Representation of Different Social and Cultural Forces in The Handmaid's Tale by Atweeon and Hard Times by Dickens

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Representation of Different Social and Cultural Forces in The Handmaid's Tale by Atweeon and Hard Times by Dickens

“Masses of labourers, organised like soldiers, are daily and hourly

enslaved by the machine, by the over-looker and above all by the

individual bourgeois manufacturer himself”, Karl Marx in his Manifesto

of the Communist Party 1848 here highlights the state portrayed

through Charles Dickens’s ‘Hard Times’. Margaret Atwood highlights the

similarity with her book saying “it is a study of power, and how it

operated and how it deforms or shapes the people who are living within

that kind of regime”. Defined as an act that prevents the natural or

normal expression, activity or development; repression is undoubtedly

a common theme between two similar yet very different novels.

Louis Althusser, as a 20th.Century Professor of Philosophy considers

the implementation of repression through two distinct methods; the

‘Repressive State Apparatuses’ (RSA’s), which are an implementation of

force, most strongly envisaged through the law, backed up by the

police force and other confrontational measures of repression. The

second method, ‘Ideological State Apparatuses’ (ISA’s), are systems of

repression that work on a subtler scale, the effects of which verge on

the subconscious, ultimately however securing consent. Althusser’s

list of ISA’s includes religion, the family, the political system,

media, literature, art, and most of all, education[i]. Such repressive

ideologies and structures are evident within both novels in question

yet are used to varying degrees.

‘The Handmaids tale’ follows a ‘Dystopian genre’: an imaginary place

where...

... middle of paper ...

...r. The predominant use of ISA’s in

his novel shows how he represents the strength of repression through

the mind – “the novel has seemed to many critics a symbolic and poetic

work”[iv]; one which today we can see the logic to. In future years a

similar relevance may be found from Atwood’s novel however the reality

of the repressive forces within her novel seem much more distant to a

modern audience relying on the imagination which contrasts with ‘Hard

Times’; fundamentally based on historical reality.

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[i] Catherine Belsey, Postconstructuralism a very short introduction

[ii] http://panopticon.csustan.edu/cpa99/html/fraser.html

[iii] http://www.sparknotes.com/lit/hardtimes/context.html

[iv] York notes advanced, Hard Times, Charles Dickens.

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