Gothic architecture: castles, cathedrals, forts and monasteries with labyrinths of dark corridors, cellars and tunnels which evoked the feelings of horror, wildness, suspense and gloom.
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
Of the Romantic Movement, two of the most well-known Gothic literature writers were Nathaniel Hawthorne and Herman Melville. Gothic writers mainly wrote about themes that showed that they did not believe that people were ‘good’ by nature and the stories they wrote focused on the evils and flaws of mankind. These two authors presented their respective stories “Bartleby the Scrivener” and “The Minister’s Black Veil” as novels that explore the lives and behaviors of other human characters. Although the stories have different perspectives and settings, they both reveal more about how the other human characters are and what dark or unusual traits and motives they have.
Thesis: Thus through chilling plot after plot, Poe has given us a classic example of how the human mind can deceive itself into thinking its cause is just (1).