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Revenge in hamlet by each character
Character of revenge in literature
How does shakespeare describe theme revenge in his books
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In this study of revenge and revengers in two Elizabethan revenge tragedies the two plays I shall look at are Hamlet, by William Shakespeare, and The Revenger's Tragedy, by Thomas Middleton. I shall look first at the playwrights' handling of the characters of the revengers, and then at the treatment of the revengers by other characters in the plays.
Although having similarities in their underlying themes, and in their adherence to conventions, these two plays present contrasting pictures of the figure of the revenger; Hamlet offering a far more complex treatment of its main character, and The Revenger's Tragedy appearing, in comparison, limited by the author's social message, and lacking in realistic characterisation.
Hamlet and Vindice, the two revengers, have in common their tasks as revengers, but they have very different methods of dealing with situations, modes of thought, and instinctual behaviour. Middleton's Vindice is largely an allegorical character; his name and the names of other characters in The Revenger's Tragedy (e.g. Spurio, Ambitioso) are derived from Medieval morality plays; names which suggest the quality of near-farcical exaggeration which is a feature of The Revenger's Tragedy from the opening scene's remarkable similarity to a procession of the Seven Deadly Sins, to Vindice's simplistic association of lust with Judas and the Devil.
Hamlet, in contrast, is an individual with depth, who suffers from insecurity, and a sense of absurdity. As we see him at the beginning of the play he is suffering from melancholy, not only from the death of his father, but also from "the moral shock of the sudden ghostly disclosure of his mother's true nature" (Bradley). Hamlet is psychologically real, and in my view...
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...tentions in the face of a whimsical providence.
Works Cited
Bradley, A. C., John Russell. Brown, and A. C. Bradley. A.C. Bradley on Shakespeare's Tragedies: A Concise Edition and Reassessment. Basingstoke: Palgrave Macmillan, 2007. Print.
Garber, Marjorie B. Profiling Shakespeare. New York: Routledge, 2008. Print.
Nietzsche, Friedrich Wilhelm, and Ian Johnston. On the Use and Abuse of History for Life. Arlington, VA: Richer Resources Publications, 2010. Print.
Erlich, Avi. Hamlet's Absent Father. Princeton, NJ: Princeton UP, 1977. Print.
Middleton, Thomas. “The Revenger’s Tragedy.” 1607. Five Revenge Tragedies. Ed. Emma Smith. London: Penguin Classics, 2012. Print.
Shakespeare, William. Hamlet. New York: Bedford Books of St. Martin's Press, 1994.
Wilson, J. Dover "What Happens in Hamlet" New York: Cambridge University Press, 1959
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In Elizabethan drama, the revenge tragedy was already a favorite genre by the time Shakespeare penned Hamlet. The basic structure guaranteed that one killed at the beginning of the play, usually a father, would somehow call for a younger relative, usually a son, to avenge his murder (Encyclopedia Britannica). Based on the traditional values of the time, the son would then confront and kill his father’s murderer, restoring honor to both his father’s death and the family as a whole. Yet Hamlet, unlike the typical hero of a revenge tragedy, ...
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The theme of revenge is expanded and created by the ghost of King Hamlet because not only does he instruct others to seek revenge but he has such a powerful reach that characters, mainly Prince Hamlet, become driven by this want for revenge. Prince Hamlet shows his eagerness for revenge by saying that “Hast me to know’t, that I, with wings as swift / As meditation or the thoughts of love, / May sweep to my revenge” (34). As the text progresses the message or theme of revengeance fully surfaces when those who are driven by revenge, Laertes and Prince Hamlet, lure themselves to their own demise and this showcases the evil in chasing revenge. In addition, Shakespeare not only uses the theme of revenge but also uses the almost opposite theme of patience to show what mankind “should be and what not to be”. The following shows the outcome of Fortinbras’s patience, “I have some rights of memory in this kingdom, / Which now to claim my vantage doth invite me” (177). In Hamlet, Shakespeare uses the ghost of King Hamlet as a representation and establisher of the theme of revenge and by the end of the tragedy shows how the characters, Prince Hamlet and Laertes, who followed this path lead themselves to their deaths; however, Shakespeare uses Fortinbras to represent the theme of patience and how not seeking revenge or acting upon impulses, like Hamlet and Laertes, led him to the throne of Denmark. Moreover, even though the King Hamlet’s ghost appears in the text for a limited time he plays a significant role in the development of other
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