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The Vikings and their impact on the formation of europe
The Vikings and their impact on the formation of europe
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The Gothic Age Introduction The Gothic Age As the third year that followed the year on thousand grew near, there was to be seen over almost all the earth, but especially in Italy and in Gaul, a great renewal of church buildings; each Christian community was driven by a spirit of rivalry to have a more glorious church than the others. It was as if the world had shaken itself, and casting off its old garments, had dressed itself again in every part in a white robe of churches. Raoul Glaber, Historia, c.1003 The Gothic Age (c. AD 1130-1530) marked the end to an age of chaos, primarily caused by the sacking and pillaging of the Vikings. After the great minds of Western Europe were freed from using their vast knowledge to defend against invaders or plagues, they now had the time and the resources needed to design any and everything in this era from bridges to city walls and castles to cathedrals. This was also a very religious age, with plenty of money being pumped into the Church, some from the crusades, with all of its included looting, and a lot more from all of the tithes all of the people who were born in the population explosion gave faithfully. Another even bigger source of income for the Church came to it in the shape of power and prestige, when the power of the church peaked in AD 1277. Not only was this a good time for the Church, but this was also a very good time for all of humanity. The standard of living dramatically rose, and along with it, the population of Western Europe shot up. In 1346, the estimated population of Europe was fifty-four point four million just before the plague hit and wiped out more than a third of the population.1 2 This was more than twice the population of Europeans in the year 950 when it was 22,600,0003 . While the population was exploding there were so many new cathedrals built that in the relatively short time period of two hundred and fifty years, there was more stone quarried to be used in cathedrals (several million tons) than was quarried during the age of the pyramids in Egypt, where there are pyramids that are over two hundred and fifty million cubic meters big.4 The Gothic age survived many crusades, a plague that didn¹t leave Europe until the late 18th century, and many other horrible atrocities. Following this great age, there was a period without the great accomplishments as in this age, since everyone was just happy using what their forefathers had done.
When it comes to Southern Gothic literature, most authors that had written in this genres stories were younger such as twenty-one through twenty-four when the stories were created. Southern Gothic Literature has always been around and it will continue being around as long as it remains a popular genre. Now, what is Southern Gothic literature? It is a type of writing that was created in the south. The genre surrounds itself “on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters”. (What Is Southern Gothic Literature? 1). The whole point of Southern Gothic Literature was to
...olic Church, propelled the Catholic Reformation and religious warfare. A separation of this magnitude brought conflict yet progressive improvements to both sides. Religious tolerance was at last emerging and never again would a single organization wield so much power.
...pected to see Christ in all of His unveiled glory at His first advent. The Holy Spirit is given and the Twelve are commissioned to oversee the message of Christ and His gospel forward from the seat of Old Testament promise (Jerusalem) to the hub of Church Age influence (Rome). In the process, the theology of the Church is solidified, the Gentiles are invited to participate in the mercies of God and the doctrine of Christ goes forth to “turn the world upside down.” Today, the Church looks back at this Commission and sees the legacy of the apostles’ success and the importance of holding firmly to fundamental doctrines of Scripture. Perhaps now more than ever, the need of the Church is to cling to the absolute authority and power of the Holy Spirit, the priority of being witnesses for Christ, and the promise of kingdom fulfillment at the pleasure of the Father.
its way into the homes of the fortunate few, while most of the of the population was still living
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
First, the churches collected a great deal of income through simony which lead to criticism of what the roll of money was within the church. Second, groups like the Waldensians and Albigensians, who were concerned about the European clergy, preached their beliefs to the town’s people which caused friction throughout the papacy. Lastly, the king was the one to choose the priest and bishop in their territory, although they would end up choosing somebody they wanted and not someone that the town’s people had selected for by popular
The darker aspects of books, movies, plays, and other performances that tell a story can also be known as gothic elements. Juicy material such as the supernatural, violence, and death are considered as gothic elements. These elements can be found in the works of countless authors writing such as Horacio Quiroga, Edgar Allen Poe and more recently, Ransom Riggs. Therefore, the works of these authors contain gothic elements that can be related to one another. Miss Peregrines Home for Peculiar Children by Ransom Riggs shares similar gothic elements with Edgar Allen Poe’s works The Black Cat, The Raven, and Horacio Quiroga’s work The Feather Pillow.
After centuries of war, regime changes, and revolutions, eighteenth century Europe was reestablishing national boundaries and was seeking national pride in each country. One way European nations built this pride was through the search for national styles of architecture. By the early nineteenth century, two attitudes about finding a national, historical style arose, pluralism and revivalism. Those with a pluralist view believed that it is appropriate to build contemporary cities using different styles depending what the building’s purpose was, for example, a Gothic style church and a Classical bank building. Revivalists, on the other hand, felt a nation should choose a shared style which draws on the history of that particular nation. This led to disagreements in many European nations as to what style best fit their national history and would evoke pride among its citizens. Two distinct styles came about during this era, the light and highly decorated Gothic Revival, and the simpler and firmer Romanesque Revival.
It was a cold stormy night and I had just arrived home from work. The house was still. I was relaxing in my recliner when I heard a series of knocks at the door. As I came out of the living room the knocks were getting louder and louder. I thought to myself, "Who could be at the door this late at night?" When I opened the door there was a tall man dressed all in black. He smelled of rotten eggs and looked like he just crawled out of a mud pit. His car was having trouble and he needed to use the phone. I invited him in and told him that the phone was down the hall in the kitchen. Instead of calling the tow truck he called his friend, James, to come pick him up. I invited him to have a cup of coffee and some donuts while he waited for his friend to pick him up. We talked for about an hour when there was another knock at the door.
on the aid of Hell itself, and to find things familiar in the world of
The Church played a vital role in the kingdom of Charlemagne. It gave a sense
Gothic and Romanesque Style Arch. Represented primarily through cathedrals, Romanesque and Gothic styles of architecture were some of the few symbols of civilization in the poverty stricken and often depressing Middle Ages. These cathedrals represented faith, dedication, and cooperation; a sane place in a world of anarchy. Gothic and Romanesque styles of architecture were related in various ways, yet they also contrasted in style in some ways. Romanesque and Gothic architecture, although having many similarities, also have many differences.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.
There is one known very influential writing style called Gothic Literature. It is not only considered to involve the horror or gothic element but is combined with romance, superstition, women in distress, omens, portents, vision and supernatural events to name a few (Beesly). The history and beginning of this era is not well known. From a few writers came this writing style that has impacted the world. A famous artists known for this type of writing is a man named Edgar Allan Poe. He wrote many short stories and poems that include horror, gothic, and romance just mentioned.
Gothic literature has many dark factors, some of them are death and decay, haunted homes/ castles, some have family curses, powerful love/ romances, ghost and vampires. This type of genre became to be popular during the late 18th century. There are many gothic lit novels like Frankenstein by Mary Shelley and The Yellow Wallpaper by Charlotte Perkins Gilman. These two books have a lot of in common thing. Both of these books have many gothic elements. These elements consists of atmosphere, characters being isolated, emotions and supernatural atmospheres.